Philo, one of Antony’s loyal friend and partner in war, has seen Antony going from one respectable soldier to then abandoning his everything about the empire upon meeting Cleopatra. He is not confident into which category Antony fits into. (5.1) Many roles are played by Antony; therefore we see different sides of the argument. Antony can claim greatness for serving the needs of his country and his empire as fighter and as a leader. He can be seen as equal as Caesar, as he commits suicide, seen as a honourable thing to do. Antony’s once loyal and heroic background all changes when he comes across Cleopatra. A once great military reader is now in decline due to her charm and bewitching nature. The first sign we see this occurring is when Philo says the temple pillar of the world transformed into the strumpet’s fool (1.1). In differences between Roman and Alexandrian ways of life has a big influence on Antony’s behaviour and each view of Antony’s “taints and honours” very differently. Shakespeare could be seen as using shock tactics to challenge the audiences of the time such as Antony’s suicide, which is a grave crime for the Protestant religions of that period. Different audiences will tend to view Antony’s behaviour differently.
Philo complains that Antony has abandoned the military endeavours. Antony was the military hero and disciplined statesman, but seems to have happily abandoned his reason in order to pursue his passion. He himself says, “here I am Antony, yet cannot hold this visible shape” (4.14). He, right after this, declares that, “let in Tiber melt and the wide arch of the ranged empire fall!”(1.1)
Therefore, at this early stage, on the evidence provided, the audiences have already seen how badly Antony has switched to another side of himself. They now are aware that his taints now far outweigh his past honours in Roman eyes.
Antony tried very hard to fight the conflict between public duty and private life. The fist such example one sees when Antony returns to Rome to fight against Pompey, as Antony describes it, “Our quick remove from hence”(1.2). This sense of duty creates anxiety for Cleopatra, as in the following scene we see her asking Alexas for his whereabouts, “ see where he is, who’s with him, what he does”.
Antony falsely marries Octavia, thus bringing in another woman ...
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.... This will already give Antony a bad name, negative role, and identity. However Shakespeare first designed the play as, a “tragedy”. By indicating its dramatic genre, the audience will in the end see how Antony can be a hero serving his domain, country people and see to the extent his honourable death.
The argument to what extent makes Antony honourable or not is extremely complex, with equal evidence on both sides. Antony as an honourable figure is backed up by his loyal soldiers at the very beginning by his closely followed friends in and out of war, Enobarbus and Philo, who speaks the quote, being two of his most trusted companions and followers.
However arguments against Antony is particularly from Cleopatra and Caesar’s attendants and servants. However Caesar, to a degree, did fully support Antony before his “let in Tiber melt”, Octavia and his “hand to hand combat” and in the end, declares this (5.1). So, in conclusion, with the support of Enobarbus his loyal support and in the opposite ends of the time scale, Caesar, Antony is very much holds an admirable past rather than his apparent downfallen soldier he was.
Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on the villains who killed his beloved Caesar. After Antony turns a rioting Rome on him and wages war against him and the conspirators, Brutus falls by his own hand, turning the very sword he slaughtered Caesar with against himself. Brutus is unquestionably the tragic hero in this play because he has an innumerable amount of character flaws, he falls because of these flaws, and then comes to grips with them as he bleeds on the planes of Philippi.
Mark Antony uses personification and apostrophe to make ambition and judgment seem like they are living things. Antony used personification and apostrophe to make into Brutus a villain “O judgment, thou [art] fled to brutish beasts.” (32) and Caesar into an innocent good man “Ambition should be made of stern stuff.” (20). Antony speaks about how Caesar was not after power and that he only wanted to help the people of Rome. Antony achieves this by talking about when “I thrice presented him a kingly crown,” (24). Mark Antony was very distressed by Caesar's death, but he exaggerated his pain. Towards the end of his speech is when he truly exaggerates his pain “My heart is on the coffin there with Caesar.” and this helps the citizen to relate to
Mark Antony, in the play The Tragedy of Julius Caesar, was a brave, intelligent, pleasure-loving, and cunning man. He was loyal to his friend, Caesar, whom he considered a true friend. He looked at life as a game in which he had a signified part to play, and played that part with excellent refinement and skill.
Antony also played on the people’s greed, to influence them to his side. “I found it in his closet; ‘tis his will/and they would go kiss Caesar’s dead wounds…” (III, ii, 129, 132-133). Antony is very smart in the way he does this. He knows how to talk to the people to get them to believe his side of the story and revenge Caesar’s death. Likewise, Antony is conniving. He uses this strength by flattering Brutus, and falsely befriending the conspirators into letting him speak at Caesar’s funeral. “I doubt not of your wisdom. Let each man render me his bloody hand.” (III, i, 200-201). Antony presents his case in such a way that Brutus and the other conspirators think that he is on their side, when in fact he really is going to turn the common people against them to revenge Caesar’s death by creating a war. Furthermore, Brutus is an honorable man giving him the chance to be a great leader. Brutus is an idealist man, who is optimistic about assassinating Caesar. “Grant that, and then is death a benefit. So are we Caesar’s f...
