In the play Hamlet by William Shakespeare, the character Horatio plays a quintessential role in gaining a deeper understanding on the perplexing tragic hero, Hamlet, from the perspective he has about him. Horatio’s sensible ideology becomes apparent as he takes on the role of the spokesman of common sense, attempting to advise the stubborn tragic hero about his destructive journey towards revenge. Additionally, because of the true friendship Horatio presents Hamlet, it leads him to confide in Horatio about his secrets and plans, thus highlighting his essential role in bringing out Hamlet’s true intentions. Hamlet’s death becomes more meaningful as a result of Horatio’s approval of Hamlet and the devotion he shows Hamlet until the end, which …show more content…
Throughout the play Horatio constantly tries to bring Hamlet back to reality by advising him to follow his mind instead of his heart. When Hamlet decides to follow the ghost, Horatio strongly opposes by saying, “What if it tempt you toward the flood, my lord, or to the dreadful summit of the cliff that beetles o’er his base into the sea, and there assume some other horrible form, which might deprive your sovereignty of reason and draw you into madness?” (Shakespeare 1, 4, 69-74). Horatio’s warning to Hamlet suggests the idea that he views the unknown more cautiously than the reckless prince. Additionally Horatio’s inference about how the ghost might “drive [Hamlet] into madness”(1, 4, 74) displays a foreshadowing of Hamlet’s fate, emphasizing the idea that the warnings from the spokesman of common sense goes unheeded by the tragic hero. In addition to giving advice against the ghost, Horatio advises Hamlet in the matter of the match with Laertes saying, “If your mind dislike anything, obey it” (5, 2, 18). By this advice Horatio implies that he as well holds a suspicion against the King and Laertes and has doubts towards the match as Hamlet does, however, Hamlet ignores this sensible advice and leaves his life into the hands of
After talking with the ghost, Hamlet, comes back to Horatio and Marcellus and tries to explain to them never to let anyone know what has happened. Both are very scared but agree to the prince’s, but both are still looking to find out what happened between the ghost and him. Further on in the evening Hamlet takes Horatio to the side and explains to him that no matter how odd he acted that Horatio say nothing. (And therefore as a stranger-you most need help you Act1 sc5 line 187-202) He basically explained to Horatio that he was going to be acting much differently than normal, and he told him not to ask questions. This here proves he knew what he was going to have to do. It shows that he was willing to get his revenge by any way possible.
William Shakespeare wrote about a distraught prince trying to avenge the wrongful death of his father while all his faith in honesty and the good of man was nearly destroyed. In his play Hamlet, Hamlet is the prince and he is the one who would have lost all his faith in the good of man had it not been for his loyal friend Horatio. Many critics say that Horatio did not play such an important role in the tragedy, that he merely was the informant for the audience and that his character was not developed beyond that fact that he was just the honest confidant of Hamlet. That may be true, however, Horatio does serve two central purposes to the drama, and it is through these purposes that show the qualities that make Horatio memorable and admirable. Horatio is the harbinger of truth. It is through Horatio that the actions taken by Hamlet gain credibility. He is the outside observer to the madness. Hamlet could soliloquize on and on, but it is his conversations with Horatio that gives sanity to Hamlet’s thoughts. His second role is to be the loyal, truthful confidant of Hamlet.
Hamlets doubt infiltrates all aspects of the play, from his inner struggles with identity to his enemy Claudius and every character in between. Hamlet never quite overcomes this until shortly after he himself falls victim to both his doubt and Claudius’ and Laertes’ trap. Only after being stabbed by the poisoned rapier and hearing directly from Laertes that he was set up can he act with out doubt. In his final moments with Claudius soon to be dead and his mission and doubt over come, Hamlet tells Horatio to live nd tell his story. In this moment of clarity for hamlet he is able to see life as worth living for his friend outside the shroud of revenge and death that he had until recently been under.
In the play Hamlet, by William Shakespeare, the confidant Horatio is created to serve a number of different purposes. Horatio is a flat character. He is a loyal, obedient, and trustworthy companion to Hamlet. His character does not undergo any significant transformation throughout the play, except that he serves as a witness of the death of Hamlet, Claudius, and Gertrude. Horatio's role in the play seems to be as a utilitarian character that Shakespeare created in order to heighten the suspense of the play. Also for Horatio to be Hamlet's ear so as to appease the audience's ear, and to communicate the moral of the play.
