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Literary analysis of lord of the flies
Analysis of the Lord Of The Flies
Analysis of the Lord Of The Flies
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Published in 1954, William Golding's novel, Lord of the Flies exemplifies man's capacity for evil which is revealed in his inherent human nature. The underlying evil within man is the most prominent theme of the novel, and perhaps its most controversial one. To portray this theme, Lord of the Flies details the lives of a group of young school age boys who have been stranded on a deserted island. As these youngsters struggle to survive they are faced with the challenge of sustaining life by nourishing and sheltering themselves, as well as trying to figure out how to be rescued. Along the way they endeavor to maintain a civilized order as well as their own humanity, however it becomes apparent that most of the boys are capable of evil perhaps …show more content…
It can be argued that Golding's use of characterization solidifies his contention that all men have the capacity for evil due to their innate human nature. Golding depicts the two main alpha male characters of Jack and Ralph as the primary examples of this theme. As the story unfolds, Golding reveals Jack to be selfish, violent and corrupt as he was driven "to violence. The bolting look came into his blue eyes. He took a step, and able at last to hit someone, stuck his fist into Piggy's stomach" (Golding 71). Additionally, the description of Jack towards the conclusion of the book reveals how deceitful, antagonistic and monstrous Jack has become. Ralph accuses Jack of being "a beast …show more content…
The following quote depicts the pig head of the Lord of the Flies who torments and tantalizes Simon with the truth. The Lord of the Flies rhetorically questions Simon: "You knew, didn't you? I'm part of you? Close, close, close! I'm the reason why it's no go? Why things are what they are?" (Golding 143). This quote certifies that the beast is indeed within Simon as well as all of the boys. In truth, when the Lord of the Flies is talking to Simon, it is really Simon hallucinating as he hears the voices of the boys as a whole in his own mind. In this case Simon has become overcome with the beast inside himself: "Simon found he was looking into a vast mouth. There was blackness within, a blackness that spread" (Golding 144). However, Simon never exhibits evil tendencies, instead he denies it by merely blacking out as a result of his internal turmoil: "Simon was inside the mouth. He fell down and lost consciousness" (Golding 144). The pig's head on a stick symbolizes the metaphorical Lord of the Flies, which is ultimately the demon found to be within each of the boy's hearts and minds. This can be interpreted as the inner voice of evil. Furthermore, it can be argued that because Simon is perhaps the most outwardly calm and even tempered of all of the boys, he was able to hear his conscience and his inner capacity for evil together as one. This is one of the most
Simon, the wisest, calmest, and maturest of all the boys, is off by himself “talking” to a pig, perhaps going crazy. All others are sitting around the fire relaxing, ignoring the fact that one of the the wisest men of all has himself begun to lose sanity, possibly symbolic of the condition of people on the island. Of course, readers know, by the description of the bulging clouds, that the sky will soon break and, symbolically, something terrible within the plot will soon happen. Indeed, the entire novel has built to this point, as readers have observed the downward spiral of morality amidst the moral characters and increased savagery. Simon has observed this, and perhaps because he tends to take in everything inwardly, his depression over the gradual decline in the children on the island has caused him to become somewhat senile. Simon continues his “conversation” with the pig whom he calls “the lord of the flies” (“Beelzebub” in Hebrew, meaning “the devil”), and it is as if he is being tempted by the devil, or corrupt immorality that has taken over the other children on the island. However, he is able to be triumphant over the temptations, and staggers back down to the island to inform the other children that the beast on the island is
Simon appreciates how peaceful and beautiful the island is , but as he journeys deeper he finds The Lord of the Flies (the boars head) impaled at its center, the main symbol of how the innocence of childhood has been corrupted by fear and savagery. When Ralph is first introduced, he is acting like a child, splashing in the water, and laughing. He tells Piggy that his father, a naval commander, will rescue him. Ralph repeats his belief in their rescue throughout the novel, shifting his hope that his own father will discover them. To the more realistic idea that a passing ship will be attracted by the signal fire on the island. By the end of the novel, he has lost hope in the boys' rescue altogether. Notice how he goes from being optimistic to pessimistic his childhood wishes and fantasies are lost in the savagery and harshness of the jungle.
Whether people will deny it or not, it is certainly apparent that human nature is all too evil; for there is a demon that lurks in everyone, just waiting to come out. Humans can build civilizations and attempt to deviate themselves from such basic instincts, yet nevertheless, evil is not something that they can run from; it is not something that they can defeat. William Golding knew this, and so in his book, Lord of the Flies, he presents so by portraying a microcosm of a society in the form of little British schoolboys. Their plane, in an attempt to escape from the raging war, came to its own demise as it was shot down, leaving the boys stranded on an island they know nothing of. Ralph, later on the leader of the boys, and with the help of
...religious allegory. He depicts a story in which the boys are stranded on an island and need to fend for themselves. However, instead of focusing on rescue and building a fire, the boys ultimately shift their priorities to hunting and killing. They turn a once beautiful and majestic island into a place of terror and evil. Additionally, they maul and kill their only hope of ever changing, Simon. Lord of the Flies is reminiscent of the television series “Lost.” Just like in Golding’s world, “Lost” is staged on a remote far away island after a plane crash. However, these people are not children. They are adults, which makes the story even more chilling. These adults eventually succumb to murderous acts and violence, further proving the point Golding sets out to make. Humans are inherently evil, and without any system to keep them in line, they will destroy the world.
