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Noir genre analysis
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Noir is an extremely complex genre in which all social and cultural norms are challenged. This genre is filled with crime and corruption in order to shed light on the reality of the world and how anti-normative life can actually be. In the novel The Big Sleep, author Raymond Chandler uses the darkness and immorality of noir in order to set limitations on anti-normativity. Chandler portrays the subject of anti-normativity as someone or something that strays from the common aspects of society such as patriarchy, benevolent parenthood, monogamous and loving marriages, appropriate gender roles, and repressed sexuality. The most prominent anti-normative characters in The Big Sleep who Chandler uses to illustrate this idea are Phillip Marlowe, Vivian Sternwood, the general, and Arthur Gwynn Geiger. In order to set limitations on anti-normativity, the main character in the novel, Phillip Marlowe, is affiliated with crooked people and is surrounded by a world of corruption and deceit, yet, Chandler allows him to maintain a …show more content…
If he were to sleep with Carmen, he would not only be disrespecting his client, her father, but he would be aligning himself with Carmen’s inappropriate and scandalous behavior. Since Marlowe was not even tempted by the young, beautiful creature lying naked in his bed, Chandler is proving that Marlowe’s character is not as much of a part of the immoral, crime-filled world that he is surrounded by. Even though Marlowe has a number of dishonest traits, the small part of him that is still clinging on to morality is why Chandler allows him to live throughout the entirety of the novel. Thus, Chandler is setting limitations for anti-normativity. He is asserting the fact that it is acceptable for most people to have scandalous and immoral tendencies, as long as they don’t cross the very thin line into completely deviant
"Such a lot of guns around town and so few brains!" is a memorable line of Humphrey Bogart's Philip Marlowe in the 1946 adaptation of Raymond Chandler's The Big Sleep (The Big Sleep). That one quote encapsulates the presence of corruption, violence and even class distinction that is characteristic of film noir and the hard-boiled detective genre. The novel and the film both focus on Philip Marlowe, a private detective, during his investigative process. While the main plot remains the same, changes were made regarding the portrayals of characters, including Marlowe, likely in response to consideration of the audience and intent of the film. However, the setting was further developed through the
The Big Sleep (1946) is a film noir directed by Howard Hawks and was the first adaption from Raymond Chandler’s 1939 novel of the same name. The film stars Humphrey Bogard as hard-boiled private detective, Philip Marlowe, and Lauren Bacall, as Vivian Rutledge. The title The Big Sleep is synonymous with death and the word “Big” refers to an everlasting sleep. While Sean Regan is found dead after subsequently disappearing, Marlow is always up throughout the night trying to track down leads. The dark mise-en-scene contributes to the gloomy and mysterious tone of the movie. Furthermore, the director never references the title in the film leaving the audience more perplexed. In the lecture, Gillian states that film noir is dependent on black and
NAREMORE, J. (1998). More than night film noir in its contexts. Berkeley, University of California Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=42280.
On first inspection of Raymond Chandler's novel, The Big Sleep, the reader discovers that the story unravels quickly through the narrative voice of Philip Marlowe, the detective hired by the Sternwood family of Los Angeles to solve a mystery for them. The mystery concerns the General Sternwood's young daughter, and a one Mr. A. G. Geiger. Upon digging for the answer to this puzzle placed before Marlowe for a mere fee of $25 dollars a day plus expenses, Marlowe soon finds layers upon layers of mystifying events tangled in the already mysterious web of lies and deception concerning the Sternwood family, especially the two young daughters.
Adapted from the novella written by James M. Cain, Double Indemnity is a melodramatic film noir that highlights the conflict its characters face through adultery and murder which develops from the dissatisfaction and alienation that arose in the era of modernity as shown in most noir films. Unlike most noir films, Double Indemnity set the bar in terms of structural themes to follow and elements that eventually came to be considered essential in the noir genre. The film was seen to be a full embodiment of what the genre should be. Double Indemnity is an archetypal noir film, which portrays noir elements through its style, the characters, its writers’ backstory and the history of Los Angeles, the city in which it is set. This essay will examine how Los Angeles is integrated not only into the location but also into the storyline of the characters and their motivations but also the filmmakers’ lives. It does this through characteristic noir motifs like “the urban cultural landscape, the lack of rootedness of the characters, and the self-deceptions that center their world” (p. 437) affect the protagonists in the film. Double Indemnity’s use of Los Angeles as its primary location exposes the innate decadence and decay of the city through film noir stylistic elements. Billy Wilder directed Double Indemnity and the film became the archetypal noir film because it embodied all the characteristics of a typical noir film, which include “claustrophobia, paranoia, despair and nihilism” (Place and Peterson, p. 327) course kit source. Los Angeles, the city used primarily as the location in the film becomes not merely a backdrop but a character in the film through its physical and implied characteristics. The context through the stories of Wild...