By saying this, Antony is showing how he was as a friend To Caesar and is showing his loyalty and faith to him to tell the audience how great Caesar was.
With the use of pathos, Antony directly touched the emotions of the people by stating how greatly affected he was by the death of Caesar and how he did not deserve to die. Next, by the use of ethos, Antony reminded the people that they once loved Caesar and that he was a morally good
In Shakespeare?s play 'Antony and Cleopatra' Caesar, while he displays remarkable tactical skills, is calculating and cold hearted. Antony on the other hand embodies many admirable qualities and emotions which make him the greater of the two. Firstly I will look at Caesar?s military victories before examining Antony?s great human qualities.
Firstly, Antony says a general statement that, “the evil that men do lives after them” (III.ii.74), when in fact he is subtly and sneeringly referring to the conspirators actions. The Roman commoners don’t realize that this general statement is swaying them, but the rest of Antony’s speech further convinces them of the evil the conspirators have done. Later, Antony talks about Brutus says that “sure, [he] is an honourable man” (III.ii.98), emphasis on the sure. Because he uses a scornful tone while sarcastically saying this statement, he is really beginning to show the audience his true feelings on the situation. Knowing that even Antony bitterly disagrees with the choices of the conspirators, it further persuades the common people of Rome to turn against Brutus and the rest of Caesar’s murderers. These occasions show Antony’s sour tone, especially towards the conspirators, and Antony’s tone also riles up the Roman citizens. His tone helps to exasperate the commoners with Caesar’s murder, and therefore assists Antony in achieving his purpose to manipulate the audience to turn against
Mark Antony’s loyalty to Julius Caesar was one of the most loyal bonds history can account for. He had changed his political preference to accommodate for Julius Caesar’s friendship. He put his life on the line on multiple occasions to prove his loyalty to Caesar. Even though Julius Caesar’s party sought his demise Mark Antony stayed true to Caesar. After the death of Julius Caesar, Mark Antony proved his love for Caesar by giving a eulogy at his funeral. During the eulogy,which Brutus gave permission to Antony to give, Antony cleverly made Julius Caesar look good as he sarcastically destroys the reputations of the conspirators ”He was my friend,and just to me. But Brutus says he was ambitious, And Brutus is an honorable man.”(lll.ii.84-86) Antony also hunted down some of the conspirators that led to the death of his lord.
The first impressions the audience gains of Caesar show him to be a complete contrast to what the audiences have previously observed about Antony, one of the other leaders in the Triumvirate. Caesar is very strong-minded about leadership, and prioritises rules and regulations over lov... ... middle of paper ... ... akespeare has portrayed Caesar in 'Antony and Cleopatra' he has a large impact into the tension in the play, due to his contradicting views and attitudes. It is clear how complex the character of Caesar is.
Antony begins with the now famous words, “Friends, Romans, countrymen, lend me your ears.”(3.2.62) In referring to the commoners as equals, they feel a sense of empathy even at the first line. This can be seen as a sort of ethos. He goes on to say that Brutus has said that Caesar was ambitious, and that this, if true, is a serious...
Mark Antony’s character at the beginning of the play, is that of a great, powerful, triumvir whose heart has been entrapped by Cleopatra’s enchanting personality. The audience hears many good things about Antony’s character, which is shown through his great past, “It is reported thou didst eat strange flesh which some did die look on,” which informs us that he was a great warrior which evoke feelings of respect towards him.
One of the biggest internal struggles in Shakespeare’s Antony and Cleopatra is Antony’s struggle between reason and emotion. One of the times this is shown is when Antony turns his ships around after noting that Cleopatra has done so in Act III scene 10. Shakespeare decided to show Antony’s internal struggle by having him follow Cleopatra to emphasize how strongly his emotions and reasoning lead him to mix business with pleasure, intertwining his role of general with his role of lover. From turning his ship around mid-battle to dressing himself after spending the night to outright stating his feelings, Antony shows over and over the unavoidable mutual existence of his roles as general and lover.
Antony. Shakespeare proves this play a tragedy by selecting characteristics of ill-fated lovers in Antony and Cleopatra. Poor Antony turns victim to Cleopatra's enslavement, and forgets his duties in Rome. Antony is a disgrace to his Roman self, and "loses" himself to dotage" of Cleopatra. He also forgets of his marriage to Caesars sister Octavia flees back to Egypt, to Cleopatra.
Question of politics and duty are present throughout Antony and Cleopatra, and the love story cannot be considered independently of them. The private emotions of the characters are influenced by the public world that they inhabit, and their actions are not only the actions of individuals, but also of powerful leaders.