Hop Frog as a Love Story
"Hop Frog", by Edgar Allan Poe, is a short story in which the title character, after enduring much abuse by the king, gets revenge in the end. Hop Frog is not only the king's jester, but is also a handicapped dwarf. The king perpetually berates Hop Frog and plays practical jokes on his poor jester. At one point, king and his seven ministers summon Hop Frog before them so that he may give them ideas for an upcoming masquerade. The king forces him to drink wine (which Hop Frog always has an adverse reaction to drinking) and becomes very upset at him. Hop Frog is saved only by the intercession of Trippetta, a woman from Hop Frog's own land and his only true friend. Trippetta succeeds, but only after suffering great humiliation at the hands of the king. Nevertheless, Hop Frog gives the eight an idea for their masquerade disguises. After tarring them, covering them with flax, and chaining them together, they have the rough appearance of eight orangutans, and Hop Frog leads them into the masquerade. Here his vengeance plot unfolds, as he hoists the into the air and sets them on fire. He then makes his escape, probably with Trippetta and the two are never seen again. But this story is not just about escape from oppression. Instead, it is a love story, because Hop Frog’s entire course of action was inspired only by his love for Trippetta.
Hop Frog had suffered through years of torment at the hands of the king. To begin with, Hop Frog was kidnapped from his own land and sent as a captive to the king. Hop Frog was made to suffer verbal abuse for his physical shortcomings and sufferings.
For example, he was given the insulting nickname of "Hop Frog", though ...through the distortions o...
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...e being abused himself, but when his love is mistreated, something just snaps. His cool plot is created solely to avenge the injustice done upon Trippetta. If Hop Frog only wished to escape or to have revenge for his own trials, he would have just killed the king. But instead, he kills the king (committer of the injustice) and the ministers (who all laughed at the humiliation of Trippetta). He does so in a public forum so as to humiliate them in the way they humiliated his love. After inflicting his vengeance on these men, Hop Frog escapes with his love and they disappear from the kingdom. One can only assume that they returned to their homeland, but wherever they did go, they went there together. This truly is a love story.
Works Cited:
Poe, Edgar Allen. "Hop-Frog." Collective Works of Edgar Allen Poe. Ed. Thomas Ollive Mabbott. Massattusetes: Harvard, 1978.
Through out the entire book Jordan makes assumptions and places sort of a personal view on this historical tragedy. He supports the idea that there grew a distinct attitude forming and evolving repressing the African as a society. The most important thing which can be gathered from this book, the idea that the constant and gradual suppression of the African in the colonies and United States led to a mentality of superiority among Caucasians over those of color.
Walker, I. M., ed. Edgar Allen Poe: A Critical Heritage. New York: Routledge & Kegan Paul, 1986.
It all started in 1955 when a man who lived in the area of Loveland Ohio saw three humanoid frog-like creatures who seemed to be waving around wands that shot out bright, fiery, scolding sparks.It had webbed hands and feet, like a frog, toad, or duck.And was a couple fo feet tall, most say 3-4 feet.It had bumpy skin, and was a green chromaticity. It walked like a human with good posture, bipedally. It was said to smell like drupes from almonds, and the plant alfalfa.But yet again, in 1955 there was another report of something strangely linked to the loveland frog. Mrs.Darwin Johnson, had said that she was attacked violently under water one night, in the Ohio River near Evansville, Indiana.She
Poe, Edgar Allan. "William Wilson." Selected Poetry and Prose of Poe. Ed. T. O. Mabbott. New York: Modern Library, 1951.
Poe, Edgar Allan. “ The Cask Of Amontillado.” Heritage Of American Literature .Ed. james E. Miller.Vol.2.Austin:Harcourt Brace Jovanovich,1991.20.Print.
Sprouted from slavery, the African American culture struggled to ground itself steadily into the American soils over the course of centuries. Imprisoned and transported to the New World, the African slaves suffered various physical afflictions, mental distress and social discrimination from their owners; their descendants confronted comparable predicaments from the society. The disparity in the treatment towards the African slaves forged their role as outliers of society, thus shaping a dual identity within the African American culture. As W. E. B. DuBois eloquently defines in The Souls of Black Folk, “[the African American] simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and
Poe, Edgar Allan. The Cask of Amontillado. Online. Personal Computer. Simpatico. Internet. 18 March 1999.
Redfield, J. S. "The Genius of Poe." Foreword. The Works of Edgar Allan Poe. Ed. A.C. Armstrong & Son. New York: A.C. Armstrong & Son., 1884. xv-xxvi. EPUB file.
In the United States, the rate of incarceration has increased shockingly over the past few years. In 2008, it was said that one in 100 U.S. adults were behind bars, meaning more than 2.3 million people. Even more surprising than this high rate is the fact that African Americans have been disproportionately incarcerated, especially low-income and lowly educated blacks. This is racialized mass incarceration. There are a few reasons why racialized mass incarceration occurs and how it negatively affects poor black communities.
In Edgar Allan Poe's short story "The Tell-Tale Heart," the author combines vivid symbolism with subtle irony. Although the story runs only four pages, within those few pages many examples of symbolism and irony abound. In short, the symbolism and irony lead to an enormously improved story as compared to a story with the same plot but with these two elements missing.
Krutch, Joseph Wood. Edgar Allan Poe: a Study in Genius. New York: Atheneum, 1965. Print.
Poe, Edgar Allan. The Collected Tales and Poems of Edgar Allan Poe. New York: The Modern Library 1992
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