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Wildes view of himself in dorian gray
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In Oscar Wilde’s The Picture of Dorian Gray, Lord Henry has exhibited valid acts of someone who is hedonistic. Throughout the first few chapters in the text Lord Henry has displayed substantial liking to pleasure, dislike of philanthropism and the love of beauty and youth. First of all Lord Henry believes that it is a silly habit to lose one’s pleasure (page 4), this belief is a strong indication that he is hedonistic because it seems to be something that influences him to continue on living. The dictionary defines a hedonistic person as someone motivated by desires for sensual pleasures and that’s exactly what Lord Henry believes in. Next, Lord Henry does not believe in philanthropy (page 39), he believes that “philanthropic people lose all
Through the novel, Henry’s conversations with Dorian and Basil Hallward depict him as an invested disciple of Pater. Henry’s insight into Pater’s philosophy can best be seen when he states that, “the only horrible thing in this world is ennui” or boredom (Wilde 220). Henry echoes Pater’s distaste for the formation of habits and not having new experiences that bring the individual out of their daily rut. Henry is the one who advises Dorian to live his life to his fullest and to appreciate art and beauty, but the reader is not privy to Henry’s private life or his internal thoughts. While Henry accurately represents Pater’s ideals through his speech, the reader cannot assume that he also enacts them in his daily life.
such a process, this was just one of the causes of the break with Rome
To illustrate this, Aubrey suggests that “To remain a spectator of life and at the same time to fulfill every desire of one 's sensual nature is a paradox; it suggests the co-existence of opposite values. It is the art of feeling life without feeling it, the art of touching whilst remaining untouched. Paradoxes such as these lead often to the sphere of mysticism” (Aubrey). The paradox between art and life is portrayed through sensory images throughout the novel, particularly in the beginning when introduced to Basil’s study where he paints Dorian and other subjects. The pampered style of home Basil Howland lives in illustrates the specific way of living of which Basil and his companions are accustomed. Understanding the means of living is important to the moral corruption that takes place through out the novel: “If it was only the other way! If it was I who were to be always young, and the picture that were to grow old" (Wilde 205). The corruption that takes place here is substantiated by Lord Henry’s psychological games he plays with Dorian. While Dorian is still youthful and innocent Henry imposes the idea of remaining with his aesthetic beauty his whole life instead of aging as God intended. Corruption oozes through Henry’s words as they influence Dorian’s young mind and transform him into and egotistical, numb character. Though embracing
Through the use of various literary devices in The Picture of Dorian Gray by Oscar Wilde the main character, Dorian Gray, is eventually led to his inadvertent suicide because the portrait changes to show all of Dorian’s sins.
One’s pursuit of the good life can be altered by how much we allow ourselves to be influence by different ideas, groups, or individuals. We can suffer the dangers of egocentrism, which we see in God in America: The New Adam through the Spanish colonists and the Puritans. The other extreme we could suffer is complete conformity to someone else’s vision of the “good life” which is shown in Oscar Wilde’s The Picture of Dorian Gray.
In Wilde’s The Picture of Dorian Gray, we follow the young Dorian Gray as Lord Henry Wotton first introduces him to a new way of being. Lord Henry believes that the only way of being is to understand that beauty is the only worthwhile trait of life. Wilde writes “, Lord Henry looked at him . . . There was something in his face that made one trust him at once . . . There was something in his low, languid voice that was absolutely fascinating . . . But he felt afraid of him, and was ashamed of being afraid. Why had it been left to a stranger to reveal him to himself?”(page18-23) To Dorian, having just met Lord Henry, these words are life altering. Scholars have made the argument that Lord ...
none of them work, in fact they look down upon it and they very much
"The soul is a terrible reality. It can be bought and sold. It can be poisoned or made perfect. There's a soul in each one of us. I know it." This is a statement made by Dorian Gray to his best friend, Lord Henry, a few hours after he realizes that his behavior of the last eighteen years has been absolutely terrible.
