The more common subjects in Grendel consist of alienation and lack of communication/language. These two subjects are developed enormously throughout the course of the text. Also, this two subjects come together to create an overall theme of needing language to connect with the world. Language acts as a barrier to Grendel throughout the text. Also, the complex ways to understand Grendel has a big effect on his alienation. The doe in the clearing goes stiff at the sight of my horridness, then remembers her legs and is gone (page 2). This is where Grendel’s alienation all began because he feels as if nobody understands him. That is their happiness: they see all life without observing it (page 2). He feels this way because no one takes the …show more content…
The only person who ever loved Grendel that he knows of is his mother because he is her “creation”. This show alienation because nobody understands Grendel enough to love him. I found I understood them:it was my own language, but spoken in a strange way, as if the sounds were made by brittle sticks, dried spindles, flaking bits of shale (page 9). Grendel finally found someone who speaks his language, yet he has a hard time understanding some of the words they say; this is a barrier to his understanding the humans. On page 10, the first time the Danes saw Grendel was in a tree; they thought he ought to be some type of tree fungus or oak tree spirit. Maybe we could chop the fungus out ( page 10). Better not to mess with it (page 10). These are the two reactions the humans had towards Grendel’s while encountering him for the first time; this shows the alienation because the Danes are basically saying he doesn’t belong or they should leave it …show more content…
Do as I do! Seek out gold--but not my gold--and guard it (page 27). The dragon is trying to preach to Grendel that if he has something in common with the humans they can connect to each other. The dragon and the Danes have one thing in common and that would be treasure! Therefore, to have a connection with the humans Grendel just needs treasure. I can see you understand them (page 28). Dragon knows Grendel understands them, but they don’t understand Grendel, so he feels as if he doesn’t belong. The dragon uses his words of wisdom to tell Grendel how life is meaningless, so he should just do as he pleases. He uses this as an excuse to make the world a better place. Also on page 30, the dragon says everything comes and goes even himself; this is also an excuse so he doesn’t have to connect or interact with anyone. But also, as never before, I was alone (page 36). Still after Grendel raiding and killing people throughout the mead halls he didn’t have not a single friend or someone to talk to. Grendel never felt as he belonged, he was always alone. Page 37, Unferth is the first person to understand Grendel’s language. Instead of automatically fighting after this discovery Unferth tries to make a deal or offer with Grendel. Grendel brings Unferth back to Hrothgar and this show how he is trying to escape the alienation. He is trying to escape alienation because he wants to belong to a group. Unferth laughed, all alone in the silence (page 44). This is a
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
Particularly in chapter 3, Grendel listens as a blind old man, the Shaper, tells the tale of Danish history to Hrothgar. Though what is told is largely fictitious, Grendel cannot help but to feel strangely moved by the brilliance of the Shaper’s story. “Thus I fled, ridiculous hairy creature torn apart by poetry—crawling, whimpering, streaming tears, across the world like a two-headed beast, like mixed-up lamb and kid at the tail of a baffled, indifferent ewe—and I gnashed my teeth and clutched the sides of my head as if to heal the split, but I couldn’t.” (Grendel, John Gardner, pg.44) In this moment, Grendel’s mind is split between what he understands to be true and the truth that is desired. The world is callous and careless, blunt and belligerent; this he knows. However, with the artistic style and formation of the Shaper’s words, he is brought to tears and is captivated by his spiritual and emotional yearnings. Grendel is also overwhelmed with disgust and shame for himself and his vile
Philosophies such as nihilism, existentialism, and solipsism are explored throughout Grendel, a novel by John Gardner. Throughout the book, Grendel embarks on a journey of self-discovery, in which he tries to find himself through philosophy. Despite trying many different philosophies, Grendel is only met with dissatisfaction. However, the nihilistic philosophy that is introduced by the enigmatic dragon seemingly provides Grendel with a way out of his banal existence. Despite this, Grendel couldn’t fully commit to nihilistic beliefs therefore leading to the development of his scepticism philosophy. In the end, Grendel meets his death at Beowulfs’ hands, who disproves his scepticism and forces him to die an existentialist. The fact is that if Grendel had decided to
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
It bears mentioning that Grendel was strongly influenced by the idea of nihilism, which means that he believed that nothing has meaning and everything in life was an accident. “Nevertheless, it was
He is damaged psychologically and is basically put on exile by his own nature. As more humans appear to colonize within the area, Grendel meets a blind poet he calls “ the shaper” who tells the story of a man named Scyld Shefing, however being a myth Grendel is confused becomes hysterical and flees. When Grendel gets back to his cave he attempts to speak to his mother again and fails. This leads him to feel even more lonely and falls through the sea where he meets a dragon with a different philosophical view of fatalism. He shares with Grendel this view and Grendel again becomes hysterical. So it seems that when someone eventually does communicate with Grendel he is even more confused. Especially when someone has a different ideology, Grendel enters into a state of denial and
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
