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Though Sue had more of a negative impact in Thao’s life, using cinematography and character dialogue she brings a positive change into Walt’s life by helping him to realize not all young people are bad beings like his grandkids seem to be. Walt views the younger generations as selfish, only focused on themselves, and uncaring about others because that is exactly how each of his grandchildren act towards him. This view is reinforced in the scene “Inevitable Disappointment,” when Walt catches his granddaughter Ashley in the garage smoking a cigarette. She walks up to him asks, “So what are you going to do with it when you, like, die?” (Gran Torino) in reference to Walt’s most prized possession the Gran Torino. This dialogue shows the lack of …show more content…
Ashley displays herself in a negative light by being self-centered and materialistic instead of caring about Walt’s wellbeing. Walt’s grandsons are not much better than Ashley. The boys are nosy and rummage through Walt’s trunk that contain his personal possessions from the war. They do this without permission and really do not care that they are invading his privacy. The grandchildren’s lack of care and blatant disrespect leads Walt to believe all kids must be like this including Thao which is the reason Walt dislikes the younger generation. Thao comes to the wake asking if he can borrow some jumper cables to fix his uncle’s car. Walt takes this as sign of Thao being uncaring and disrespectful and thus refuses to let him borrow the cables. Thao, though unknowingly, was showing a sign of disrespect by asking for something instead of checking on the person grieving. Thao, in Walt’s eyes, is a selfish, disrespectful boy that he wants nothing to do with. Sue, one the other hand, is the first kid Walt meets that does not show him any type of disrespect upon meeting one another. Walt meets Sue in the scene where these thugs are harassing her and the boy she was
Mama talks to Walter about her fears of the family falling apart. This is the reason she bought the house and she wants him to understand. Walter doesn't understand and gets angry. "What you need me to say you done right for? You the head of this family. You run our lives like you want to. It was your money and you did what you wanted with it. So what you need for me to say it was all right for? So you butchered up a dream of mine - you - who always talking 'bout your children's dreams..." Walter is so obsessive over money that he yells at his mom for not giving him all of it. He doesn't know that what his mom is doing is for the family. He thinks that having money will make the family happy, when in reality the family doesn't need anymore than what they have to be happy.
To begin, Walter is the most irresponsible character throughout the Younger family as he is immature. Moreover, Walter is immature as he did not think of the consequences
that a discontented individual is often unable to take ownership of his life until he realizes that he must set a good example for his children. Walter is a protagonist who seems to only care about himself. He is really dependent on his mama's huge insurance check. Walter wants his mama's check so he and Willy Harris can open up a bar. This character continues to go down the wrong path until something tragic happens.
Walter is seen as struggling to become the head of the family throughout the book and this comes to a head at the end of the story when he gets to his lowest point. Felder goes over the male characters in each sitcom and analyzes how they all have the same roles acting as head of the family, in charge and in control. The women were expected to be soothing and calming, as Felder writes “It was her husband, Jim, who ultimately solved the many problems concerning the couple’s three children… often appeared overly authoritarian and frequently lost his temper with his sons… these negative “masculine” character traits were countered by the soothing “feminine” presence of his wife” (Felder 156). As Walter loses control of his life after he lost the money, the women of the family ridicule him for not taking control like he is expected to. Beneatha and Mama have a conversation about the way Beneatha was treating her brother and adds this: “That’s what I thought you said. You feeling like you better than he is today?... Yes? What you tell him a minute ago? That he wasn't a man? Yes? You give him up for me? You done wrote his epitaph too- like the rest of the world? Well who give you the privilege?” (Hansberry 108-109). Beneatha ridicules her brother because he wasn’t able to take the role he was expected to. He wasn’t able to control the family or handle the problems like he was expected to even though that is what every man of the family ‘needs’ to do. The influence of these gender roles is so prevalent as Mama stops Beneatha from ridiculing her brother, Walter’s inability to take the role that is expected of him completely breaks him down and pushes him to his
It suggests that “aging is an inevitable, mutual withdrawal or disengagement; resulting in decreased interaction between the aging person and others in the social system he belongs to.” Walt’s son and daughter-in-law brought him gifts on his birthday that they insisted would make his life easier. (Example: Gopher and a giant numbered telephone). The African-American and Asian-American gangs dismiss him by telling him “go home old man” and “mind your own business” they refused to recognize his true authority until he pulled a gun on them. They don’t even bother to fight back after he takes it out. Another part was when the Hmong (Korean) gang also dismisses him, except this time he has a gun in their face. They chastise him and make fun of his age until he threatens them with things he did to Koreans in the Korean War. When Sue invited Walt over to her family’s BBQ, she takes him to the basement to socialize with her friends. The vibes are awkward while the teens stare at him suspiciously. Sue thinks that Walt is a great person to talk to, while the others need convincing often questioning him for being down there in the basement. Another great example is when Walt asks Tao for help to move his freezer from the basement and Tao accepts the request, however, Tao refuses once Walt orders him to carry the light side of the freezer instead of the heavy side. After the debate between them, Walt finally agrees to carry the light
Mama is usually seen as an affable and nurturing character, but when she discovers Walter’s use of the money her husband works so hard for her patience towards him snaps, “(... Mama stops and looks at her son without recognition and then, quite without thinking about it, starts to beat him senselessly in the face.)” (Hansberry 129). Most would be appalled to see a mother beat her own son; however, her anger had taken her conscience at this point. One will also see an interaction between Walter and his sister Beneatha as she says to Mama: “That is not a man. That is nothing but a toothless rat.” (Hansberry 144) The siblings have mild scuttles before he gives away the money, but nothing quite at the audacity of this specific
I also don't own the idea, it was requested to me by the wonderful Amanda. Thank you so much! I hope I did this idea justice.
