The engraved sword that had miraculously sliced the life out of Grendel’s mother held the victory of triumph. It had fought so arduous, and if it had a heart, it would have thumped with adrenaline, louder than the beat of a drum, as it had won against the she-wolf that was Grendel’s mother. The metal that slaughtered Beowulf’s enemy dripped in a waterfall of mercury poison. The balefulness of the moment rang true, as the snapshot in time had conjured up a mood of victory and portentousness. The unpleasant scent of rust and salt hung in the unbalance of the fiery air. The wet metal was an aroma of metallic; a melting copper penny. Though it smelt more intense than a bucket of bleach, it bespeaks a merciless event. The potent mixture of the …show more content…
The fragment of ore was covered in thorns of a cactus as it had oozed out the horror that was the she-wolf. The sword itself was sharper than a pointy needle, and if one found themselves struck by it, they surely would have writhed in agony, as it would be worse than even the mightiest of paper cuts. The blade’s hilt would feel as if you were holding a boulder, as the weight of what it can do would weigh heavy in anyone’s hand. The spit of snake venom sticking to the blade would burn supremely than touching the surface of even Venus after it’s baked in the sun. The boiling poison of Grendel’s russet liquid is the opposition to that of a rose petal. It in no way would be soft as a fluffy pillow or cool as the purest of fresh-fallen snow. The rusty and freshly drawn blood on the blade signifies the victory of Beowulf, and the defeat of the prickly monster, which is pertinent to the overall menacing mood, as it signifies the battle is over, and that good has beaten out evil. Though the monster’s bodily fluid may have present as a reminder of a nail that had been sitting out in the sun and rain for far too long, it contributes to the reader’s perception of inevitable
Beowulf was a true hero, in the eyes of many, through said traits. He fought a number of battles and was triumphant in all, except his last battle. Beowulf possessed the skills and power necessary to kill Grendel, the monster who had been terrorizing the Danes for over a decade, with his bare hands. While fighting, Beowulf detached Grendel’s arm from his shoulder, which was later hung up as a trophy. Beowulf eventually put an end to Grendel’s life, and naturally, Grendel’s mother had pursued Beowulf. Although Grendel’s mother was an even deadlier monster than her son, Beowulf once again proved his abilities by slaying her, as well. He slashed her neck with a sword that carried unbearable weight. Afterwards, he carried her head with only his own arms, while it took the a...
The epic poem, Beowulf, depicts the battles and victories of the Anglo-Saxon warrior Beowulf, over man-eating monsters. The noble defender, Beowulf, constantly fought monsters and beasts to rid the land of evil. The most significant of these monsters, Grendel, represents Beowulf's shadow, the Jungian archetype explored in the essay collection, Meeting the Shadow.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
This illustrates an inner problem of a suppressed evil side to society. Beowulf and other men that battled Grendel had trouble defeating him with weapons. They all had to tussle with Grendel and everyone except for Beowulf failed at this challenge. Symbolically meaning that that evil side to society will always be there no matter how much people try to fight it. Grendel also plays the role of envy. Imagine him being an outcast with no joy in his life hearing the mead-hall at night and all the laughter, he must have felt envious and longed to be a part of that world. Another symbolic role is revenge. Upon learning that Beowulf has hurt her only child Grendel’s mother becomes angered and seeks revenge. Her and Beowulf battle it out and the mother loses the battle. Relating this back to Cain, Grendel’s mother wants to kill Beowulf and get revenge and just like Cain, she faced her punishment, for her it was
In the poem “Beowulf,” Grendel’s mother, a monstrous creature, is one of the three antagonists Beowulf, the main character, fights against. The battle against Grendel’s mother appears to be the strangest of the three battles. The main reason for its strangeness is that Grendel’s mother is the mother of the monster Grendel, who was killed by Beowulf in the first battle. Another reason for its strangeness is that Grendel’s mother is the only female-type creature. An alternative reason for this strangeness in the battle is due to the fact that Grendel’s mother is not a true monster, aside from her physical form. Through the explanation of kinship, the understanding of the missing words from the original text, and the comparison of Grendel’s mother to other mothers in the poem, specifically Welthow and Hildeburh, it can be established that the intentions of Grendel’s mother are not monstrous even though she has the appearance of a monster.
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”
In this poem, Beowulf exhibits the trait of bravery by defeating the monster, Grendel. This monster was a very powerful monster that plagued the town of Herot. “He slipped through the door… Snatched up thirty men, smashed them/ Unknowing in their beds and ran out with their bodies/ The blood dripping behind him, back/ To his liar, delighted with his night’s slaughter. (11)”
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
In Part I of Beowulf the poet establishes Beowulf as an incomparable superman and celebrates his greatness. The occasion for this was the unfortunate situation which Grendel had created in the court of King Hrothgar, Heorot, where there was considerable sorrow due to the uncontrollable ravaging of the monster:
as men. She has been sleeping down in her dark and dingy cave below the world
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
As the battle began Beowulf was dripping with sweat, he knew he had a difficult task ahead but he was ready for what ever happened. Grendel’s mother and Beowulf stood for a moment and looked to each other’s eyes and imagined the battle that was ahead of them. She swung her sword at his waist but he quickly moved out of the path. He swung his sword aiming for her neck, but she was quick and blocked the swing. Beowulf swung again and again nervously trying to kill the beast. Beowulf slowly became mad with himself for taking so long to slay her, so he began to try even harder. His heart was pounding and the sweat was dripping from the tips of his hair down to his face. He swung the sword with perfect precision and hit Grendel’s mother in her throat. Nothing had happened, she was not injured. This greatly confused Beowulf as he began to swing as hard as he could and stab her with every chance he had. Still he was not injuring her at all. Beowulf had discovered that his man made weapons were of no match for Grendel’s witchy mother.
In this essay, I will uncover the countless insights that can be learned about the characters in Beowulf, as well as the society as a whole, based on the weapons the characters choose to use in battle. During the Anglo-Saxon time, roughly between 400 and 1066, swords were considered the most precious weapon someone could own. Although it is not certain who wrote Beowulf, and when, many people believe it was composed in the middle to end of the Anglo-Saxon period. Analyzing the different weapons, and significance of each, in Beowulf, and comparing them to the weaponry at the time, provides the readers with a great deal of insight into the society during this period. The use of weapons in Beowulf not only provides the readers with insight into
The theme for Beowulf seems to portray a fight between good and evil which will cause problems within the society. The characters in Beowulf are Beowulf, Grendel, his Mother, and dragon . Beowulf tells a story of a epic hero who travels the sea to kill a savage monster named Grendel and his mother in order to help King Hrothgar and his people. The theme of this essay will depict different battles between Beowulf and the beasts in order to restore peace amongst the people.
Beowulf’s first accomplishment as an epic hero was his battle with Grendel. Grendel was a huge beast, a descendent of Cain, who ruthlessly murdered innocent Danes because he felt pity for himself. Upon hearing of the Dane’s problem, Beowulf set off to help the Danish without having been called upon. Even though Beowulf had men backing him, He drew battle with Grendel alone and without armor or weapons. Yet, Beowulf emerged victorious with the arm of Grendel as his trophy. Beowulf then went on to kill Grendel’s vengeful mother and a huge fire-breathing dragon who thought it had been done wrong by the Geats. Alas, the killing of the dragon would be Beowulf’s last great battle for the dragon took Beowulf’s life in the struggle for his own.