Grendel then began to show even more human traits than before. He became envious their happiness and starting becoming the cruel one. He started torturing and killing humans quite frequently. He starts to enjoy being cruel during his first raid. “I felt a strange, unearthly joy. It was as if I’d made some incredible discover, like my discovery long ago of the moonlit world beyond the mere. I was transformed” (79). This kind of cruelness came easily to Grendel, not unlike the humans had watched for so long. Grendel slowly becomes more and less human. He starts to lose his humanity but shows off just how human he is. Grendel becomes what he hates the most, cruel and pointless. Though Grendel enjoys the human’s suffering, it only makes him feel worse. “I feel my anger coming back, building up like invisible fire, and at last, when my soul can no longer resist, I go up - as mechanical as anything else - fists clenched against my lack of will, my belly growling, mindless as wind, for blood” (Gardner 9). Grendel falls into the trap and start to enjoy the suffering of others. While this isn’t a problem at first, Grendel eventually realizes just how pointless this is. How pointless everything is. Grendel sees that the world doesn’t do anything for anyone. He won’t be given anything and he probably won’t ever be happy. As a result, Grendel learns to live with this hatred and continues
Grendel exhibits human feelings and characteristics in many ways. Although Grendel is a monster “forced into isolation by his bestial appearance and limited imagination” (Butts) he yearns to be a part of society; he craves companionship while he is isolated. With his “ear pressed tight against the timbers [of Hart]” (43), he watches and listens to the humans and what goes on in Hart, the meadhall of King Hrothgar, to feel like he is a part of civilization. He also has feelings in relation to specific humans. Just like the citizens of Denmark, he is extremely affected by the Shaper and his songs that are “aswim in ringing phrases, magnificent, golden, all of them, incredibly, lies” (43). Grendel is profoundly “moved by the power of the Shaper’s poetry” (Butts). Queen Wealtheow shows Grendel the feminine, sweet, and kind side of life. “She had secret wells of joy that overflowed to them all” and her peaceful effect on those around her is a main cause of Grendel’s almost obsessive fascination with her and in turn, drives Grendel to feelings of rage. Grendel’s humanlike feelings show that his personality is similar to that of a human, helping those who read his story to relate to him.
Grendel’s point of view as a narrator adds an added sense of violence to the scene, which suggests that absurdism is useless, as absurdism ultimately decay into nihilism due to the chaotic nature of life.
Grendel and the humans share a common language, but the humans’ disgust for, and fear of Grendel precludes any actual meaningful exchange.
Grendel feels like an outcast in the society he lives in causing him to have a hard time finding himself in the chaotic world. He struggles because the lack of communication between he and his mother. The lack of communication puts Grendel in a state of depression. However, Grendel comes in contact with several characters with different philosophical beliefs, which allows his to see his significance in life. Their views on life influence Grendel to see the world in a meaningful way.
In the beginning Grendel’s perspective of himself leads to various encounters that help him discover the meaninglessness to his very own existence. From the beginning through many centuries of pondering Grendel has come to the idea that the world consists entirely of Grendel and not-Grendel. Thus Grendel begins his search for meaning of his very own life with an existential philosophy, the belief that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. While Grendel’s overall perspective of nature is that of mindless and mechanical machine, he believes that he is a separate entity from this machine. Furthermore he holds the philosophy that he himself is a god like creature that “blink by blink” creates the world. This philosophy undermined when Grendel notices that events occur before he can think them into existence. Grendel witnesses the death of a deer by the hands of humans: “Suddenly time is a rush for the hart: head flicks, he jerks, his front legs buckling, and he’s dead. He lies as still as the snow hurtling outward around him to the hushed world’s rim. The image clings to my mind like a
"People say that what we're all seeking is a meaning for life. I don't think that's what we're really seeking. I think that what we're seeking is an experience of being alive...." Joseph Campbell made this comment on the search for meaning common to every man's life. His statement implies that what we seem bent on finding is that higher spark for which we would all be willing to live or die; we look for some key equation through which we might tie all of the experiences of our life and feel the satisfaction of action toward a goal, rather than the emptiness which sometimes consumes the activities of our existence. He states, however, that we will never find some great pure meaning behind everything, because there is none. What there is to be found, however, is the life itself. We seek to find meaning so that emptiness will not pervade our every thought, our every deed, with the coldness of reality as the unemotional eye chooses to see it. Without color, without joy, without future, reality untouched by hope is an icy thing to view; we have no desire to see it that way. We forget, however, that the higher meaning might be found in existence itself. The joy of life and the experience of living are what make up true meaning, as the swirl of atoms guided by chaotic chance in which we find our existence has no meaning outside itself.
Grendel is alone; he can not know God’s love and be comforted. He is an outcast, and the sins of his forefather have fallen upon him. Evil can not stand God being glorified just as the praising of God by the Danes angered Grendel.