My project will be on Greek dancing. Greek dances are based on old traditions. It has been a staple tradition in Greece since ancient times. Greece is one of the few countries where folk dancing is as popular today as it was back then. Traditional Greek dancing gathers everyone together at festivals, weddings, Easter, baptisms and any other celebration. There are over 4000 traditional Greek Folk dances that come from all regions of Greece; each one has their own unique folk dances, some more popular than others. However, in this project, I will be describing some of the well-known Greek dances such as Kalamatiano, Hasapiko, Hasaposerviko, Tsamiko, Pentozali, Zeibekiko and Tik.
The ‘Kalamatiano’ is one of the best known dances of Greece with
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As it is danced throughout the regions of Greece, it varies from island to island. At first it was a very slow dance that was danced flat footed. However, today “Hasaposerviko” is a fast dance. It is danced by Greek men and women with hands on shoulders. The ‘Zorba’ is by far the most popular song used for this dance. To the first part of the song we have slow walking steps, while the second part is with quick running steps. Although it is one the most basic Greek dances, the skill level required to execute this dance is very high. Once you get the hang of it, you feel like you’re flying. This danced is usually danced with a lot of happiness and excitement. If you’re at a social gathering or event, the ‘Zorba’ will most likely be danced to.
The ‘Tsamiko’ is an ancient warrior dance which was very outstanding in the 1821 era of Greek history during the country’s war of independence. The pace and speed of the dance follows a slow tempo and focuses mostly on style and emotion, rather than steps. The ‘Tsamiko’ is danced moving in a counter-clockwise direction. In this dance, the leader of the line (who are mostly men), performs lively and dynamic leaps and kicks near the end of the song, as a type of solo which represents bravery. This requires strong arms by the person dancing beside him, as they both hold hands throughout the
The author, Brian Seibert, describes the dancer, Barba, performing a dance piece called “Wigman.” He describes this dance piece in terms of the body movement through rhythm as well as the exhale and inhale gestures and physical expression. “His attention to detail drew the eye to the press of fingertips and the bottoms of palms in an attitude of prayer.” It demonstrates the movement of inner peace. The movement shifts dramatically in a form of twist and turn. He combines the music with repetition routines while he dances. The author
This movement might also be a characteristic of upper class societies. The final crouching line dance that ends with a knockout presents the impression of being challenged to a fight, and the rectangular traveling movement presents the idea of a boxing ring.
Greece culture is main compose of religion, music, language, food, traditions, art work, and wine. Greece is a country with an extremely rich history throughout centuries from Stone and Bronze Age to the Twentieth century. In addition, has lots of information about other historical facts such as Olympic Games, flags, archaeological sites, historical monuments and Unesco Sites in Greece.
This type of dancing rose in the 1970's.. Pretty much any tune can be separated to an essential rehashed design. By rehashing this example, DJ's could make a beat that was perfect to move over. This is known as a breakbeat. Since it is performed over a "breakbeat" the reason for the name break dancing ought to be self-evident. Break dancing is altogether different from different sorts of moving as it is performed in the city, while wearing a couple of shoes and on a bit of cardboard. It is a type of articulation by which one artist makes a move, and afterward another artist comprehends that non-verbal communication and does a move accordingly. This move shape progressed toward becoming as very customized and inspected as spray painting; particularly as speed and assurance was the objective. The children and those in road possess in the South Bronx are the ones who started using this move before generally others. The adolescents in road possess were known to have done their "doing combating" thusly: contending through this move as opposed to battling. These rivalries came to be known as "breaking" fights. A portion of the attributes of this kind of move incorporate head turning, reverse-pivoting and muddled leg moves at a quick rate of speed. From here, break moving gatherings (or teams as they were frequently called) were shaped. These gatherings would hone and perform together. Since a significant
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
This dance they get into nature by way of rhythm and it can make your body
“Who knows only his own generation remains always a child.” This quote from George Norlin echoes the edification that cultural exposure can offer. How does African dance relate to do modern dance? The two are so heterogeneous in their make-up that one would not think of them as having similarities. The truth, however, is that all dance forms are linked in some way or another; they all strengthen and sharpen each other. Modern dance has its roots in African dance with the emphasis placed on the connection of weight and gravity. Brenda Dixon Gottschild names five aesthetics that are present in African dance. A particular piece that draws attention to the relation of the five aesthetics to modern dance is “Split Sides”, choreographed by Merce Cunningham.
In the dance sequences, they use very precise, very traditional Latin American dance moves, staying true to the culture and tone of the film. They also use the same dancing style to illustrate both happy and sad moments in the film, juxtaposing how when the people of Argentina are happy, dancing with energy and full of life and when they are sad, dancing slowly and
During my visit, I was able to observe different dances that were very interesting. Two dances that caught my attention were the “Toro Mambo” representing the state of Sinaloa and “Payasos of Tlaxcala” representing Tlaxcala. The “Toro Mambo” from the region of Sinaloa is one of the most popular dances in Mexico. The dance is really interesting for the reason that it represents a story in where a bull would dance on a place known as the “mambo.” In this folk dance the dancer do movements at the same paste while trying to imitate how the bull would dance. In this dance the women wear long colorful dresses to represent joy and in order to move the skirts higher. In contrast, the men wear light color shirts and jeans that matches with their partner. In the other side the dance of the “Payasos de Tlaxcala” represents a story of a festival in the region of Tlaxcala. To perform this dance men and women dress like clowns in colorful outfits to amuse the people in the festival. During the dance, the dancers try to satisfy the public by putting humor in the dance and doing crazy movements. This dances are both very great and enjoyable to watch. It is amazing how you could learn so much in a little bit of time and in a beautiful art
Suggested by the very remarkable interest taken in the music in the works of the ancient Greek philosophers, our attempt¡Xa semiotic attempt¡Xwould succeed in getting us closer to the meaning of what is called "the ethos of music" in the civilization of ancient Greeks.
Andonia, B. (2013, October 23). Dabke – Folklore Dance of the Levant. . Retrieved , from http://www.travelujah.com/blogs/entry/Dabke-Folklore-Dance-of-the-Levant
Different dances came from different cultures in this performance. As I had said before, “Oshun, Goddess of Love”, came from Africa. It arrived in America during the slave trade and has been here ever since. “Paper Moon” came from Japan. The text from the dance came from an adaptation from “Omoiyari”, which is an ancient Japanese dance ritual.
These three dancers helped to revolutionise contemporary dance and express their interpretation of it, all unique but adding layers to the genre. A range of movements that originated from these dancers are exhibited throughout the dance ‘Addiction’, choreographed by the eminent Mia Michaels and danced by two well-known dancers, Kayla and Kupono. A range of contemporary dance actions performed by the two talented young dancers successfully made Michael’s piece world famous, now regarded as an effective example of contemporary dance. The stretching all over Kayla’s body by Kapono’s hands demonstrates sharp, precise movements that are normally seen in this style of dance.
How was dance in 600 BC through 1 BC, and were the different types? “The Choros” was a dance that didn’t really involve movement but it had great meanings to the people and their Gods. Choros was a dance in which a group of people would dance in a circle by the temple virgins. In India this dance would involve hand movements. The temple virgin was the centerpiece of the developing Greek Theatre. This was done in honor of a God and usually held during the Games of Olympia. The God that the people during this time would dance to was Dionysus. He was the God of fertility and wine, females would dance to this in a state of frenzy. As they danced they would carry long phallic symbols known as Thyrsoi, they would tear it into pieces and devour the raw flesh of a sacrificial animal. With these practices the Dionysians also developed a more structures form of ...
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By