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Justice in sophocles
Essay on joseph in the book of genesis
Justice in sophocles
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The question of the existence of a world order or an all-powerful force in the universe exacting justice upon violators of the world’s order is a common theme among the works of classical literature we have studied in class. This essay will explore the answer to this question from within the context of three works of classical literature. In the Old Testament the order that is imposed upon the world is scripted, regulated and enforced by the one true God, the God of Israel. According to Homer in The Iliad, the world’s order is defined by men, and retributions for violations are meted out by the gods acting directly and through the manipulation of men. In Sophocles’ Oedipus the King the order of the world is ambiguously defined and justice is returned to those guilty of transgressing these rules by the gods.
The story of Joseph in Genesis 37-46 we learn of Joseph’s rise from a position with little promise of his ever gaining prominence to the pinnacle of power in ancient Egypt. This ascension as a whole gives us a glimpse of God’s order in the world, but the details of the story each provide evidence that God is the sole proprietor of order and justice. Joseph, the youngest of twelve sons, is provided with a prophecy of his future greatness which he tells his brothers: “behold we were binding sheaves in the field, and, lo, my sheaf arose...your sheaves stood round about, and made obeisance to my sheaf...and behold the sun and the moon and the eleven stars made obeisance to me.'; This is the first indication that God is at work defining and orchestrating events in the world. When Joseph’s brothers later decide to sell him into slavery, they are attempting to circumvent God’s will to prevent Joseph from ruling over them. They are not able to understand that Joseph is the only one of them who is capable of saving them from a future drought. God continues to work to carry out His will when Joseph goes to Egypt by providing Joseph with the means to interpret Pharaoh’s dreams. Even then, Joseph realizes that this is God’s work, telling Pharaoh “It is not in me: God shall give Pharaoh an answer of peace'; and “God hath shewed Pharaoh what He is about to do.'; In the end, Joseph and God forgive his brothers and God’s people live in Egypt in peace.
A twenty-first century reading of the Iliad and the Odyssey will highlight a seeming lack of justice: hundreds of men die because of an adulteress, the most honorable characters are killed, the cowards survive, and everyone eventually goes to hell. Due to the difference in the time period, culture, prominent religions and values, the modern idea of justice is much different than that of Greece around 750 B.C. The idea of justice in Virgil’s the Aeneid is easier for us to recognize. As in our own culture, “justice” in the epic is based on a system of punishment for wrongs and rewards for honorable acts. Time and time again, Virgil provides his readers with examples of justice in the lives of his characters. Interestingly, the meaning of justice in the Aeneid transforms when applied to Fate and the actions of the gods. Unlike our modern (American) idea of blind, immutable Justice, the meanings and effects of justice shift, depending on whether its subject is mortal or immortal.
Locke stated that people give up rights in return for benefits and the right to life, liberty, and protection of property. However Hobbes was more harsh and said that as long as you mind your own business and don’t get in the way then you won’t be harmed. John Locke’s beliefs are more apparent in today’s world because of the role of democracy in America and our lives, freedom, and property are not being threatened unless you aren’t fulfilling your role in society. The ideas of Thomas Hobbes show in a government such as a monarchy or a dictatorship which aren’t accepted in modern times. People want to feel safe and when you can’t completely control whether or not you or your possessions are harmed citizens will revolt and change to a different more stable government that works for
In his writings the Two Treatises of Government, Locke sheltered the idea that people are by nature free and equivalent against claims that God had made all people naturally submissive to a sovereign state. He argues the idea that people have rights, such as the right to life, liberty, and property, which have a groundwork sovereign of the laws of any specific civilization. Locke used the idea that all men are indeed free by nature and equal as part of the reasoning for understanding valid political government as the result of a social contract where people in the state of nature in theory transfer some of their rights to the government in order to better ensure the stable, comfortable enjoyment of their lives, liberty, and property (Tuckness,
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
The Iliad is a story about the war between the Trojans and the Greeks. They believe that if you fight in a war, this is how you prove ones honor and integrity, but to not fight would show cowardice or fear. During this time, the males were trained from a young age to assume a major role in the war efforts (Rosenberg, 1999, p. 119).
Both Thomas Hobbes and John Locke are well-known political philosophers and social contract theorists. Social Contract Theory is, “the hypothesis that one’s moral obligations are dependent upon an implicit agreement between individuals to form a society.” (IEP, Friend). Both Hobbes and Locke are primarily known for their works concerning political philosophy, namely Hobbes’ Leviathan and Locke’s Two Treatise of Government. Both works contain a different view of a State of Nature and lay out social contracts designed to neutralize the chaos inherent in that state. Though Hobbes and Locke have a different understanding of the State of Nature, they share similar social contracts, except with regards to representation and the role of the government through the State of Nature.
