Heroes of Celtic and Germanic Mythology
Throughout the myths of the Celtic and Germanic peoples of northern Europe tales of epic heroes and their extraordinary deeds abound. These tales depict heroes performing a variety of incredible feats; many of which appear to be magical, superhuman, and, quite honestly, utterly impossible (e.g., wading across oceans, defeating armies virtually single-handedly, and other astounding exploits). Since the Celtic and Germanic tribes of antiquity inhabited neighboring lands and lived in close proximity to one another (as many of their modern descendants continue to do: i.e., in Great Britain), it is not surprising that they often established intimate relationships with each other via commerce, conquest, and the spread of religious beliefs. In light of this intimate association, it is not astonishing that the cultural and consequent poetic traditions of these ethnic groups were often remarkably analogous.
Frequently, the archetypical champions of Celtic and Germanic mythology exhibited similar characteristics regardless of whether or not they were Anglo-Saxon, Rhenish, or Irish. Indeed, there are many parallels between the behaviors demonstrated by the heroes of Beowulf, the Nibelungenlied, and the Tain Bo Cuailnge. Some of the most striking of these parallels are: the noble and divine lineage of the hero; the hero’s increased endurance and his exceptional combat abilities (including the use of powerful weapons and berserker behavior); the hero’s ability to attain victory against seemingly insurmountable odds or indestructible creatures; and the ritual practices of the taking of heads and the giving of rings.
The epic poem Beowulf may be considered unique in the context of mythol...
... middle of paper ...
...kely exception being Cuchulainn). Interestingly, as a result of the parallels between these champions, one can gain important insights regarding the values of ancient Anglo-Saxon, Celtic, or Rhenish culture by examining any one of them.
Bibliography
Beowulf. Translated by Chickering, Jr., Howell D. New York: Random House, Inc. 1977.
Crossley-Holland, Kevin. The Norse Myths. New York: Random House, Inc. 1980.
Davidson, H.R. Ellis. Myths and Symbols in Pagan Europe: Early Scandinavian and
Celtic Religions. Syracuse, New York: Syracuse University Press. 1988.
The Nibelungenlied. Translated by Hatto, A.T. London: The Penguin Group. 1969.
Powell, T.G.E. The Celts. New York: Thames and Hudson, Inc. 1980.
The Tain: From the Irish Epic Tain Bo Cuailnge. Translated by Kinsella, Thomas. New
York: Oxford University Press, Inc. 1969.
Many cultures in the ancient and medieval worlds found courage as a value and virtue associated with warriors. To a great extent, western cultures also find courage as an attribute of warriors. This courageous cultural tendency gets its imaginative manifestation in literature of heroic societies such as The Epic of Gilgamesh, homer’s Iliad and Beowulf. These Epic heroes which show human conditions are Gilgamesh, Achilles from Homer's Iliad and Beowulf. Although, the actions and lives of these warriors occurred at different times in history, their stories are passed on from generations to generations and they share a lot of commonalities but with some discrepancies based on their lives, their choices, ideals and beliefs.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
Literature has always been an immensely helpful resource when discerning cultural values in societies past and present. Through the study of noteworthy historic fictional and factual, texts we are able to distinguish parallel characteristics present through many different cultures and time periods. These distinguishing characteristics are one of the main things that help us to determine when and how a society, or world culture as a whole changes as time moves forward. When similarities are identified throughout many cultures in the same time period academics are able attach general titles to that specific time expanse. The “Heroic Age” is an example of a labeled span of time that generally maintains societal sameness throughout the period. The epic texts of Beowulf and The Odyssey are examples of culture revealing novels created during the heroic age. The texts help to prove the idea that societies maintain a basic status quo for many years because there is a 1500 year separation in the creation of the books. Despite this time difference in authorship, similar cultural ideals can be recognized throughout each novel. Both Greek and Germanic cultures emphasized the power and importance of receiving and giving gifts as a means of displaying and achieving power. Beowulf and The Odyssey share the general theme of giving, and when comparing the two, it is easy to conclude that giving and receiving is an integral part of both the Germanic and Grecian cultures of that time.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
There is an epic hero in almost every legend ever told. The hero could be a mortal human who came from nothing, a creature that used to be evil, an immortal god, or even a group of people. In Seamus Heaney’s Beowulf, the mortal man-of-the-hour is Beowulf, son of Ecgtheow. After he settled the feud for his father, he then carried out more amazing deeds and accomplishments. Beowulf portrays great strength, bravery, and is also very faithful to his kingdom. The totality of these qualities is not just a large mass of adjectives; each characteristic plays a special part.
