This small excerpt from Kate Chopin’s The Awakening undoubtedly shows how finding oneself can lead to internal happiness. Internal happiness is an essential component of the recipe for a joyful life. Without joy in one’s life, the person tends to be depressed and uninterested with life in general. In The Awakening, the main character Edna Pontellier has an internal battle with herself to find out who she really is and eventually learns that it’s ok to break off from societal conventions. Edna Pontellier, at the beginning of the story, is struggling to find internal happiness in her life from all aspects. Her love life is in shambles as she doesn’t truly love her husband named Leonce because his work life has destroyed their love life. She has …show more content…
“In short, Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her.” (Chopin 13). Edna Pontellier trip to the cottages of Madame Lebrun would change her life completely. During her visit there, she becomes enlightened in the terms of finding herself and freeing herself from that 1800’s woman’s mindset. A mindset that made her believe that having a husband is necessary in life. The dreadful task of finally finding a husband, and soon after, have children which hindered many women from chasing their dreams. They weren’t able to chase their dreams because it was an unwritten rule for the woman to stay at home and take care of the children. A mindset that forced her to lose the joy that she once had in her life. As a young child, she enjoyed painting. As she got older, she was expected to get rid of those hobbies that she genuinely loved. She was asked to replace that hobby with a husband and …show more content…
“The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft close embrace.” (Chopin 13). The sea has an important role throughout the entire story. The symbolization of freedom shows its self in the form of the sea. In the previously mentioned excerpt, the sea has a “voice”, meaning that it has a message to convey to Edna and the audience reading the book. The message is that the sea can provide an entry into a life of solitude and self-enlightenment. Edna has been forced to be something she is not for a long time and jumps at the opportunity to feel lively again. The feeling of self-enlightenment has entered Edna’s soul and she has a feeling of purpose in life now and in no way is she willing to go back to her former life. Again, this “voice” speaks to the soul of Edna. The use of words to describe this “voice” such seductive, never ceasing, whispering, clamoring, murmuring helps develop an identity behind that voice. The voice gives off the tone of one similar to that of a salesman trying to persuade a buyer. In this situation the sea is the salesman and Edna is dying to purchase what the sea is selling. At first Edna is hesitant to give in
She pursued activities that would allow her to become more individualistic, such as painting or art. Chopin decides to have Mrs.Pontellier’s character explore art, so she can address Mrs.Pontellier’s relationship with herself and her struggle to become an expressive artist. Throughout this short period Mrs.Pontellier constantly visits an accomplished female artist, Mademoiselle Reisz, who has abandoned the suppressive ideals of her time. Mademoiselle Reisz remarks, “I do not know you well enough to say. I do not know your talent or your temperament. To be an artist includes much; one must possess many gifts-absolute gifts-which have not been acquired by one’s own effort. And, moreover, to succeed, the artist must possess the courageous soul”(Pg.63). Chopin includes this, to show how Mrs.Pontellier is becoming ambitious and developing personal goals and interests. The significance of this pursuit of creativity is to reveal the importance of becoming her true self, in order to produce her own signature art. The underlying message is that to be an artist, one must have their own style, perspectives, opinions, and self assertiveness. Mrs.Pontellier however, is stuck between being a devoted mother and wife, or an artist who defies the standards upon her. Alongside this, Chopin conveys that with the absence of her husband, she has the opportunity to reflect on who she
Edna Pontellier: she is the protagonist of the novel. With twenty eight years, she is housewife married with Léonce Pontellier and mother of two boys, Etienne and Raoul. At the beginning of the novel she is comfortable in her marriage, where she sees the end of passion and the beginning of a responsible life. Through a series of experiences, she evolves into an amazing independent woman, who lives apart from her husband and her children, the only ones of whom she was in charge and is just responsible for her own acts. In a way, the only responsibilities she has during this period are art and having fun with friends. As we have said, she is the main
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Leonce Pontellier, the husband of Edna Pontellier in Kate Chopin's The Awakening, becomes very perturbed when his wife, in the period of a few months, suddenly drops all of her responsibilities. After she admits that she has "let things go," he angrily asks, "on account of what?" Edna is unable to provide a definite answer, and says, "Oh! I don't know. Let me along; you bother me" (108). The uncertainty she expresses springs out of the ambiguous nature of the transformation she has undergone. It is easy to read Edna's transformation in strictly negative terms‹as a move away from the repressive expectations of her husband and society‹or in strictly positive terms‹as a move toward the love and sensuality she finds at the summer beach resort of Grand Isle. While both of these moves exist in Edna's story, to focus on one aspect closes the reader off to the ambiguity that seems at the very center of Edna's awakening. Edna cannot define the nature of her awakening to her husband because it is not a single edged discovery; she comes to understand both what is not in her current situation and what is another situation. Furthermore, the sensuality that she has been awakened to is itself not merely the male or female sexuality she has been accustomed to before, but rather the sensuality that comes in the fusion of male and female. The most prominent symbol of the book‹the ocean that she finally gives herself up to‹embodies not one aspect of her awakening, but rather the multitude of contradictory meanings that she discovers. Only once the ambiguity of this central symbol is understood can we read the ending of the novel as a culmination and extension of the themes in the novel, and the novel regains a...
