Guilt In Macbeth

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In William Shakespeare’s tragedy Macbeth, different characters deal with the guilt they feel in different ways. Lady Macbeth’s guilt pushes her into madness, and while Macbeth’s guilt does the same, it also pushes him to commit further atrocities. However, Macduff uses his guilt over his family’s death to avenge them. The difference in the way in which they deal with their guilt catalyze many deaths, including those of Macbeth and Lady Macbeth. Guilt and accountability therefore are key elements of Macbeth. Immediately after he kills Duncan, Macbeth feels guilt, and this guilt directly pushes him into madness and further atrocities. He states that the knocking should “wake Duncan . . .- I would thou couldst,” and thus wishes that he had …show more content…

After she helps Macbeth kill Duncan, Lady Macbeth’s guilt manifests in sleeplessness and a fear of darkness. She begins to sleepwalk and insists that she “has light by her continually,” as if the light will cast away the darkness around her metaphorically as well as literally (V.i.22-23). Every death in Macbeth occurs at night or in the shadows; Lady Macbeth’s fear of darkness reveals that she fears that her sins will catch up to her and that someone will attempt to kill her as well. Like her husband, Lady Macbeth’s paranoia manifests as a result of her guilt. In addition, sleeplessness is a classic manifestation of guilt. Lady Macbeth is also continuously washing her hands in an attempt to wash away her guilt. In a final manifestation of her guilt, Lady Macbeth “by self and violent hands took her life” because she ultimately is unable to cope with her sins (V.viii.69-71). Although Lady Macbeth’s guilt does not result in nearly as many deaths as that of her husband, it does lead to her own death and reveals key characteristics of guilt, particularly …show more content…

Macduff’s guilt stems from the murder of his wife and children, whom he thinks “not for their own demerits but for [his own] fell slaughter on their souls” (IV.iii.226-227). However, rather than allowing his grief and guilt to drive him mad, Macduff uses them as “the whetstone of [his] sword. Let grief convert to anger; blunt not the heart, enrage it” (IV.iii.228-229). With Malcom’s encouragement, Macduff turns his guilt into a determination to kill “this fiend of Scotland” (IV.iii.233). His guilt therefore pushes Macduff to avenge his family’s deaths by killing Macbeth, which in turn benefits Scotland as a

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