Did you see that?? Did you hear that??? BOOM, BOOM, BOOM, what was that noise?? As a mother of four small children, these are common questions asked during the remainder of the night, after watching a horror movie or exchanging ghost stories. I used to not get affected by scary movies, stories, etc. As I grow older, I've realized how crazy some people in life really are, and am affected differently. I always just thought that was most horror films were cheesy, or why didn't she run? As I grow older, I notice myself getting more freaked out and asking the same questions that my children ask me, and becoming more paranoid. I feel that horror films, ghost stories, and books have different effects on people throughout different stages of our lives. …show more content…
My 8-year-old son loves horror stories and scary movies; his favorite movies are the Friday the 13th movies. My 6-year-old son is different than most children, he has chronic PTSD and very high anxiety. My 2-year-old, he just goes with the flow of things, and until recently, really showed no reaction to ghost stories or scary movies. All my children react differently to what they have seen or heard when it comes to scary stories. They all enjoy the thrills they get during the story, but later during the night or even into the next evening everyone is very jumpy. Some ways my children are affected by hearing or watching scary stories are: getting scared of the dark; lack of sleep, not understand how something happened or why the event happened, having hallucinations; seeing and hearing things not there. There can also be long-term effects that children can have, due to horror stories. For example, when I was very young I used to love thrillers. My mother and her friends were watching a movie called "IT", and the wonderful parent that she was; let me stay and accompany her and her friends while watching their movie. Long story short, I am still currently DEATHLY scared of clowns and getting my hair stuck in the bathtub
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Many films, and sometimes film genres, are dismissed as being part of the cinema of escapism. This assumes that in times of particular social or economic hardship (often on a national or international level), people go to movies for the sole purpose of “getting away from it all.” While some films may follow this overall trend, it is important to note that it cannot be a generalization made for all films. During the Weimar era in Germany, the nation was in the midst of a national struggle on many fronts. As a people, Germans attempted to deal with their past (the problems during World War I as well as the consequences of their loss) and move toward the future (finding a solution for their economic struggles and defining themselves culturally and socially). This period saw a resurgence of the horror genre, this time adapted to the new medium of film. However, the way horror was portrayed via film is the interesting part: it drew specifically on the struggles of the nation to instill horror. This is an exact reversal of the idea of cinematic escapism, since many Weimar era horror films used relatable struggles in order to both entertain and terrify (in this case, existing concurrently as well as dependently on each other). One of the clearest examples of this is through the film Nosferatu, a cinematic retelling of Bram Stoker’s novel Dracula directed by F.W. Murnau. The budding horror genre of the Weimar era, as exemplified by Nosferatu, succeeded because it drew parallels to the German people’s collective post-World War I mindset, including references to the terrible nature of the war itself and the fearful prospect of how to move forward.
Most authors use 4 utilities to make a story entertaining. They use the setting, mood, tone, and the archetypes to keep the author entertained. Cinderella by Jacob and WilHelm Grimm and Dr. Jekyll and Mr. Hyde by Marsha Hatfield were both scary because they showed how the tone and mood affected the story, themselves, and the readers at the same time. The horror genre is spooky and unlike other genres, because they are written to scare audiences. In order to do that authors and directors have to change settings, establish tones and moods, and use archetypes that are darker than all other genres. Multiple authors make similar decisions to create archetypes, setting, mood, and tones that uphold the horror genre.