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
Nathanial Hawthorne’s The Scarlet Letter used the dichotomy of public versus private to emphasize one of the novel’s themes: to conform to society or to be tenacious. This dichotomy can be applied to Hester and Dimmesdale’s transgressions. Similarly, Rousseau’s work helped to explain this, and those decisions can be reconciled by the community. A “force” can also be used to keep individual impulses in check.
Playing with descriptions of characters is the way that Chandler fits them into stereotypical roles as women who should be feared. Carmen is crazy and Vivian is a seductress who has the same mental abilities as Marlowe. His descriptions of the characters are detailed and they tell the reader just enough to allow her to fit the character into an inappropriate stereotypical group.
Detective Philip Marlowe from Raymond Chandler’s ‘Red Wind, pivotal to understanding Red Wind not only because he is the main protagonist but because he is the narrator of this work, so grasping the way he conducts himself will create a clear understanding of Red Wind as a whole. In particular, a major concept to grasp is “What’s Philip Marlowe’s moral code? However, comparing moral codes in general is redundant when discussing what’s Philip Marlowe’s moral code is. Instead, it is important when understanding Red Wind’s Philip Marlowe and his moral code to only unearth Marlowe’s code from what he says, and what he doesn’t say, what he does and what he doesn’t do. Philip Marlowe is seen as a brave and chivalrous character not based off of mere
In order to easily describe the way Chandler writes it is best to break down a few bits and pieces of the text. For instance, the lack of punctuation throughout Chandler's text is an example of his style. It takes a while to find a semi-colon or a colon anywhere in the novel. I have already ...
Throughout “The Great Gatsby,” corruption is evident through the people within it. However, we discover with Daisy, initially believed to be a victim of her husband’s corruption—we find she is the eye of the storm. In the story, the reader feels sorry for Daisy, the victim in an arranged marriage, wanting her to find the happiness she seemingly longed for with Gatsby. Ultimately we see Daisy for what she is, a truly corrupt soul; her languish and materialistic lifestyle, allowing Gatsby to take the blame for her foolish action of killing Myrtle, and feigning the ultimate victim as she “allows” Tom to take her away from the unsavory business she has created. Daisy, the definitive picture of seeming innocence is the most unforeseen, therefore, effective image of corruption—leading to a good man’s downfall of the American Dream.
The historical setting is highly significant in the novel since it is intertwined with the public’s belief and values, which shape overall themes of the novel and the main characters’ traits. The main setting of the novel takes place in New England during the middle of the seventeenth century, and the setting is the essential factor that develops the core conflicts among Hester, Dimmesdale, and the Puritan society; in fact, the historical setting itself and the society within it is what Hawthorne intends to reveal to the reader. New England in the seventeenth century was predominately organized around religious authorities, and indeed, a large portion of the population had migrated to the colony of New England with religious purposes. Therefore, the strict and religiously centered historical setting is well demonstrated through Hester’s townspeople when Hester commits adultery. The church authority and the townspeople require Hester to wear the large “A” embroidered scarlet letter, which symbolizes adultery. This act is aligned with the historica...
Without an honorable reputation a person is not worthy of respect from others in their society. In Nathaniel Hawthorne’s novel, The Scarlet Letter, the struggle to shake off the past is an underlying theme throughout the novel. Characters in this novel go through their lives struggling with trying to cope with the guilt and shame associated with actions that lost them their honorable reputation. Particularly, Hawthorne shows the lasting effect that sin and guilt has on two of the main characters in the book: Hester Prynne and Reverend Dimmesdale.
The corruption of the 1930s was often present regardless if people wanted to believe it or not. “The Big Sleep” written by Raymond Chandler is about a private detective trying to solve a blackmailing case for a private detective why trying to uncover the corruption of those around him. Throughout the novel Chandler questions the credibility of the police. In the Big Sleep Raymond Chandler uses Philip Marlowe as the immoral yet heroic protagonist to cover the oppressive and corrupt society of the 1930s Los Angeles.
“Force always attracts men of low morality,” (Albert Einstein). A moral being is someone who can be seen as honest, considerate, and loyal. These traits are the essential components to creating a well-rounded person; however, these characteristics were void in the context of The Great Gatsby. In Fitzgerald’s so-called, “Jazz Era”, people were vulgar and ignorant of the true virtue of the American Dream. From the organized crime of New York to the intrapersonal relationships of the partygoers, morality appeared to be omitted from the American society. In F. Scott Fitzgerald’s, The Great Gatsby, Tom was the most immoral character because his lack of honesty and devotion for those around him led to Gatsby’s death.