Guilt In The Play Trifles

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To Be or Not to Be (Guilty)
In the play Trifles, written by Susan Glaspell, we observe like flies on the wall as two women discover the crimes of a peer and weigh her guilt against their own. Mrs. Peters and Mrs. Hale find similarities within themselves and their experiences that mirror the feelings of Mrs. Wright prior to her alleged offense. Not only are we witness to this in their words, but in the stage business that takes place as well, denoted by descriptive stage direction. In their hearts, we see them struggle throughout the play with the social constructs of gender roles, guilt, and culpability. In this time period (presumably the early 1900’s), women were silenced in the presence of men; they had to keep their mouths closed or risk …show more content…

Hale and Mrs. Peters are strangers, and neither are terribly well acquainted with the accused, but by the end, these women become connected under a shared feeling of empathy for Mrs. Wright. This empathy becomes so strong that they view her in themselves, and the lines of guilt and innocence become blurred. Mrs. Peters comes to this realization after they find the bird and she recalls a cruel childhood memory; “(in a whisper) When I was a girl—my kitten—there was a boy took a hatchet, and before my eyes—and before I could get there— (covers her face an instant) If they hadn't held me back I would have— (catches herself, looks upstairs where steps are heard, falters weakly)—hurt him” (). She is frightened by her feelings, not because they are violent, but because they are eerily similar to the feelings of Mrs. Wright, who is supposed to be some kind of deranged killer, which she herself is not. After piecing together the details of Mrs. Wright’s gloomy home life, Mrs. Hale comments, “it would be awful—still, after the bird was still” (). This declaration resonates with Mrs. Peters; she replies, “I know what stillness is. When we homesteaded in Dakota, and my first baby died—after he was two years old, and me with no other then—. . . I know what stillness is. (pulling herself back) The law has got to punish crime, Mrs. Hale” (). Knowing stillness herself, she would have known how that bird must have livened up Mrs. Wright’s life, but she is …show more content…

Hale’s case. She feels responsible for her neighbor’s decline into isolation. Her conflict is within herself and the choices she made, or rather didn’t make. Mrs. Hale laments, “I wish I had come over sometimes when she was here. I— (looking around the room)—wish I had. . . I could've come. I stayed away because it weren't cheerful—and that's why I ought to have come. . . it's a lonesome place and always was. I wish I had come over to see Minnie Foster sometimes. I can see now— (shakes her head)” (). We can hear the shame and regret in her words. While she herself did not commit the crime, she feels equally culpable, seeing as she did absolutely nothing to keep Minnie Foster, the singing, cheerful woman, from deteriorating into the broken spirited Mrs. John Wright that killed her creator. She feels that Mrs. Wright was justified in her actions, which Mrs. Hale highlights as she regales, “She used to sing. He killed that, too” (). She is not culpable for killing her husband, because everything about herself had been killed by him, like the bird. Mrs. Hale resolves to hide the bird, exonerating Mrs. Wright of her offense. She does this in part because, in some way, it absolves her of her negligence and makes up for all the years of neglected friendship. Like Mrs. Peters, she too takes a moment to decide what she wants to do, only grabbing the bird at the last possible second before it could be

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