King chooses to compare the minds of a child and an adult to see the different resilience levels when exposed to the horror genre. He describes his findings as a paradox, “Children, who are physically quite weak, lift the weight of unbelief with ease” (PP 118). King assumes because the mind of an adult is mature it can handle the horrific depictions within the horror variety yet children seem too be able to withstand the pressure. King backed his theory by analyzing Walt Disney’s movies and their impact on a child’s imagination. Walt Disney’s movie Bambi is what Stephen King pinpointed when comparing the toll of horrific events in children and adult minds. King questioned adults about what was most terrifying about a movie when they were younger and they stated, “Bambi’s father shot by the hunter, or Bambi and his mother running before the forest fire” (PP 119). Another aspect King unveiled was the Doppler Effect and that, “A part of ‘growing up’ is the fact that everything has a scare potential for the child under eight” (PP 119). The cognitive imagination does not stop developing it just suppresses certain mental functions to draw a line between what is real and what is not. Horror novelist mask the tension with comedy yet with one swift motion it, “Knocks the adult props out from under us and tumbles us back down the slide into childhood” (PP
Horror movies are one of the most fascinating genres of film that exists. They are unrealistic but at the same time, they are also realistic. This realism that they contain is what draws people’s interest towards them because viewers are able to associate aspects of their own lives with the film. Every horror movie, no matter how farfetched the theme or plot may be, contains an element that people can relate to. This element may not be observable to a conscious mind, but to an unconscious mind, it brings back memories of something that has been repressed earlier in our lives (Wood, 197). This recollection of suppressed memories is how horror films create a sense of fear and it is literally what Robin Wood means when he talks about “the return
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
We live in a society where a life of another human being is losing value by the minute, murder is almost more common than marriage, and monsters no longer lurk under our beds but inside us. Even sadder, this is acceptable; this is our normal. When we are children, we have an indescribable innocence; we are invincible. As we grow up, life happens, and we go through hardships that break us. Stephen King says it best with the words “sometimes inhuman places create human monsters” (Stephen King, The Shining) It is in the battle of finding ourselves in the process of trying to pick up the broken pieces. We tend to feel our losses more intensely than our gains- the exact reason we often see the walls we build from our past and not the strength gained in our experiences that aid us in our futures. We all have both good and evil in us, and we become the one we choose to act on. The majority of us choose to represent our good side, the more socially acceptable choice, but some fall victim to their darkest self. However, in order to survive in our society, we generally act on the good in us, and in order to maintain the good, we must feed the bad sometimes. This Is why I agree with Stephen king on his view of why people like horror movies?
Does anyone know why people find an interest in decapitating someone or slowly watch them get eaten by the dead? In the story Why We Crave Horror Movies the author, Stephen King, quotes numerous lines about death, murder, spirits, and many other violent quotes that people could think of. The author does a good job at this because of the way the story is said that makes people feel inside where the story takes place. Stephen King correctly states that people are all mentally ill, people need horror movies to stay normal, and to watch movies for that weird sort of joy.
Horror is one of many fears humans have. We all have many terrors, but horror is the one that gets the best of us. Some crave, while others resent, the feeling horror movies bring to our body and the emotions that we experience. In Stephen King’s article, “Why We Crave Horror,” he explains that it is a part of the “Human Condition,” to crave the horror. King gives many strong and accurate claims on why we crave the horror movies, such as; testing our ability to face our fears, to re-establish our feelings of normality, and to experience a peculiar sort of fun.
Stephen King wrote a very brief essay titled "Why we Crave Horror Movies", in which he explained some of the reasons that people choose to go to horror movies to be entertained. In his essay, King goes on to explain that we as a people need horror movies as a sort of release; to feed the darker elements within all of us without having to sacrifice our humanity (also, civility). King does this by comparing people based on their levels of sanity whereas some societal "eccentricities" are completely acceptable, while some will get you thrown right into the loony bin. It’s summed up pretty well in this quote:
Stephen King, a very well-known writer and director, has a passionate voice when it comes to anything dealing with horror. In “Why We Crave Horror Movies,” King calls us out for knowing that we love the adrenaline rush and how we are so captivated by horror movies. He explains how we watch horror movies for the level of fun. King proposes that we go to defy ourselves; to see how far it can push us and that is what makes the experience so interesting. We lock our inner psycho from reality and feed it with the demonic, bloody violence found in horror movies. Doing this suggests that horror movies are our fix for our psychotic thoughts. Stephen King’s “Why We Crave Horror Movies” portrays that we are all insane in some weird way through
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
Therefore, a horror movie can affect someone’s life for a long time. When I was a senior in high school, I was camping with my friends. One of my friends named Mckyle brought a light because he could not sleep without light, and he was scared of the dark. I was asking him why he was scared of darkness, and he told me a story about himself. He told me that he was watching a scary movie with his cousin when he was seven years old, and the movie was talking about a spirit would come out when the light turned off. Therefore, he had a phobia of dark. This horror movie affected his life for a long time because he was sleeping with light more than ten years, and he still needed the light for sleeping. If he slept without light, he could not sleep at all. Also, he would have a nightmare about the movie. Until now, he still cannot sleep without light, and he is still scared of darkness. He never watches a horror movie in his life because it will remind him the spirit. Therefore, a horror movie can affect people for a long time because horror movie may cause a phobia to anyone. Horror movies do not potentially benefit to all the
Are horror films bad for us? Well, maybe. Two studies show that prolonged exposure to violence in the media can escalate to hostile behaviors. Horror films contain violence, therefore, they are bad for us. In answer to the question “Are horror films bad for us?” is maybe yes, maybe no.