Hastur, less an important character than one who is overlooked, joins the ranks of “Olympic-grade lurkers” (15) along with his coworker Ligur, though the other was admittedly the more accomplished of the two. Also a Duke of Hell, Hastur has a better understanding of human technology than most demons, but is still very traditional in his ways. Unlike Crowley, who believes that the growing population of the world requires a wider approach to tempting souls, he along with the rest of Hell surmise that the best way to secure souls is to whittle away at one at a time, slowly committing them to their future presence in the infernal regions. Though demons did not typically possess a deep-rooted evil, Crowley states that Hastur and Ligur “took such a dark delight in unpleasantness you might have even mistaken them for human” (253). He dislikes Crowley in many regards, stating that he has gone native after residing on earth since the first days, and calls him a ‘flash bastard’ because of his disapproval regarding his shift adapt to humanity. Despite this, Hastur is also aware that Crowley is highly favoured among the ranks of Hell, and is therefore uncertain that he is in reality not quite the useless field agent he appeared. He becomes paranoid when he is sent to collect Crowley, after his inability to inform his superiors about the mix-up of the Antichrist, that perhaps he is telling the truth when he says that Hell is testing him before he lead the Legions of the Damned in the upcoming war. This paranoia is in fact a very reasonable thing since he's grown up in Hell, where everyone really is out to get you. It actually turns out that yes, Crowley had been lying, and he was now stuck in his ansaphone machine. He spends a half hour trapp...
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...e idea stands, as even one with a pure heart and amiable intentions all their life may succumb to a less than pleasant thought or action towards someone they perhaps have a shoddy relationship with, or even someone they do not know. Aziraphale in this case, though he is ultimately an overall pleasant seeming individual, is found setting aflame the notebook of a traffic warden to avoid a ticket, and is not very bothered by the fact that he has suffocated the dove he had shoved up his sleeve by means of a magic trick, Crowley being the one to resurrect the bird and send it on it’s way. Therefore, good and evil are perceived through one’s deeds and intentions, not through their existence.
Works Cited
http://tvtropes.org/pmwiki/pmwiki.php/Literature/GoodOmens http://www.sffchronicles.co.uk/forum/3566-good-omens-and-pratchetts-themes.html http://goodomenslexicon.org/
The pair of twins sat down in their homeroom class. One was gentle and charming, and the other was intelligent and had a great future in store. Being twins one would think they were very alike but secretly they were different. Sitting in homeroom no classmate would think that they were sitting next to a new definition of evil. In The Devil in the White City by Erick Larson, he decides to include different styles of ambition and appearance vs. reality to illustrate, that ambition can break one or make one and everything is not what it seems. Larson’s style is to add to irreverent stories together so that the two major protagonists highlight each other’s traits, one trait is their ambition. Both Holmes and Burnham are ambitious but in two different ways, which shows that ambition can make one or break one. How do they have different ambitions? Take their jobs as an example Burnham is an architect and Holmes is a doctor. When one has different jobs one strives for different things. Burnham in the novel strived for the Chicago’s World’s Exposition be more striking that the Exposition in Paris, as expressed by him saying, “Make no little plans; they have no magic to stir men’s blood and probably will themselves not be realized. Make big plans; aim high in hope and work, remembering that a noble, logical diagram once recorded will not die” (Larson 1). By him saying “no little plans” he is trying to explain that the Exposition could have no limits. His vision is to create a “White City” and was going to accomplished that no matter what. His great ambition was to surpass Paris and at the end he did but Holmes had different plans. Burnham thought that if he made a grand and huge exposition Chicago would always be remembered as a White City...
In The Day of the Locust, Tod Hackett undergoes an internal development relative to his migration. Tod, an architect living in Connecticut, moves out to Hollywood to build scenery for movies. Yet, once he moves, Tod is transformed into a lethargic, non-artist who can no longer create his own drawings on paper. His surroundings drive these changes, as all characters in the novel are depicted in a similar fashion. Tod becomes one of the grotesque as well, laughing at the disturbing rather than the humorous. These new features signal Tod’s incapacity to return to his old self, as he constantly suffers from his migration. This comes full circle at the end of the novel when Tod is led away from the mob scene at the Hollywood premiere:
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
In Fahrenheit 451 by Ray Bradbury, irony is used to convey information and it contributes to the overall theme of the novel. Written during the era of McCarthyism, Fahrenheit 451 is about a society where books are illegal. This society believes that being intellectual is bad and that a lot of things that are easily accessible today should be censored. The overall message of the book is that censorship is not beneficial to society, and that it could cause great harm to one’s intelligence and social abilities. An analysis of irony in Fahrenheit 451 by Ray Bradbury shows that this literary technique is effective in contributing to the overall theme of the novel because it gives more than one perspective on how censorship can negatively affect a society.
Savannah is the city of Southeast Georgia near the mouth of the Savannah River. James Ogelthorpe founded it in 1733, it is the oldest city in Georgia and has been a major port since the early 19th century (Soukhanov, p.1606). Savannah has been called that gently mannered city by the sea and indeed it is, with Spanish moss hanging from the huge oak trees and the shine of the moon reflecting off the pillars of Savannah’s grand mansions. Ones imagination can conjure up a simple setting where the clop of hooves on the cobblestone streets echo in the mind and sweat from the glass of a delicious madiera leaves a ring on the tabletop.
