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Civil rights movement music influence
Civil rights movement and music
The influence of black music on the civil rights movement
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Traditional gospel music was written to be performed to express the African Americans’ personal feelings of Christianity. During the 1950’s, African Americans were segregated from the whites. Black Americans believed that the U.S. should be integrated not segregated. The civil rights movement came into play because of the large range of discrimination in the U.S. Gospel music was a tool for resistance during the Civil rights movement, because many protestors would sing hymns instead of violently protesting in the streets. Black Americans would sing freedom songs that influenced their rights against discrimination. Gospel music gave African Americans strength to not violently protest in the streets because they knew violence wasn’t the way to go. To express the relationship of African American traditional gospel music to their struggle towards freedom after the World War II era. …show more content…
African Americans believed that the U.S. should be integrated because segregation was immoral. Gospel music was used as a tool for resistance because many African Americans believed in non-violent protests. Martin Luther King Jr. was among the great civil rights activist who believed in equality. The sermons, prayers and songs of the African American church culture were key components of the civil rights movement. Gospel music was used throughout the civil rights movement to attract minorities, encourage the youth participation, meetings and to instill confidence. King organized many meetings and marches to intrigue Americans to protest against segregation. The “freedom songs” were based on familiar spirituals and gospel songs (Castellini, 9). From the locals, to student organizers the movement changed America and many civil rights song leaders performed traditional gospel music in
The African-American civil rights movement was a cruel time for the African American race to endure due to the harsh discrimination and segregation that they faced. This movement fought for the rights and the equality of African Americans in the United States. With all that was going on, African Americans turned to music for motivation, courage, inspiration and strength to overcome the difficult obstacles that they would soon face. “Non-violence marchers faced beating, hosing, burning, shooting, or jail with no defense other than their courage and songs” (Hast 45). “It's been a long, a long time coming/ But I know a change gonna come, oh yes it will” (Cooke, Sam. A Change Is Gonna Come). Music was their greatest hope for change in the near future and is the thing that kept them fighting for what they deserved. They came together with each other due to the lyrics of many different songs that kept the civil rights movement alive and known. Music painted a vision that they could picture and look forward to; it was a dream that they could fight for. “Music empowered African Americans to hold tight to their dream of racial equality” (Jeske). A genre of music that bought society together during this movement was folk.
I was reluctant to have our music alienate anyone.” (Gordy, 2011). According to Boyce (2008), the image and sound of Motown was all about the promotion of “cross over” music without the involvement of politics, but Gordy ended up showing some support for the civil rights movement as he recorded and distributed Martin Luther King Jr.’s ‘The Great March to Freedom’ speech in 1963, later founding a Black Forum label which allowed the speeches from civil rights leaders and various Motown songs available to everyone. Religion, especially Christianity, played a huge role in black peoples’ lives at the time, leading to the expansion of black churches in South America. In the 1960s, the proportion of blacks going to church increased as segregation and racial discrimination divided the two cultures in America.
Soul music was developed in the late 1950s from African American church music called Gospel music. After slavery ended in1865, African American were not welcomed in the church of White Americans, so they built their own churches and sang Christian songs with African American vocal styles and rhythm. As the civil rights movement, staged bigger and bigger demonstrations and increase in African American pride “Soul music” became more than party music for young blacks: it became a rallying flag for the Black nationalist movement. Soul music was born thanks to the innovations of continuous post-war musicians who essentially turned Gospel music into a secular form of
Black and white gospel music are similar in the sense of they are singing about. They differ most in the sound of music. Black gospel music has a more smooth and soul sound to it, while white gospel music has a more modern sound. I think the distinction between the two is necessary because they do have similarity, but just like hip hop and pop are similar they still are different genres because essentially they sound different.
During the Civil Rights era, African Americans changed the way people looked at music by ending the segregation in the music world and by making a well-known “soundtrack” and influence during the Civil Rights Movement.