The issue on whether man is good or evil has been debated over several generations. In William Golding’s Lord of the Flies, a group of young boys are stranded on an uninhabited island. In the beginning, the boys have fun and are carefree while adventuring on the island. With no adults around to tell them how to behave, the boys declare war on one another and face several conflicts. These conflicts provide Golding with the opportunity to explore the idea that society restrains the evil intentions of human nature.
The novel “Lord of the Flies” was written by William Golding to demonstrate the problems of society and the sinful nature of man.
One of the most important and most obvious symbols in Lord of the Flies is the object that gives the novel its name, the pig's head. Golding's description of the slaughtered animal's head on a spear is very graphic and even frightening. The pig's head is depicted as "dim-eyed, grinning faintly, blood blackening between the teeth," and the "obscene thing" is covered with a "black blob of flies" that "tickled under his nostrils" (William Golding, Lord of the Flies, New York, Putnam Publishing Group, 1954, p. 137, 138). As a result of this detailed, striking image, the reader becomes aware of the great evil and darkness represented by the Lord of the Flies, and when Simon begins to converse with the seemingly inanimate, devil-like object, the source of that wickedness is revealed. Even though the conversation may be entirely a hallucination, Simon learns that the beast, which has long since frightened the other boys on the island, is not an external force. In fact, the head of the slain pig tells him, "Fancy thinking the beast was something you could hunt and kill! Ö You knew, didn't you? I'm part of you?" (p. 143). That is to say, the evil, epitomized by the pig's head, that is causing the boys' island society to decline is that which is inherently present within man. At the end of this scene, the immense evil represented by this powerful symbol can once again be seen as Simon faints after looking into the wide mouth of the pig and seeing "blackness within, a blackness that spread" (p. 144).
Lord of the Flies provides one with a clear understanding of Golding's view of human nature. Whether this view is right or wrong is a point to be debated. This image Golding paints for the reader, that of humans being inherently bad, is a perspective not all people share. Lord of the Flies is but an abstract tool of Golding's to construct the idea of the inherent evil of human nature in the minds of his readers. To construct this idea of the inherent evil, Golding employs the symbolism of Simon, Ralph, the hunt and the island.
William Golding’s Lord of the Flies portrays the lives of young British boys whose plane crashed on a deserted island and their struggle for survival. The task of survival was challenging for such young boys, while maintaining the civilized orders and humanity they were so accustomed too. These extremely difficult circumstances and the need for survival turned these innocent boys into the most primitive and savaged mankind could imagine. William Golding illustrates man’s capacity for evil, which is revealed in man’s inherent nature. Golding uses characterization, symbolism and style of writing to show man’s inhumanity and evil towards one another.
The book Lord of the Flies was William Golding’s first novel he had published, and also his one that is the most well known. It follows the story of a group of British schoolboys whose plane, supposedly carrying them somewhere safe to live during the vaguely mentioned war going on, crashes on the shore of a deserted island. They try to attempt to cope with their situation and govern themselves while they wait to be rescued, but they instead regress to primal instincts and the manner and mentality of humanity’s earliest societies.
Golding has a rather pessimistic view of humanity having selfishness, impulsiveness and violence within, shown in his dark yet allegorical novel Lord of the Flies. Throughout the novel, the boys show great self-concern, act rashly, and pummel beasts, boys and bacon. The delicate facade of society is easily toppled by man's true beastly nature.
The Lord of the Flies by William Golding is tale of a group of young boys who become stranded on a deserted island after their plane crashes. Intertwined in this classic novel are many themes, most that relate to the inherent evil that exists in all human beings and the malicious nature of mankind. In The Lord of the Flies, Golding shows the boys' gradual transformation from being civilized, well-mannered people to savage, ritualistic beasts.
This paper will explore the three elements of innate evil within William Golding's, Lord of the Flies, the change from civilization to savagery, the beast, and the battle on the island. Golding represents evil through his character's, their actions, and symbolism. The island becomes the biggest representation of evil because it's where the entire novel takes place. The change from civilization to savagery is another representation of how easily people can change from good to evil under unusual circumstances. Golding also explores the evil within all humans though the beast, because it's their only chance for survival and survival instinct takes over. In doing so, this paper will prove that Lord of the Flies exemplifies the innate evil that exists within all humans.
William Golding’s Lord of the Flies shows man’s inhumanity to man. This novel shows readers good vs. evil through children. It uses their way of coping with being stranded on an island to show us how corrupt humans really are.
The novel Lord of the Flies by William Golding used a group of British boys beached on a deserted island to illustrate the malicious nature in mankind. Lord of the Flies dealt with the changes the boys underwent as they gradually adapted to the freedom from their society. William Golding's basic philosophy that man was inherently evil was expressed in such instances as the death of Simon, the beast within the boys, and the way Ralph was fervently hunted.