Walter Lee Younger's route, which was filled with riskiness and impulsiveness, exemplified the road taken by blacks who had been oppressed so much that they followed their dreams with blind desperation. Though Walter was the only adult male in his family, he did not assume the role as "man of the house." His mother, Lena was the family's backbone as well as the head of the household. Therefore, Walter felt less than a man. Not only did Walter not have a position of dignity in his home, but he felt disrespected by the world as well. Walter didn't feel good about himself because he was so poor that he struggled to support his wife, Ruth and son, Travis. Walter, though the did not fare unsuccessfully in that struggle, our he wanted more out of life. He told Ruth:
Walter Sr. was Walter and Beneathas father he died and his wife mama received ten thousand dollar for life insurance. Walter wants the whole ten thousand dollars for himself and put it down on the liquor store. But Beneatha wants to go to medical school and be a doctor. Walter thinks that it is selfish of Beneatha that she wants to attend medical school because he then wouldn't get all of the money for the liquor store. Beneatha "that money belongs to Mama, Walter, and its for her to decide how she wants to use it. I don't care if she wants to buy a house or a rocket ship or just nail it up somewhere and look at it. It's hers. Not ours hers." Mamas getting all the money and it is up to her if she wants the money for herself give it to Beneatha for school or give it to Walter for the liquor store. Now that it is getting closer to the date in which the money will arrive. Walter is acting more and more desperate for that money.
1. Walter - His dreams of owning a licquor store conflict religiously with Mama's value system. The conflict between Mama and Walter is amplified by the fact that it is Mama's apartment in which the family lives and Walter is unable/unwilling to make decisions because Mama is so domineering. Ironically, it is the one decision that she eventually lets Walter make which nearly destroys the family.
Walter and Beneatha’s relationship is very complex. The spiraling tension between the two siblings causes confrontation to form and creep into the Younger household. Walter needs his family to respect him as the man of the family, but his sister is constantly belittling him in front of his mother, wife, and son. This denigrating treatment taints Walter’s view of himself as a man, which carries into his decisions and actions. Beneatha also subconsciously deals with the dysfunctional relationship with her brother. She desires to have her brother’s support for her dream of becoming a doctor, yet Walter tends to taunt her aspiration and condemns her for having such a selfish dream. Mama as the head of the family is heartbroken by the juvenile hostility of her adult children, so in hopes to keep her family together she makes the brave move of purchasing a house. Mama’s reasoning for the bold purchase was,“ I—I just seen my family falling apart….just falling to pieces in front of my eyes…We couldn’t have gone on like we was today. We was going backwards ‘stead of forw...
This scene shows the importance of money to Walter Lee. Here he is trying to guilt his mother into giving him the money by pointing out things that the family has to settle with. For example, he tells Lena that she will have to tell that to his son he is pointing out that Travis sleeps on the couch and does not have an actual bed of his own. He talks about how his wife Ruth has to watch someone else’s kids for money instea...
When he speaks to Ruth about their son, he feels as if all he has to tell him are "stories about how rich white people live" which show how his view of white dominance influences his decisions as he strives to live like a white man. Due to Walter’s jealousy of the rich whites, he becomes addictive towards money. This is similar to Othello since they both make decisions based on trying to be like a white man because of the dominant white race. Othello does this by marrying a white women to gain acceptance and Walter tries to do this by becoming rich like most of the whites. Overall, their perspectives influence their choices in a negative way because they prevent them from seeking happiness. Due to their view of the dominant white society, they strives to become like a white rather than to search for their own happiness. In addition, the society’s perspective of race influences Walter. He has to make decisions that accept him because of how poorly society treated blacks. This is visible when he talks to Lena about his job, he states “A job, a job Mama? I open and close doors all day. I drive around a man all day that looks right through me. Now say yes sir, no sir, shall I take the drive sir, am I the best trained monkey you ever seen sir. Mama that ain’t no kind of job Mama.” Walter feels inferior because he sees
Clint Eastwood’s film “Gran Torino” traces the end of the life of Walt Kowalski. He has recently gone through a lot – the death of his beloved wife, his distant relationship with his son, his emotional scars from the Korean War and his bad health. All these things stop him from living a proper life. He doesn’t care about himself much – he smokes even though he is sick, he doesn’t eat a lot, he refuses to confess even though that was his wife’s last wish. However, all this changes when he meets the Hmong Family that lives next door. At the beginning he detests them because of their similarity to the Koreans, but later, as he gets to know them, they become the family that he was never able to have. The story traces the psychological changes in Walt’s character due to his unusual bond with the Hmong family, which changes are one of the main strengths of the film.
She starts to become selfish, having no sympathy for the kids. The aunt believes the kids must