Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Feminism essays in shakespeare
Feminism in shakespeare
Feminism in shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Compare the ways that Shakespeare and Luhrmann present the character of Mercutio.
Mercutio is a multi complex character in Williams Shakespeare Romeo and Juliet written in 1595. He's described as witty, cynical, loyal and misogynistic, although only a secondary character and appearing in only four scenes Mercutio is known for overshadowing Romeo in the play with his puns and witty dialogue. This comedic foil to Romeo is neither a Montague or a Capulet and lives outside the realms of the conflict however it's this tragic friendship that sets in Mercutio's role as a catalyst for the play turning from comedic to tragic .
When introduced to the play Shakespeare presents Mercutio as possessing a sexual idea of love, through his cynical views polarised
…show more content…
These views are another sort to Romeos who believes in the traditional poetic love as seen in Petrarch's sonnets , shown when he uses the cliché comparison of love to the thorns on a rose. These ideas are mocked by Mercutio in ' prick love for pricking and you beat love down,' through this pun Mercutio shows their opposing views on love as well as their close relationship ,seen by him trying to cheer Romeo as well as him being the only friend who can mock Romeo successfully in the play, this ribalding wit sets in Romeo's role as the innocent protagonist and …show more content…
This close relationship is further shown by Mercutio, using rhetorical questions, in “why, is not this better now than groaning for love? Now art thou sociable, now art thou Romeo?” by complementing him with the adjective 'sociable' Mercutio is trying to cheer up Romeo, developing the audiences sense of their close relationship and providing a catalyst for subsequent tragedy. This is ironic because although Mercutio believes he was the one to cheer Romeo up in reality the audience knows it was Juliet that did. This infers to the reader that although they have a close relationship Mercutio has a false impression of Romeo, as he presents himself as someone he's not, seen in the sexual pun ''why then is my pump well flowered'' he is seen to be using this to humour Mercutio to keep their friendship, this displays that their relationship is not based on honesty but lies, which is used by Shakespeare to add to the tragedy of the play. In addition in this scene Shakespeare is again presenting
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
Mercutio is one of the most unique characters in Shakespeare's Romeo and Juliet. His language is always powerful and imaginative. The Nurse is a very important character in the play because as her title suggests, she is. a Nurse for the Capulet family. She is also a surrogate mother to Juliet.
In the play Romeo and Juliet by William Shakespeare, Mercutio, a friend of Romeo plays a deep role within the play. Many characters in Romeo and Juliet can represent the masculine or feminine spaces. The masculine space is chaotic and more towards the sexual and material side of the play, which have more of a tragic potential. While the feminine space is peaceful, more romantic and spiritual in giving a better chance for the comic potential. Mercutio represents the masculine space while Romeo prefers the peacefulness of the feminine space. Mercutio tells Romeo to be rough with love, he tries to keep him within the masculine space after the ball, and he fools with the Juliet’s nurse because of his actions he pushes Romeo towards tragedy.
clever punning - 'If love be rough with you, be rough with love' and '
The excerpt shows how even Mercutio recognizes the feud between the Montagues and Capulets being destructive, and how it is now gotten so out of hand he has been dragged into it. Mercutio tries to open Romeo’s eyes on how if this feud continues there will be a demise for both families; but by Romeo choosing to ignore this advice and killing Tybalt he is setting himself up for his failure/downfall. Thus, Romeo is shown as a tragic hero because his demise is partly his fault and not an accident.
Capulets and never in the play wishes to injure any one of them in any
Mercutio, though a minor character, had and enormous impact on the outcome of the play. Before the Capulet Ball, Romeo had been debating whether to go or not. Mercutio persuaded him to go by giving a big speech to him about a dream he had. This makes him partially responsible because the Ball is where Romeo first met Juliet. Mercutio also caused Romeo to be banished from Verona. Mercutio got in a fight with Tybalt and ended up dead. His death enraged Romeo enough to make him kill Tybalt in revenge. When the Prince saw what happened, he sent Romeo into exile. Romeo's banishment to Mantua made it near impossible for Romeo and Juliet to see each other. Mercutio was to blame, though only partially for the deaths of Romeo and Juliet.
