Claim: In the novel “Incantation,” Alice Hoffman develops a meaningful yet ubiquitous theme of how the infamous jealousy can destroy a person in many forms uses the literary devices such as simile and personification.
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Hoffman's use of simile develops the theme that jealousy can destroy a person in many forms.In the beginning of the novel, Estrella describes her childhood friend. She talks about Catalina’s amazing character. In fact, Estrella states that “ Catalina and I were so close nothing could come between us . We had been best friends from the time we were babies.,,,” Catalina and I had been given similar pet names, I had been called Raven and Catalina had been Crow. (Hoffman 5 ) At the point when the novel starts, Estrella resembles like an ordinary teenager: she has a closest companion named
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Catalina betrays Estrella and her family by telling the court that Estella’s family are Jews.Things aren't always what they seem”. Estrella realizes this throughout the the story multiple times, her best friend Catalina, being who she’s not ; her family, shrouding a vital secret , life itself more dangerous than she thought.
In the novel “Incantation,” Alice Hoffman develops a meaningful theme of how the infamous jealousy can destroy a person in many forms uses the literary devices such as simile and personification.
Context; towards the middle of the novel, finially witnesses the light towards estrella and enders relationship. In other words, she sees estrella and enders relationship.
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Estrella states “Maybe it was love or maybe I was pierced by the look on Catina’s face as she watched us from her yard . Shed come back outside after Andres had left with me and she was still there, staring. She’d been watching all along I wish she hadn’t seen us. I wished we were strangers . I wished i had met Andres hundreds if miles away from Encaleflora.” (Hoffman 95)
Elli talks about daily life in her neighborhood. Her mother does not show any compassion for her. When Elli complains of this, her mother brings up excuses that are unconvincing. Elli believes her mother does not care for her and that her brother is the favorite. Hilter’s reoccurring radio broadcast give nightmares to Elli, whos family is Jewish. The nights when the Hungarian military police would come and stir trouble did not provide anymore comfort for Elli. One night, her brother, Bubi, comes home with news that Germany invaded Budapest, the town where he goes to school. But the next morning, there is no news in the headlines. The father sends him back to school. He learns the next day that a neighbor’s son who goes to school with Bubi has said the same. The day after, the newspapers scream the news of the invasion. Bubi arrives home, and the terror begins.
...thern Literary Journal. Published by: University of North Carolina Press. Vol. 4, No. 2 (spring, 1972), pp. 128-132.
During the trial of the knave, Alice reaches the pinnacle of maturity by standing up for herself, the wronged, and her morals. Alice physically grows in size during this trial which represents her menta...
There was an encounter with the sister in law of a Lima merchant, a misunderstanding with Catalina’s brother over his mistress and other occasions being betrothed to women in the New World. At one point in her travels she comes very close to dying on the way to Tucman from Concepcion. Two men on horseback save her and they take her back to their mistress’ ranch. As gratitude for saving her life she helps tend to the ranch for about two weeks. The mistress is so overwhelming thankful to Catalina that she offers her daughter for her to marry. “And a couple of days later, she let me know it would be fine by her if I married her daughter—a girl as black and ugly as the devil himself, quite the opposite of my taste, which has always run to pretty faces.” (28) These instances happened a lot, where because of her hard work throughout her life she was offered many women to marry. Those engagements, however, ended after she exploited the situation and rode off with gifts and dowry
Irony plays an inexplicable and majestic part in the conclusion of The Awakening. One can say with confidence that in a story a protagonist, or heroin in this case, is expected to fulfill a happily ever after ending not only from a repetitious guarantee but from the incisive determination by such character, whom through hardships, earned it. Edna Pontellier...
Throughout the narrative, the text utilizes the conflict over the crisis of cognition, or the very mystery regarding the Marquise’s lack of knowledge surrounding her mysterious pregnancy, as a catalyst for the presentation of the plurality of opinions associated with the Marquise’s current status in society and presumptions to the father’s identity. In itself, this state of cognitive dissonance prevents the Marquise from making any attempts at atoning for her supposed sin, as she herself is unaware of any possible transgressions responsible for her current predicament. In turn, this separation from the truth pushes the marquise to fall into the conviction that the “incomprehensible change[s] in her figure” and “inner sensations” (85) she felt were due to the god of Fantasy or Morpheus or even “one of his attendant dreams,” (74) thereby relinquishing her subconscious from any guilt. However, despite her self-assurance of innocence and desperate pleas at expressing her clear conscience, the marquise becomes subject to external pressures from both her family and society, who come to perc...