There are many ways to interpret Hamlet 's relationship with Horatio. Most obviously, Horatio is the only person in the play that Hamlet trusts. He is the only one who knows for certain that Hamlet 's madness is an act, the one person Hamlet confides in personally, and the one whom bids Hamlet goodnight upon his death. Considering his conflicts with his family, Horatio is the only "family" Hamlet has. He understands that Horatio is very rational and thoughtful, yet not overly pensieve like himself. As the play continues, Horatio questions Hamlet 's judgment twice. Once is when Hamlet tells him of a letter from King Claudius that he has found in Rosencrantz and Guildenstern 's pack, telling the King of England that he must have Hamlet killed. The second instance is when Hamlet tells Horatio that he will fight Laertes, son of Polonius, who Hamlet killed earlier in the play. Horatio loves Hamlet with all his heart, but he is directed by a more sensible disposition, which makes him to speak the truth to Hamlet, despite the fact that Hamlet never once takes Horatio 's warnings. In fact, there is only a single point in the play at which Horatio loses his sensible outlook, and it is but a momentary loss. At the end of the play, when Hamlet is killed in his fight with Laertes, Horatio, in his grief, offers to kill himself with his own sword. It is Hamlet 's dying request that Horatio tell
Throughout literature, there a character who provides a moral compass for other characters. In William Shakespeare's Hamlet, Horatio’s character seems fairly simple: somewhat of a “yes-man” to Hamlet, often agreeing with anything Hamlet says. However, at the end of the play we understand his significance, as he is one of the last survivors. This transition is unexpected because for most of the play, Horatio is a reserved character and doesn’t speak very often. Despite this, it is clear that Horatio and Hamlet’s friendship is extremely deep, and Hamlet trusts Horatio more than anybody. At first, the relationship is one of a prince and an advisor, but as the play goes on we realize they are in fact close friends. Horatio is much more than a “yes-man” to Hamlet, even though this may not be visible for most of the play. This friendship is due to three of Horatio’s characteristics: trustworthiness, loyalty, and admiration, which make him an ideal friend to Hamlet. These traits also inspire confidence in Horatio from other characters in the play. Even Shakespeare shows that he values Horatio by allowing him to survive at the end of the play.
Fate and Fortune, and Providence in all her ambiguity are all sometimes seemingly bound to the actions of man, and other times they are inescapable. At the start of the play, Horatio and his companions, Bernardo and Marcellus, witness the sudden and frightening apparition of Hamlet’s deceased father, former king of Denmark. The three friends are “[harrowed] with fear and wonder” as they encounter the ghost and Horatio is convinced to attempt conversation it (Shakespeare, I. I. pg. 2). The adage of the adage. Before engaging the ghost, Horatio recalls the time before “the mightiest Julius fell” when “the graves stood tenantless, and the sheeted dead / Did squeak and gibber in the Roman streets.”
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
William Shakespeare’s Hamlet is a tragic play. Most of the characters in the play have selfish motives at heart. Lust, greed, pride, and revenge are just a few sins that are committed in the play. There are few instances within the play that show goodness and kindness. Hamlet has so many people around him trying to bring him down, but he had one friend that was loyal to him, and that was Horatio. The other key characters in the play were only out for their own good. However Horatio was looking out for Hamlet. Unfortunately, Horatio was the only one.
In the opening of the play, Hamlet is confronted by the ghost of his father and told to revenge his "foul and most unnatural murder". Later on, however, Hamlet begins to doubt the ghost. He then thinks up the Murder of Gonzago to verify the truthfulness of the ghost and also to allow himself more time. After learning the truth, Hamlet still continues to procrastinate the killing of Claudius. Although Hamlet is full of purpose, he lacks the ability to carry out his intentions, and thus allows his character flaw to eventually destroy him. Another characteristic that acts against Hamlet is his excessive melancholiness. Hamlet experiences rejection from his true love, anger from the murder of his father, betrayal from his friends and family, and fear from what lies ahead. These feelings of pain and sorrow are embedded deep inside Hamlet, and eat at him like a terrible disease. Unfortunately, by the end of the play Hamlet has stopped fighting this disease and leaves his future up to fate. As he begins his duel with Laertes he says: "the readiness is all", meaning that fate will decide the future and if it means death he will accept it.
As often associated with a tragedy, a conflict usually ensues between a protagonist and another force in the play. A tragedy is ‘a serious drama typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that elicits pity or terror’ (Webster's dictionary). Given its structure and depth in characterization, this play will or can be analyzed and interpreted from various perspectives and beliefs. However, my analysis of the play is conducted on the basis of various components which are: Hamlet as a tragic hero, the ironic message conveyed in the play, the roles of its characters, the role and personification of madness, the role of paranormality, the role of friends and family, the role of inaction, the role of sex and violence, and the role of death as portrayed in the play. Based on literary definitions and portrayal of his character, there is popular belief that Hamlet as the protagonist acted to satisfy his own conscience but could his actions be attributed purely to his desire or was he being influenced by other factors?
When considering Hamlet’s generally isolationist and lonesome nature, it is possible to conclude that Hamlet suffers from a mental disorder. Throughout the course of the play, Hamlet tends not to share his inner feelings with others and does not have many close friends. One notable exception is Horatio, Hamlet’s closest and most loyal friend. Horatio is the only character to whom Hamlet expresses his true feelings, and Hamlet welcomes Horatio’s calm level-headedness, providing an insight into the kind of person Hamlet appreciates: “Give me that man / That is not passion’s slave, and I will wear him / In my heart’s core, ay, in my heart of heart, / As I do thee” (3.2, 64–67). If Hamlet’s idea of a friend is any indication as to why he strays away from shar...
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.