As life proceeds its slow waltz, and humans live their lives, meeting countless other people in the same predicament of nearing an unavoidable end. In this cycle of monotony and conversation there can be people found that are different. Those who are never bothered by the burdens of death and monotony, and hurry through life to greet death as a lost friend they had encountered many times on their sprees of invincibility. From the handful of people who resemble these characteristics, one can be found in the William Shakespeare play Romeo and Juliet. In which the zany character to be found is Mercutio, who is of neither Montague nor Capulet but falls to the hands of Capulet in the defense of Romeo of Montague in a fight of a childish altercation. In which even at his fall in Romeo and Juliet, Shakespeare still displays his distinct characteristics that greatly define him such as: humor and impulsiveness.
When suddenly Baz Luhrmann nineteen minutes into his work presents a drag Mercutio dressed scandalously in a ridiculous white wig and wearing red lipstick to top it all off, it seems he has no regard for the original Romeo and Juliet. In his portrayal of a character as crucial as Mercutio, Luhrmann crosses the fine line between the individual possessing eloquence and profuse wit Shakespeare creates, and a downright maniac. Before entering the Capulets’ mansion Mercutio’s acclaimed Queen Mab Speech in Act One, Scene Four, displays the aforementioned eloquence and vivid imagination of the character. Specifically, Mercutio claims, “Oh, then I see you’ve been with Queen Mab/...True, I talk of dreams,/Which are the children of an idle brain,/Begot of nothing but vain fantasy,”(I iv 53, 97-99). Anyone with a rational mind does not expect Mercutio to deliver his lines about dreams being merely the result of the anxieties and desires of those who sleep while holding ecstasy and jumping agitatedly. Luhrmann offers an insane Mercutio in his take on Romeo and Juliet and all it achieves is a massacre of the brilliance of the dialogue. The unconventional director stages the exchange to end with Romeo accepting a psychoactive drug inducing him in a euphoric state, then shattering any proceeding potential romantic mood.
The plot for Romeo and Juliet stems from a love story based on Romeo meeting Juliet at a ball where Tybalt from the Capulet family attends. Friction begins when Tybalt voices his dislike for Romeo of the Montague family. This sets the stage for a confrontation between Tybalt and Romeo. Mercutio's character takes on importance as the confrontation takes form. If there were no Mercutio than Juliet would still be alive. Unfortunately, Romeo would not be alive because Tybalt would have surely killed
The most famous foil character in ''Romeo and Juliet'' is Mercutio. He is known for his sharp wit and quick, often ribald, humor and is considered a foil to Romeo. He lacks Romeo's effusive romance, his adoration and almost courtly approach to the idea of love. He often urges Romeo to just find a woman to sleep with and stop worrying about the ephemeral, yet all consuming, love Romeo is desperate to achieve. Mercutio warns Romeo to be skeptical of love and not to rush ahead, but Romeo is all rush, no
In William Shakespeare’s play “Romeo and Juliet,” Mercutio is introduced as Romeo (the main character) and Benvolio’s (Romeo’s cousin and friend) good friend and relative of the Prince. Mercutio is a very beloved friend to Romeo, but that doesn’t mean he isn’t unkind or disrespectful. He is also very dramatic and perverted, yet somehow laid back and relaxed at the same time. He is very interesting in the way that he can seem kind, but be an awful person and friend at the same time. If Mercutio weren’t as dramatic or such an attention-seeker, he wouldn’t have died and eventually caused Tybalt, Paris, Romeo, and Juliet’s deaths and the sadness that followed each death.
Romeo's perception of love as "rough" is generally due to his own response to the events in his life. Mercutio sees love as a "tender thing," and therefore offers this advice:
Mercutio has always had an anti-romantic mentality, and shows no restraint in voicing his opinion and chastising others for their beliefs. Mercutio uses poetry to mock Romeo for his vision of love in Act II, “Romeo, Humors! Madman! Passion! Lover! Appear thou in the likeness of a sigh, speak but one rhyme and I am satisfied,” (II.1.7-9). He obviously has a very cynical side and does not mind showing it to people, no matter how those people react to him. On the other hand, Romeo has always had a very ardent sense of love. Romeo shows deep understanding of his love for Rosaline by exclaiming, "Did