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Revenge in Shakespearean plays
Shakespeare hamlet character analysis
Shakespeare hamlet character analysis
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Hamlet’s Self-Perception The way we see ourselves is often reflected in the way we act. Hamlet views himself as different to those young nobles around him such as Fortinbras and Laertes. This reality leads us to believe that over time he has become even more motivated to revenge his father's death, and find out who his true friends are. How can you be honest in a world full of deceit and hate? His seven soliloquies tell us that while the days go by he grows more cunning as he falls deeper into his madness. This fact might have lead Hamlet to believe that suicide is what he really wants for his life's course. The way we perceive our lives is echoed in the way we comport ourselves in everyday life. Hamlet is a man of visible education and he would rather use his mind over his fist. He is quick to look for an explanation on behalf of the actions of others. Hamlet is not a man to search out blood without a rational justification. When dealing with Laertes and Fortinbras you can vividly see the contrast between the extremes. Once Laertes finds out his father has been unjustly murdered, he swiftly swears revenge without give the situation a second thought in contrast to Hamlet who takes all factors into mind before carrying out a sentence. Laertes- How came he dead? I'll not be juggled with. To hell allegiance, vows to the blackest devil, Conscience and grace to the profoundest pit! (IV;V;129-132) Each man deals with grief in extremely distinct manners, when looking at Laertes in comparison to Hamlet you can swiftly see their great contrast to one another. Hamlet would rather create reason before madness; he is the type to use his brain before his fist. Whereas Laertes is always caught up in his anger that he sees no means to absolve the actions of others. Hamlet- When honor is at stake. How stand I then, That have a father killed, a mother stained, Excitements of my reason and my blood, And let all sleep, while to my shame I see The imminent death of twenty thousand men (IV;IV;56-61) This reality leads us to believe that over time he has become even more motivated to revenge his father's death, and find out who his true friends are.
In the 1990 version of Hamlet starring Mel Gibson, Laertes is portrayed in a very poor light. He seems to have no redeeming qualities whatsoever. At certain points during the written play, Laertes's actions may be taken entirely differently than they are conveyed in the movie. In the film version of Hamlet, all of Laertes's negative aspects are much more pronounced.
The relation between these two characters is a lot like the juxtaposition with Hamlet and Laertes. Just like Hamlet and Laertes, Fortinbras’ father, King Fortinbras, was also killed but the way he died was in a battle with King Hamlet. Hamlet and Fortinbras’ circumstances are almost identical. Their fathers were both murdered, both their uncles are on the throne and they are both princes of their countries. Revenge is the motive for both of these princes because of their dead fathers, but the way and the reason they seek it is extremely different. Hamlet wants revenge because the ghost of his father told him to and Fortinbras wants revenge to reclaim the land that his father lost when he died. Fortinbras is more focused on the honour of his country, Norway, but all Hamlet cares about is killing his fathers murderer. Hamlet’s morals slow down the process of his revenge whereas Fortinbras’ firm attitude makes him act faster. Hamlet later develops some jealously towards Fortinbras, he says, “Rightly to be great/Is not to stir without great argument/But greatly to find quarrel in a straw/When honor’s at the stake” (Shakespeare 4.4.53-56). Hamlet is saying that if Fortinbras is taking such quick action for a little bit of land that means nothing then what does that make Hamlet? He says in order for him to be great like Fortinbras he must take violent action. Hamlet and Fortinbras are both equally rebellious
As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet, he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach.
All this makes him think again of the witches prophecies, and he wonders if indeed he could be king. The desire for power began to consume Macbeth and his wife, and this ambition caused all of the bloody events that were to follow. Macbeth began to want the kingship that Duncan had more and more. Together Macbeth and his wife Lady Macbeth plotted to hurry Macbeth’s reign, by killing Duncan themselves. At night Macbeth gains access to Duncan’s sleeping quarters, kills the guards, and stabs King Duncan to death.
Macbeth’s ambition is made obvious from the start. It is the thing the witches use get him under their spell,’All hail thee Thane of Glamis….Thane of Cawdor…..king’. Macbeth is intrigued by this greeting. When he finds out from Duncan that he has become the thane of Cawdor he whispers to the audience,’Glamis, and the thane of Cawdor, the greatest is behind.’ Macbeth is sure that he will become king. However at this stage he thinks that he will acquire it legally as he sees murder as,’fantastical’(I,iii,139).
Macbeth If it hadn’t been for the three witches, Macbeth would never have killed Duncan nor Banquo. Macbeth, also would not have been killed my Macduff. The three witches are the reason that everything happened the way the they did. In the beginning of the play, the three witches prophecized that Macbeth would become Thane of Cawdor adn the King of Scotland.
William Shakespeare's play, The Tragedy of Macbeth, was based on the life of Macbeth. However, Shakespeare made up or changed many things in his play to make the idea of Macbeth more interesting. Many of Shakespeare's characters, settings, and events differ from the facts of Macbeth in history.