Within two classical works of philosophical literature, notions of justice are presented plainly. Plato’s The Republic and Sophocles’ Antigone both address elements of death, tyranny and immorality, morality, and societal roles. These topics are important elements when addressing justice, whether in the societal representation or personal representation.
...e Biblical story weighs heavily on Joseph’s divine dream interpreting ability and the story it provides, focusing on the theme of God caring for His people and fulfilling his divine plan. The Qur’an appreciates this but sees it as a means to the end of the spread of faith to non-believers. The Christian and Jewish version of Joseph’s trials serves a greater literary purpose than the Qur’an’s version, advancing belief by showing God’s abilities and the way they may be manifested in others in order to fulfill his divine plan. However, the Qur’an expands upon the Biblical version by including additional plot points and explicitly portraying Joseph’s goals and how they align with Islamic theology. The accounts differ in functionality, but both are crucial to the holistic understanding of the story of Joseph and some of the fundamental differences between the religions.
Throughout Homer’s epic poem, The Iliad, gods are presented as remarkably human in almost every way. While it is assumed that gods are divine entities incapable of human transgression, they are portrayed with all the flaws of mortals in The Iliad. The gods are a manifestation of human emotions consequently helping to explain the behavior of the humans in The Iliad. The actions of the heroes are what determine their fate, not divine intervention. Ultimately, the humans in The Iliad have inherent characteristics that provide the driving force behind their actions: the gods simply act in concert with them, allowing the human beings to exercise free will of
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
Simone Weil argues that the way Homer presents war and the use of force in the Iliad, in all of its brutality, violence, and bitterness bathes the work in the light of love and justice (pg 25). The point Weil is making is that by depicting the suffering of all of these men regardless of their side, or strength Homer equalizes them in a “condition common to all men”(pg 25). Because Homer equalizes them the reader can feel empathy, or at least compassion for all of the men. However while Weil is correct about how Homer’s descriptions of war and force reveal justice and love, she is wrong in thinking that justice and love are mere “accents” to the Iliad, and progress through the story “without ever becoming noticeable”(pg 25). Homer not only reveals this underlying idea to the reader through his tone and even handedness, but also through Achilles’ journey. By the end of the Iliad Achilles understands justice and love in much the same way that the reader does.
The story of Joseph, the prophet is a pivotal cornerstone for two of the three major Abrahamic religions. In it, both Judaic and Islamic followers have crafted a story which establish God’s ability to intervene and protect his resolute followers. Throughout time, both parties have diverged on the fundamentals of this story to benefit their definition of faithfulness. As such, Both Islamic and Judaic faiths have crafted a story in which the view of God, Joseph, and the other characters present a significant example of the power of God and Allah.
Sleep deprivation is increasingly recognized as a worldwide public health concern as researchers found that lack of sleep impairs human functioning[2]. The majority of individuals was found to be sleep deprived as they are forced to restrain their sleeping hours to compensate increasing working hours, especially individuals whose professions’ is in line with healthcare, security and transportation sectors as they are often required to be on duty even at night [1]. Regardless of whether the individual was totally or partially sleep deprived, it was proven that both had adverse effects on the human body[3]. Further studies revealed that sleep deprivation affected ones’ cognitive and motor performance as well as mood[2].
One of the most compelling topics The Iliad raises is that of the intricate affiliations between fate, man and the gods. Many events related by Homer in his epic poem exhibit how these three connections interweave and eventually determine the very lives of the men and women involved in the war. Homer leaves these complex relationships slightly unclear throughout the epic, never spelling out the exact bonds connecting men's fate to the gods and what can be considered the power of fate. The motivation for the ambiguousness present in The Iliad is not easily understood, but it is a question that enriches and helps weave an even greater significance of the results into Homer's masterpiece. I feel that the interaction between man, god, and fate can be shown to be one great fluidity that ultimately leaves life mysterious, giving much more depth and complexity to the bonds between the three.
Sophocles’ tragic play, “Oedipus the King”, or “Oedipus Rex” as it’s known by its Latin name, is the Athenian drama that revolves around the events which lead to the demise of Oedipus Rex. The King Oedipus is forced down a preordained path that throws his entire world into a spiral of tragic providence, in this trilogy of a Theban play. Sophocles assigns the tragic hero to a downfall with the impossibility of changing the written fate; perhaps the views of today’s society would feel sympathy for the predicament that Oedipus is forced into, however, the publics of ancient Greece would accept that the path laid before them was a creation of the Gods. “Oedipus the King” reflects the ancient Greek credence in the belief that a person can do nothing to avoid their destiny, an idea that contrasts with what society believes today.