Aestheticism is a philosophy in which its followers practice complete self-indulgence. Aesthetic principles teach that the arts, beauty, and youth are absolute over anything else. People who follow this philosophy are very egotistical, and are extremely concerned with appearances. It is often associated with jewelry, painting, music, and perfumes. (insert quote to prove) All followers of Aestheticism put activities pertaining to beauty above anything else. Their priorities hold beauty above attributes such as kindness, morality, and intelligence. Hedonism is a practice that is very similar. Followers of the philosophy of Hedonism conclude that pleasure is the most important aspect of life. In the picture of Dorian Gray, Aestheticism and Hedonism are very active philosophies used by the novel’s characters. Lord Henry influences Dorian to follow these teachings, and as a result Dorian becomes intensely vain and selfish. The portrait is in direct correlation with the immoral influence and the intense vanity. In The Picture of Dorian Gray, Oscar Wilde effectively uses the portrait of Dorian Gray as a symbol to satirize the adverse effects that social pressures and excessive vanity have on a person’s morality.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
In the early chapters of The Picture of Dorian Gray, by Oscar Wilde, we are introduced to a young and naïve character, Dorian Gray. Wilde’s descriptions of the young man create a picture of an innocent yet easily influenced Dorian, who is just beginning to learn what the adult world is all about. He is happy and handsome, yet when he is introduced to Lord Henry, he begins to experiment a little bit more on the side of sin. He becomes obsessed with youth and beauty, and he says that he “would give everything, even [his] very soul” to remain attractive and young. After this declaration, the reader is introduced to a changed Dorian Gray and his new philosophies about life, which begin to sound a lot like Lord Henry’s thoughts. Dorian “falls in love,” and then he breaks a girl’s heart, causing her to end her life. His beautiful portrait begins to alter, and to keep others from witnessing this, he locks the picture away.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
Basil’s questioning of Dorian marrying an actress from the slums of London begins to show Basil evolving to a position of the super ego he knows what is right yet is over ruled by the devil on Dorian’s Shoulder, Lord Henry. Both men idolize youth they both make Dorian Gray to be the symbol of youthfulness. Basil is ultimately self-defeating when he presents the portrait Dorian Gray and he begins to idolize the lifestyle of Lord Henry. It is made clear to Dorian that it is Hippocratic to change your ways to appear pure after a lifetime immorality. “Even the cardinal virtues cannot atone for half-cold entrées,” (Wilde). Even though he is warned early of the risks of the lifestyle, Dorian follows in the ways of Lord Henry. A life of hypocrisy is comparable to the aristocratic life Dorian lives he, “can flaunt [his] moral views about [h...
When Lord Henry first meets Gray, he instills an obsession with youth in him, and leads him to believe that it is the most important part of Gray. Gray is so heavily affected by Lord Henry 's ramblings that he begins to believe that he is, in fact hedonistic, but represses
Oscar Wilde’s ‘The picture of Dorian gray was based on the importance of Beauty and aesthetics. Lord Henry claims to value beauty and youth above all else. “But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid.” Here Henry talks about his belief that everything that matters shows itself in appearance. According to him, a person's thoughts and personality have influence over the alignment of their features. It is this very logic, which Lord Henry transfers to Dorian that drives him to make the wish that ultimately damns him. The moment Dorian Gray realizes that he would get to keep his beautiful appearance regardless of the sins he indulges in, he thinks himself free from the bounds of morality and righteousness. He values his physical appearance more than the state of his soul, which is openly displayed by the ever-increasing degradation of the portrait. This superficial faith in the ultimate value of youth and beauty is therefore the driving mechanism behind the protagonist's damnation. It is important to bear in mind that the beauty that Dorian incessantly pursues is a beauty defined by a purely artistic sensibility, as opposed to a humanitarian one. When faced with the news of his fiancé’s suicide,