“Othello”, by William Shakespeare, is a story of jealousy’s potential to manipulate thoughts and eventually lead to ultimate demise. The key to extremely detrimental jealousy lies within one’s ability to recognize it or deny it. It seems that the important theme of “Othello” is that if jealousy is not recognized and immediately dealt with, it receives a head start to commence the process of rotting away all normal human reason. Othello’s speech in Act III scene iii beginning with line 178 is the first and most important indicator of the trouble ominously looming on Othello’s horizon. His immediate response to Iago’s accusations is that of total denial. By depriving himself of that initial venting process, Othello gives his jealousy the perfect culture on which his jealousy can turn cancerous and grow out of control. Othello does not spit out the seed that Iago has planted within himself soon enough and thus lets Iago water it with smooth speech until its roots spread and cannot be uprooted. The only way to appropriately illustrate this point is through an in depth analysis of specific text from the play.
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
A major conflict is focusing on after Alice’s brain operation, she perceives to everyone and herself she’s the same girl she used to be. Unfortunately, her friends and family don’t agree that she is the same person. “You’re always saying that you are still you because you have the same brain, but who is to say that your whole personality is in your head?” (pg.5) Jenny argues that Alice is a completely different person than who she used to be. Their mother stands up for Alice but secretly does not agree with her, she does not see Alice as the daughter she used to have. “Sometimes I think my sister is dead.” (pg.5) This similar quote is showing how powerful Jenny feels about the new Alice and her failure to see how Alice is truly seeking self reflection. “Alice stared at her mother, but again her mother avoided her eyes.” (pg.5) This final quote impacts the reader 's empathetically and Alice immeasurably knowing that her own mother doesn’t accept her for who she is now. These quotes show the frustration from Alice and her family, skillfully building apprehensive conflict in the rising
...he protagonist struggle with self esteem. In The Necklace, the protagonist is struggling with her social status, which is that, she middle class and not upper class. But at the end of the story the protagonist realizes social status is only for show and not real life. In The Secret Life of Walter Mitty, the protagonist is struggling with self esteem, because of masculine issues. He wants to be that dominant male but is henpecked to the point that he cannot do simple errands without being nagged by his wife. Guy de Maupassant and James Thurber used the techniques of irony and conflict to explore and view marital relationships.
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
In the past two centuries, western mainstream cultures have subscribed to the belief that crying is commonly associated with femininity, regardless of one’s gender (Warhol 182). A considerable amount of literature, including Alice Walker’s The Color Purple, has been considered by critics as effectively using “narrative techniques” to make readers cry (Warhol 183). Emphasizing on these matters, Robyn R. Warhol, the author of “Narration Produces Gender: Femininity as Affect and Effect in Alice Walker’s The Color Purple”, analyzes the usefulness of the novel’s narration approaches, focusing on the meaning of Nettie’s letters to Celie and especially the fairy-tale unity in Celie’s last letter. Using The Color Purple as illustrated example, refusing to consider the accounts of gender and sexuality, the author suggests that the applications of culture’s “feminine mythologies” in the novel give readers chances to experience the physical (openly weeping) and emotional (identify self with the character) effects of femininity (Warhol 186). Although Warhol’s interpretations have successfully carried out the novel’s sentimentality within the context of culture and other novels, there is still a general lack of comprehensive examples that illustrated after each of her arguments. In order to corroborate and extend on Warhol’s central argument, the surprising factors of the novel’s ending combines with the elements of foreshadowing in Celie’s first confrontation with Albert about Nettie’s letters, Celie’s relationship with Shug, and the ugly truths about racism and sexism showing through Nettie’s and Celie’s letters should be considered as significant in creating the novel’s sentimentality.
Jealousy, whatever it may be driven by, can produce many different actions in a person depending on their desires. Othello craftly examines a few examples of these with highly contrasting characters driven by vastly different things. The different manifestations of jealousy in said characters can be analysed through the characters of Roderigo, Othello, and Iago, while also proving how jealousy can sometimes be a front for more cynister feelings.
Janwillem Van De Wetering says, “Greed is a fat demon with a small mouth and whatever you feed it is never enough.” Guy De Maupassant’s “The Necklace” tells of Mrs. Mathilde Loisel’s longings for the finer things in life. Her desires are so intense she risks her husband’s affections, the friendship of an old chum, and even her mediocre lifestyle to pursue these cravings. One small decision based on an ill-placed desire causes a slow drawn out death of the spirit, body and relationships.