On July 5, 1954, forty-nine days after the Supreme Court handed down the decision on the Brown vs. Board of Education case, a nineteen year old truck driver recorded an Arthur Crudup blues track called “That’s All Right Mama” (Bertrand 46). Memphis disc jockey Dewey Phillips found the cut and played it on his radio show a few weeks later. He received calls all over from people, mostly white, who wanted to hear more. He quickly located the musician and brought him into the studio for an interview, audiences were shocked to learn that Elvis was white (Bertrand 46). Elvis’s music brought black music into white mainstream pop culture almost overnight. The breakthrough of Elvis happening almost simultaneously with the dawn of the Civil Rights Movement was no accident. As any scholar of the humanities would tell you that often times after a great war there exists a time of enlightenment, prosperity and reformation. One such cultural revival took place in this nation after the closing of the Second World War. The progressive thought of the ‘50s nurtured new ideas and cultures including the Civil Rights Movement and the fast spread of rock and roll. In an essay entitled “Color” written to Esquire magazine in 1962 the essayist James Baldwin describes the revival of white culture after WWII with the following passage:
Music was used as a critical instrument in the early 20th century in mobilizing and inspiring the civil rights movement by giving them more voice to bring out their grievances. According to Kerk (2007, p.18) Martin Luther king was the most prolific figure who utilized music to sensitize society, “we believe that freedom songs play a big and vital part in the struggle that we are going through” this words were also echoed by the Albany movement “music keeps us a live, it gives us a sense of unity, new courage every dawn, hope to move on that the future still holds something in our most daring and dreadful hours”
The origins of African American religious music are directly linked to the Negro spirituals of enslaved Africans. One cannot research religious music of blacks in this country without first exploring these spirituals. The spirituals were part of a religious expression that enslaved people used to transcend the narrow limits and dehumanizing effects of slavery. It was through the performance of the spirituals that the individual and the community experienced their God, a God who affirmed their humanity in ways whites did not and a God who could set them free both spiritually and physically. These “sacred songs” were also used as secret communication. That is not to say that all spirituals functioned as coded protest songs or as some sort of secret language. The structure of the spirituals and the way in which they were created and performed allowed for flexibility in their function and meaning.
...rgence, it was not recorded and recognized. The narrator and the authors from SSUS both express an emphasis on the importance of this music. The narrator felt so compelled by the music that he decided to bring the music to a different audience and environment. The authors in SSUS also voiced the importance of remembering and try to recreate the original African-American slave songs. Although both stories place a huge emphasis on these songs, the musicking experiences are quite different. The narrator provides a raw, detailed emotional response to the music. Meanwhile, the authors in SSUS choose to focus more on the music’s context and technicalities. Aside from their similarities and differences, these stories greatly show how music can help record a time in history, show different examples of musicking, and help show the importance of some of music’s original roots
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
...ncestors and why things are different now. People can learn a lot about their ancestors and things of the past through music. Music tells the stories of what happened in the past. It exposes what people have gone through to get to where things are now. Understanding the culture and history allows the people of today to become more appreciative of the things that the past generations have done to make things better. African Americans have endured a lot of hardships throughout history and it is important to know that and realize that people today do not have it as hard as they did. African Americans no longer have to experience things such as slavery and segregation because some of the black people of past generations were courageous enough to fight for equality. Although hatred and racism still exists, it is not as prevalent and boldly shown as it was in their time.
The Freedom Singers of the Civil Rights Movement that played at colleges, elementary school, high schools, concert halls, living rooms, jails, political rallies and the March on Washington. The Freedom Singers were successful at singing endeavors, netted SNCC nearly 50,000 dollars for use in Spreading the message of the Civil Rights. The music that the band sang was as affective as a communicative devise because of active participation and unique sounds were part of the musical heritage of black Americans of African descent. The music symbolized horror and truth, yet the peaceful hope of Civil Rights Movement.
It was no coincidence that rock ‘n’ roll and the civil rights movement started at the same time. The genre originated from African American music and was greatly discriminated against. Traditional white Americans would target anything bad about it. But as the teenager demographic of the 1950s started increasing the sales of the music, the genre started gaining more popularity. It was the style of Elvis Presley and his new voice that made girls weak in the knees and boys want to be him. Artists such as Presley had enough influence to change the view of their devoted fans on civil rights issues. Soon as protest songs and rock ‘n’ roll became more popular and influential, it began a gap between the young adult generation and their parents which led to the rebellion of the civil rights movement. Through these factors rock ‘n’ roll influenced a great deal over the civil rights movement.
Religion was the most significant element that maintained the movement’s validity in the time of misery, poverty and discrimination. The spiritual growth helped to deal with the maltreatment and hardships that black people confronted every day. It offered them the inner strength that allowed them to survive. The motivation that originated from religious beliefs could be experienced in the freedom songs that were recognized as an indication of the movement. Merging traditional hymns with a promise of freedom encouraged activists to sing them wherever they were able to, during processions, rallies, while serving a sentence so that their need for equal treatment and rights could not be
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf