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Concept of sexuality in literature
Shakespeare use of disguise in
Shakespeare use of disguise in
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Shakespeare takes the typical love triangle, adds some surprise disguises and makes problems and confusion arise for all characters involved. In his play Twelfth Night or What You Will, the plot centers around a brother and sister separated after a ship wreck. The sister, Viola, is left stranded on a strange land, Illyria, with the notion that her brother, Sebastian, has died. Viola makes the wise decision to disguise herself as her brother in order to survive on Illyria. The use of disguise is a integral part of the story because it allows Viola, or as he’s known to everyone in Illyria as Cesario, to complete a lot of the tasks that she would never be able to do as a women. Viola/Cesario would never have been able to complete some of the task …show more content…
Despite Ceasrio’s best efforts in trying to help Orsino initially with his love for Olivia, Olivia in turn fell for Cesario. He makes the cryptic statement, “I am not what I am” (3.1.148). Cesario means to state that he is not what he appears to be. He isn’t a boy for Olivia to love because he’s actually a girl dressed up as a boy. Cesario will never be able to accepted or reciprocate Olivia’s love for him because he had no feelings or romance towards her but also because Viola has fallen for someone else, Orsino. She goes on to tell Olivia “ By innocence I swear, and by my youth, I have one heart, one bosom and one truth, And that no woman has, nor never none shall mistress be of it, save I alone” (3.1.165-168). This once again echos what Cesario is trying to say before to Olivia. His heart, or more correctly Viola’s heart, will only every belong to Orsino. She has fallen in love with an imaginary boy. It holds slight double meaning being that since he actually is a women no other women will have his heart and that is also true because another man also already has won Viola’s heart. The double meaning could draws more attention to Viola’s double identity, which the audience is only aware of but makes what she’s trying to tell Olivia sound even more
During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just like Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beauty would feel so strong for him and he wastes no time.... ... middle of paper ...
When Viola was talking to Orsino about Olivia, she attempts to tell him the truth of the situation: “But if she cannot love you, sir?” (Act II, Scene IV). She wants the best for Orsino, so she tries to imply that Olivia does not reciprocate his love in an attempt to break the news in the least painful way possible. Orsino does not believe this reality, and he is so conceited that he tells Viola he will not take no for an answer. As this method did not work, Viola then discreetly attempts to tell Orsino that she is actually a woman and is in love with him. When Orsino was commissioning her to woo Olivia, Viola said, “As it might be, perhaps, were I a woman/I should your lordship?” (Act II, Scene IV). Viola essentially told Orsino that she was a woman, and she was hoping that Orsino would catch her bait. However, Viola could not directly tell him that she was a woman because her disguise would be uncovered. In a similar way, Swift sees the boy whom she likes is in a hopeless love. So, she attempts to become visible: “And all I think about is how to make you think of me/And everything that we could be/I just wanna open your eyes/And make you realize” (“Invisible”). Swift is so desperately in love with him that she will do anything to be seen; her sole focus was on becoming
When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit? / I had rather hear you solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106).
RISING ACTION: Cesario, which is Viola, was asked by Orsino to court Olivia for him: Once Viola is hired to work for Orsino she automatically falls in love with him. Since Orsino thinks of Viola to be a man, he has no clue she is in love with him. Olivia is not impressed with Orsino’s poetry that Cesario reads to her, yet she is attracted to t...
Viola disguises herself as Cesario, a male eunuch, and goes to work for the Duke Orsino. Unaware that Cesario is not what he seems, the Duke Orsino becomes very friendly with Cesario after just three of having known each other. Unsuccessful in his pursuit of Olivia, Orsino sends Cesario to gain her affection for him because he thinks she will be taken in by Cesario's youth. Viola, dressed as Cesario, falls in love with the duke Orsino but ... ... middle of paper ... ...was but a toy, For the rain it raineth every day' There are other songs sung by Feste which reveal a darker side to the plot such as songs with lines: 'Come away, come away death, And in sad cypress let me be laid'.
In addition to making the play less interesting, the disguise is also necessary to develop the storyline involving Sebastian, and the confusion that his return creates. It also is vital to the conflict between Olivia and Orsino, which depends on Viola's disguise to keep things exciting. Viola's disguise becomes increasingly more important as the events take place. place. The sand is a sand.
From this quote, we can see that Viola becomes the form of her intent which is a man, in order to work for Orsino and in doing so she deceives her ownself. She also deceives everyone else in the play, with the exception of Feste, and as a result causes confusion among and between the characters and mayhem in the... ... middle of paper ... ... e play. Instead Feste takes part of the humor only with revenge on his mind and not to provide humor, and relies only on quick plays on words to supply humor.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
In Twelfth Night, the character Viola, who cross-dresses as a man named Cesario, is used to show how true love is capable of breaking gender barriers. Viola is an amiable character who has no severe faults. The audience can clearly detect that Viola's love is the purest because unlike Orsino and Olivia, her character's love is not narcissistic and does not jump from one person to the next. In other words, her actions are motivated by deep and abiding passion rather than whimsical choices. Viola's main problem, however, throughout the play is one of identity. Because of her costume, she must be both herself and Cesario. Thi...
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
To stand back and see what has arisen, all because of Viola’s disguise, is overwhelming
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...