Over the course of Kurt Vonnegut’s career, an unorthodox handling of time became one of many signature features in his fictional works (Allen 37). Despite The Sirens of Titan (1959) being only his second novel, this trademark is still prevalent. When delving into science fiction, it is often helpful to incorporate ideas from other works within the genre. This concept is exemplified by the “megatext,” an aspect of science fiction that involves the application of a reader’s own knowledge of the genre to a new encounter (Evans xiii). By working within the megatext, Ursula K. Le Guin’s The Dispossessed (1974) provides an insightful avenue in exploring the handling of time and its consequences in Vonnegut’s The Sirens of Titan.
she will not put up with how she is treated. She has the courage to
In The Handmaid’s Tale, much use is made of imagery; to enable the reader to create a more detailed mental picture of the novel’s action and also to intensify the emotive language used. In particular, Atwood uses many images involving flowers and plants.
Evil is defined as being profoundly immoral of malevolent. Being faced with evil is can be challenging especially when the person is unaware that it is present. In the Play Othello by William Shakespeare and the novel Lord of the Flies by William Golding, Othello and Ralph are faced with the challenge of evil. Othello is an outsider of Venice coming from South Africa that is sometimes ridiculed based on the color of his skin; yet earned the title of respect with his intelligence, courage, and skills. Othello’s insecurities and him not knowing when evil is looking him straight in the eye, leads him to his down falling. Ralph... Both characters in the beginning act in a moral manner, until the end of the stories when both characters have been
Margaret Atwood’s novel, Alias Grace, nominated for the Arthur Ellis Award for Best Novel, depicts a young 16 year old girl who is found guilty of murdering her employer and his lover in conspiracy with James McDerrmott. James McDermott is put to death by hanging, but Grace is brought to prison because she is of the “weaker sex.” This is a reflection of the construction of femininity and masculinity of the mid and late nineteenth century. A social issue of the Victorian age was women being treated as subordinate to men. Queen Victoria says, “Victorian ideology of gender rested on the belief that women were both physically and intellectually the inferior sex”(YILDIRIM). Women were seen as highly susceptible to becoming mentally ill because of this belief. Women were subject to only be “housewives.” The novel, Alias Grace, accurately shows the construction of this gender identity through society, sexuality, and emotion while challenging it through Grace’s mother and Mrs. Humphrey.
The novel Good Omens is a satirical rendition of Armageddon in almost all aspects. The story begins with the coming of the Antichrist, brought into the world as a human infant though it is anything but. An angel and a demon, Aziraphale and Crowley respectively, and rather good friends considering their rather checkered past, have teamed up to ensure that The End is, in the very least, late. They take roles in molding the child to see both the sides of good and evil, trying to make it so that the boy will not be able to choose a side wholeheartedly when the time comes. However, when the boy is supposedly meant to start showing his powers, they realize that all their hard work had been wasted, and that this boy was an entirely normal human child. The genuine son of Satan was, in actuality, Adam Young, and was misplaced at birth into the care of two very normal parents in a very normal little hamlet in South East England. Adam grows up “not [as an] Evil Incarnate or Good Incarnate… [but] a human incarnate” (366). He is as human and innocent as an eleven year old can be; still finding himself and his three best friends provoking terror and irritation amongst their more elderly or respectable neighbours, though that is more excused as a preadolescent quirk rather than wicked. Wicked happens to be what Newton Pulsifer, a relatively newly dubbed Witchfinder Detective of Witchfinder Sargent Shadwell’s Witchfinder army, is looking for. He is given the task to search through newspapers and anything of the sort to find evidence of anything remotely witchy, which happens to be precisely what Anathema Device, actual self-proclaimed witch and descendant of the most accurate and useless psychic in history, can be found doing. Admittedly, she is ...
Monsters under the bed, drowning, and property damage are topics many people have nightmares about; nightmares about a dystopian future, on the other hand, are less common. Despite this, Ray Bradbury’s Fahrenheit 451 and George Orwell’s 1984 display a nightmarish vision about a dystopian society in the near future. Fahrenheit 451 tells of Guy Montag’s experience in a society where books have become illegal and the population has become addicted to television. Meanwhile, 1984 deals with Winston Smith’s affairs in Oceania, a state controlled by the totalitarian regime known as the Party. This regime is supposedly headed by a man named Big Brother. By examining the dehumanized settings, as well as the themes of individuality and manipulation, it becomes clear that novels successfully warn of a nightmarish future.
"The Lucifer Effect: Why Good People Turn Evil | The Vienna Review." The Vienna Review. N.p., n.d. Web. 08 Dec. 2013. This website was used to determine what factors cause humans to start showing flawed qualities.
Wicked, dishonorable, corrupt, villainous, malicious, and vicious all have one thing in common: they define evil. A person or a group of people that display these qualities are often to be defined as evil beings or creatures. Two people that have many of these characteristics developed within them are Iago from Shakespeare’s Othello and Lucifer from the Bible. Both Iago and Lucifer are developed with many “evil” qualities woven intricately into their character development. The representation of each “evil” characteristic gives them something they have in common allowing the description and portrayal of both Iago and Lucifer in literature show the audience they share common “evil” characteristics and that they lead to chaos and downfall.
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