At the outset of the play, Macbeths encounters the witches who predict he will become “Thane of Cowdor” and that he too, will one day be king. Nevertheless, the witches do not oblige Macbeth to ultimately commit his actions. However, they do place within Macbeth a sense of wonder and optimism. The three witches intruded upon a part of man, which that he is gullible. Macbeth being gullible caused his wonder and brought forth a feeling of possibility. This is evident, when Macbeth tells his wife of what he has experienced. Upon revealing what was told to him, Lady Macbeth further on, appeals to Macbeth to take action when King Duncan comes to visit. Lady Macbeth urges her husband to fulfill his obligation and kill King Duncan. However, it is apparent that Macbeth is hesitant of such action and is at first unwilling to go forth with the plan. Once again Lady Macbeth alludes to the witches vision and with that, lusts upon the possible gains. The plan is executed and Macbeth becomes King. upon the vacancy of the throne. The witches’ vision is obtained, through the natural human sense of possibility and lust.
God and the devil have a strong presence in “Macbeth”. The characters look to heaven and hell as places they have to try and strive towards or steer away from. God and the devil seem to be the driving and obvious force behind the happenings of the tragedy. They mold the characters into what they are. Even when things do not end up in their favor. The witches have an impact on the whole theme of the play. They are the ones who start to label Macbeth with titles, which he does not yet posses. The witches predict the future, which is to Macbeth’s liking. “All hail Macbeth! Hail to thee, Thane of Glamis. All hail Macbeth! Hail to thee, Thane of Cawdor. All hail Macbeth, that’s shalt be king hereafter!”(1.3.46-48). Macbeth at this time was only the Thane of Glamis and he knew he had aspirations of becoming king, but wanted to know how these witches would know to say such things. “…tell me more…But how of Cawdor? The thane of Cawdor lives, a prosperous gentleman, and to be king stands not within the prospect of belief.” (1.3.68-73) The witches at this point fade out and leave Banquo and Macbeth to speculate. Ross and Angus enter and tell Macbeth that that the Thane of Cawdor is going to be executed and that Macbeth will take on the title. In Macbeth’s mind this means that he is going to be king. Since the witches were able to predict that he was going to be Thane of Cawdor then he believes he is definitely going to be king. “What can the devil speak true?”(1.3.107) This is Banquo’s reaction after Ross “hails” Macbeth with his new title, Thane of Cawdor. Banquo starts to wonder if what the witches proclaimed, would actually come true. If what they said did come true for him it would mean his children would be kings. This quote is sort of strange to me. I am taking it as he refers to the witches as the devil. I don’t know how he came to this conclusion; maybe it is just how he is trained to think towards anyone that can see the future. The witches planted this thought into Macbeth’s head about being king. Since the Cawdor topic came true with ease he believes that him becoming king will also be an easy transition.
The play is about a man called Macbeth who on his journey home meets three witches who for tell his future as first becoming thane of Cawdor and, later king. Macbeth instantly sercomes to the witches and believes what the witches say. When Duncan announces is successor as his son Malcolm is dream of becoming king through honesty are dashed. Lady Macbeth quickly comes up with a plan to make Macbeth king, by killing king Duncan and making his son Malcolm flee in hope to save his own life. The plan is followed through Duncan dies and Malcolm flees for his life leaving Macbeth as king. But the guilt is too much and he soon starts to see the goast of King Duncan, meanwhile his wife goes insane with guilt and kills herself.
Hamlet's response to the grief of his father is very different from Laertes. Laertes responded immediately to the death. He showed his anger to others, he didn't hide it inside. He is also suspicious, it's evident in his speech to Claudius, he asked, "How came he dead? I'll not be juggled with. / To hell, allegiance" (Act 4, 5: 130)! Hamlet however is very private with his grief. He mourned long and hard for the death of Old King Hamlet, even two months after his father's death, after his mother's wedding to Claudius. He is still observed by Claudius and Gertrude to be wearing " . . . Suits of solemn black"
In William Shakespeare's tragedy Hamlet, Laertes, Fortinbras and Hamlet find themselves in similar situations. While Hamlet waits for the right time to avenge his father's death, Laertes learns of his father's death and immediately wants vengeance, and Fortinbras awaits his chance to recapture land that used to belong to his father. Laertes and Fortinbras go about accomplishing their desires quite differently than Hamlet. While Hamlet acts slowly and carefully, Laertes and Fortinbras seek their revenge with haste. Although Laertes and Fortinbras are minor characters, Shakespeare molds them in order to contrast with Hamlet. Fortinbras and, to a greater extent, Laertes act as foils to Hamlet with respect to their motives for revenge, execution of their plans and behavior while carrying out their plans.
Hamlet seems to be the one who lets things dwell in his mind before taking any action or making an attempt at trying to get on with things. He shows this after the death of his father when he remains in a depressed state for three months without trying to get on with his life. Laertes seems to be the more quick minded of the three as he makes hasty judgements about Hamlet and is quick to force his opinion upon his sister, Ophelia about his fears for her if she stays in the relationship. “For Hamlet and the trifling of his favor, hold it a fashion and a toy in blood, a violet in the youth of primy nature, forward, not permanent, sweet, not lasting, the perfume and suppliance of a minute—No more.” (Act 1, Scene 3, 5-10).