How Does Shakespeare Present the Character of Iago in Act I, and Prepare the Audience for His Part in Othello’s Downfall?

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‘Othello’, also known as ‘The Tragedy of Othello, The Moor of Venice’ is a play written by William Shakespeare, somewhere between 1601 and 1604. It is a tragedy set in Venice and Cyprus, with a strong and respected soldier, Othello, playing the protagonist; although some critics argue that the play should have been named ‘Iago’ after the treacherous villain whose role is at least as important as the protagonist’s. The play is the heart-rending tale of a black Venetian soldier, who is excellent at his occupation, but would still collect negative sentiments towards him due to his colour, and African ancestry (which is constant throughout the play with terms like, ‘Moor’, and ‘Devil’ being used to describe him and his characteristics, somewhat ironically as Iago is the true devil of the play). This grand soldier marries the lady whom he wooed with stories of his triumphs, Desdemona, despite the negative scrutiny the marriage would of received at that time. Iago tells Desdemona’s father, Brabantio, and he is furious – so much so that he takes the matter to the duke, as it is his belief that Othello tricked his daughter, with black magic and love spells. The duke sides with Othello, and the action soon moves to Cyprus where a war was supposedly breaking out. Whilst in Cyprus Iago, with the help of his ‘Goon’ Roderigo, stirs rumours and deceives the others to the extent of forcing the once respectable soldier to murdering his new wife. As well as tricking and manipulating many other characters along the way. The most disturbing truth about Iago’s wrong doings is the fact that he seemed to take pleasure in torturing his ‘Friends’ (probably better described as puppets, or tools), even his own wife, Emilia.

Othello’s character undergoe...

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...o’s intentions are questionable, he is very openly presented ‘as is,’ – this is not the case, however when other characters are nearby, it’s true that Shakespeare wants the audience to know all about Iago, but the same cannot be said for the rest of the cast. I feel that it is a well employed technique nevertheless, due to the fact that we know Iago has double standards, and seeing the characters who we sympathise with fall prey to a trick that Iago has played makes the emotions in the play much more climactic, it is more of a bother when we see Iago succeed, these feelings of sadness and pity are often tied to Iago’s success, but when we see Iago fall prey to his own game, the audience feels a much more uplifting sense of accomplishment than they would have otherwise felt. Literary methods such as this make the play ‘Othello,’ that bit more satisfying to watch.

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