Pontellier does not doubt nor desire for something beyond society’s standard for women. Leonce Pontellier, Edna’s husband, is about fifteen years older than Edna; this age divide causes a drift in what principles Leonce feels that Edna must adhere to. He maintains his belief that Edna should follow a pattern of behavior that is in conformity with what society expects of a mother-woman. A mother-woman, was defined to be one “who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals…” (Chopin 16). This principle definition of a ‘mother-woman’ was expected to be followed by the women of the late 18th century; and was viewed as an ‘unwritten law’, or simply a regulation known to obey but not question. At first, Edna does not object to this expected behavior as Leonce’s wife. She fulfills her domestic duties without complaining and she stays loyal to her husband. Mrs. Pontellier never protests or confronts any inward doubt or apprehensions she may have imagined. Instead, Edna conforms by being quiet, reserved and calm; she suppresses her own feelings to try and please society and its strict standards. Yet, all this external conformity and compliance forces Edna to question her role in the society. Is this all she can expect in
The presence and embrace of the sea is a constant acquaintance to Edna. In contrast, her husband frequents the club and children who are unattended by her. The continual presence of the sea allows Edna to reflect on her life such as seeing her image on the surface of water.
By Edna finding herself in the book she was freeing herself. In the novel Edna finds a new hobby, painting. Painting was her escape from the world, and it made her feel good. In the novel it says that “Mrs. Pontellier had brought her sketching materials, which she sometimes dabbled with in an unprofessional way. She liked the dabbling. She felt in it satisfaction of a kind which no other employment afforded her.”(V pg 15) Chopin explain the feeling that Edna gets while painting. It is a feeling that nothing else give her, and that is why she does it even though she is not good. Painting is what gets Edna through because it is not easy becoming you own person. When thing seem to go left Edna paints. The novel Mr. Pontellier make a comment “’It seems to me the utmost folly for a woman at the head of a household, and the mother of children, to spend in an atelier day which would be better employed contriving for the comfort of her family.’" (XIX pg 62) This comment represent how society worked back then. In responds to his statement Edna just said "I feel like painting,"(XIX pg 62) By her say she wants to go paint after Mr. Pontellier made that comment Chopin is show that Edna is escaping, or freeing herself from society. Most women need some type of escape for themselves. They need something that will get them through the process of becoming free. They need something that will make them feel good when they are
In chapter VI, Edna begins to respond to this voice inside of her, “The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude ... to lose itself in mazes of inward contemplation” (14). The very sight and sound of the sea entices her. The author depicts the sea as an invigorating object that gives Edna life. The sea embodies Edna and gives her the confidence to express her feelings. Even the sight of the sea, empowers Edna. This is the first time where Chopin displays Edna’s amelioration towards society. In previous chapters Edna hesitates from communicating her opinions, “When it came her turn to read it, she did so with profound astonishment...It was openly criticised... Mrs. Pontellier gave over being astonished, and concluded that wonders would never cease.” (11). Women were expected to conform to societal norms and remain subservient but Edna ceased to live her life this way. Chapter VI opens her eyes to the issues of society that prevented women from freely living, "Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world and within around her.”(14). Through listening, smelling and hearing the sea, Edna grasps her craving for a life where she is considered a human being rather than
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
Despite her convent background, Emma is a lavish spendthrift who is more concerned on worldly things and is characterized by selfishness as seen when she says, “But I don’t want anything but my own” (Flaubert 110). She also engages in multiple affairs which are fueled by her romantic ideals and illusions. Contrary to Emma, Edna struggles to live an independent life exhibited with self-control as seen when she denies Roberts marriage wish by saying “I give myself where I chose” (Chopin 19). In addition, Emma engages in prostitution to be able to satisfy her luxurious lifestyle whereas Edna’s affair is based on latent fantasies which had been suppressed by her
In Chopin's Awakening, the reader meets Edna Pontellier, a married woman who attempts to overcome her "fate", to avoid the stereotypical role of a woman in her era, and in doing so she reveals the surrounding. society's assumptions and moral values about women of Edna's time. Edna helps to reveal the assumptions of her society. The people surrounding her each day, particularly women, assume their roles as "housewives"; while the men are free to leave the house, go out at night, gamble, drink and work. Edna surprises her associates when she takes up painting, which represents a working job and independence for Edna.
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
“The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.”
Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish.
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.