When modern readers think of the term “epic hero”, names such as Superman, Batman, and even real life figures such as LeBron James, AJ McCarron, and countless others instantly come into play. All of them have many similarities; they are all “larger-than-life” heroes who display many epic characteristics such as bravery, might, and supreme confidence. However, each is unique in his/her own way. Diving into the world of ancient literature, and one can find many more great heroes that define the term and provide countless entertaining stories of their journeys and battles throughout the primordial word. Beowulf from the
I wanted to consider all of the ancient literary heroes and legendary warriors that we have gone over this semester as well as some that we didn’t before deciding on the two I felt complimented each other, and many great names came to mind. Perseus, Prometheus, Theseus, Hercules, King Arthur and the Knights of the Round Table, William Wallace, and Beowulf just to name a few. But even more prevailing then these are Achilles and Cuchullin. When looking at the first works of mythology that came out of Europe we can see that there are two noteworthy mythological figures that are the most alike despite the fact that their stories come from completely opposite ends of the region. Through the stories of Cuchullin and Achilles not only do we get a
Markale, Jean. The Celts, Uncovering the Mythic and Historic Origins of Western Culture. Rochester, VT. Inner Traditions. 1993.
There are many characteristics that make up the Germanic code in the Anglo-Saxon culture spread throughout Beowulf.. The author shows that Beowulf is the archetypal Germanic hero through his fate, trust, and reputation.
ideas and perceptions of one will inevitably affect the other. These cultures had 600 years to interact with each other until the Normans came A.D. 1066, and the mix of the Celts’ Christianity and the Anglo-Saxon’s pagan belief system intermingled to create many interesting literary works. Perhaps most notable of these is Beowulf. With its blended Christian/pagan mythos and epic fight scenes, it has been a topic of discussion for centuries. Beowulf’s most impressive feat, however, is its ability to incorporate two very distinct ideologies without distorting either too heavily. From its gripping start to its morose ending, Beowulf maintains a consistent tone that balances Christianity with the Germanic heroic code.
The epic poem Beowulf describes the most heroic man of the Anglo-Saxon times. The hero, Beowulf, is a seemingly invincible person with all the extraordinary traits required of an Anglo Saxon hero. He is able to use his super-human physical strength and courage to put his people before himself. He encounters many monsters and horrible beasts, but he never fears the threat of death. His leadership skills are outstanding and he is even able to boast about all his achievements. Beowulf is the ultimate epic hero who risks his life countless times for glory which to him meant eternal life.
"Achilles." Gods, Heroes and Myth: Mythologies of Many lands. 10 June 2003. Internet. 23 June 2003.
The Mabinogion is a collection of eleven tales from the Welsh myths, preserved in two manuscripts, the White Book of Rhydderch and Red Book of Hergest. The tales from the Mabinogion are divided into three categories: the first four tales belong to the Four Branches; the next four are the Independent tales; and the last three are called the Three Romances, which show strong association to the French romances written by Chretien de Troyes. Historia Peredur ab Efrawg shares significant material in common with Chretien’s Perceval or Le Conte du Graal; the Welsh romance of Owain, subtitled Chwedl Iarlles Y Fynawn is clearly related to Yvain, Le Chevalier du Lion; and the chwedl (Welsh tale) Geraint ab Erbin follows the plot-line of Chretien’s Erec et Enid perfectly. These similarities immediately call into question the origin, history, and influences of the tales – or so called mabinogionfrage. Through examining the work of Chretien de Troyes and historical and thematic evidence, we will elucidate the relationship between these parallel stories and attempt to explain the mabinogionfrage.
Incorporating traditional Anglo Saxon beliefs of heroism with the image of Christ on the cross allows the poet of The Dream of the Rood to effectively communicate the benefits of Christianity to pagan warriors. By comparing characteristics, duties, and treatment of heroes in Beowulf and the Battle of Maldon to the depiction of Christ in The Dream of the Rood, it becomes evident that the image of Christ is altered to mirror that of heroic warriors. Through this melding of heroic beliefs and Christianity, the poet of Rood is able to show how Christ can become the ultimate ring giver or Lord.
According to Joseph Campbell’s The Power of Myth, one archetypal mythic hero appears in diverse cultures in different forms. Two protagonists in Paulo Coelho’s The Alchemist and Thor Heyerdahl’s Kon-Tiki share similar heroic characteristics despite their different backgrounds and cultures.