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Paradise lost as a christian epic
The relationship of bible and paradise lost
Paradise lost and the bible
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Skepticism about religion is just as old as religion itself. There always have been, and always will be doubters. Over time, some have felt the need to solidify their faith, and champion God. This was John Milton’s quest when he sought out to write Paradise Lost. He thought the time had come that he did his church a service. He found his opportunity when it came time for a question to be answered: If there is a god, why is there evil? According to Josepha Morbey, “Milton believes that God is all-powerful, all-seeing, and entirely good, and yet there is evil in the world. For Milton, this is a problem.” Indeed it is a problem, because many people disagreed with this. In order to answer the question of evil in God’s presence, Milton wrote Paradise Lost. John Milton’s Paradise Lost will be critiqued for its content, execution, and impact in relation to theodicy. Initially, John Milton’s Paradise Lost can be critiqued for its contents pertaining to theodicy. To understand the story of Paradise Lost, you need to understand the question Milton intends to answer. In the opening of the poem, he writes “That to the heighth of this great Argument I may assert Eternal Providence, And justify the ways of God to men. (Book I, Lines 24-16)” It is by no means an easy task. Especially when put in the words of Covington, who writes “Traditionally, the most central source of enmity between God and philosophy is the problem of evil. In the vast field of arguments for or against the existence of God, it alone seems to have much strength or possible validity. A simple version of it could be stated thus: 1: God is an omnipotent, omnibenevolent being. 2: An omnipotent being has the power to prevent all evil, and an omnibenevolent being has the will t... ... middle of paper ... ...rutiny by his readers.” It is true, this is an ambitious claim to make. But if you don’t over-analyze it, and read it for what it is, Paradise Lost is the direct origin of modern theodicy. Works Cited Covington, Matt. "Paradise Lost: A Theodicy." Thesis. N.d. Print. Dink, Michael. "Lead Us Not Into Temptation: Milton's Paradise Lost." Http://www.stjohnscollege.edu/. N.p., n.d. Web. 24 Feb. 2014. Landrum, Robert. "Religious Contemplations: The Problem of Evil (The Christian Theodicy)." Religious Contemplations: The Problem of Evil (The Christian Theodicy). N.p., n.d. Web. 24 Feb. 2014. Martin, Jessica. "John Milton, Part 3: Does Paradise Lost Really Attempt to Justify God's Ways?" Theguardian.com. Guardian News and Media, 12 Dec. 2011. Web. 24 Feb. 2014. MOrbey, Josepha. "Milton's Theodicy in Paradise Lost." Http://web.ncf.ca/. N.p., n.d. Web. 24 Feb. 2014.
Milton's purpose in Paradise Lost is nothing less than to assert eternal providence and justify the ways of God to men - a most daunting task. For Milton to succeed in his endeavour, he has to unravel a number of theologiccal thorns that have troubled christian philosophers for centuries. Since his epic poem is, essentially, a twelve book argument building to a logical conclusion - the 'justification of the ways of God to men' - he will necessarily have to deal with these dogmatic problems, and, in doing so, reveal his own take on the Christian theology.
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Milton, John. Paradise Lost. 1674. Ed. Scott Elledge. New York: W.W. Norton & Company, 1993.
Unfortunately, human nature only lends itself to the assumption of certain abstract concepts such as `natural law', an assumption Milton develops in Paradise Lost. Throughout Paradise Lost, Milton expands upon the teaching that human actions affect human freedom and that this is a consequence of the assumption of the natural law that the Creator owns the created. Moreover, the created freely subordinates itself to its Creator.
In a way Milton expresses that the fall of Adam and Eve and along with them humankind in general, the doors of opportunity were opened. He reveals that no one could be like God without the knowledge the struggles and trials life gives and the process of overcoming the challenges this life presents. Milton introduces his readers to the idea that God does have a plan and he provided a way for his creations to return to be with him in paradise even though mistakes were made and sins were committed. If one is to show their love for God by repentance of the wrongs they committed and truly wish to be with him again, he will forgive and conquer the evil that is allowed to roam on Earth until God commands it to be vanquished. Milton’s entire Paradise Lost is a testimony of what he believes and what we wish others to understand.
The words, good and evil, and right and wrong, have been interpreted with ambiguity over the course of generations by humanity, and the finer details of their ethics are still obscured to even the most intelligent of minds, leaving us to often stay with the few basic tenants that seek to preserve humankind’s further existence. Throughout John Milton’s Paradise Lost we encounter this constant struggle between good and evil, as the enigmatic and eternal Satan—a character who is perhaps the chief hero, and protagonist of the epic poem—wages vain war against God’s tyranny in heaven. Satan, like all angels, is acutely aware of the differences that separate the abstract philosophies of what is considered to be right and wrong. And much like the theologians before him, Milton suggests that mankind, much like the angels of heaven, has also always possessed the ability to discern good from evil. However, Milton’s humanity—unlike the angels of heaven—has been given the opportunity of disobedience through the cursory act of consuming the fruit grown from the forbidden Tree of Knowledge. This brings to question whether mankind’s choice of damnation was illusory, and that Eve was destined to eat the fruit of the tree, to be untouched by all but the divine hand of God, or that all beings under heaven must answer to God for the actions they took. While human views on fatalism are open to interpretation, Milton suggests throughout his work that all beings under God’s domain possess the ability to choose their fates, and govern their own destiny. This coincides with the views of the Rabbi Maimonides, and the dialogue of the angel Raphael.
The attention Milton gives to each character, and their specific personality, allows us to interpret their actions as consciously chosen deeds within the larger framework of the poem. Great detail is given to the idea of "creation". Beyond that of the creation of the world in Book I, there are many instances where the act of creation itself becomes an act of endowing power on some object or person. The most obvious example would be the creation of Adam and Eve by God. By creating the pair, God, desires them to glorify His ways through their praises and deeds. He gives them enough power over their destiny to choose to worship Him as the Almighty. The fact that they have free will is important to God because they choose to give Him praise despite any outside temptation. There is one obvious drawback to this kind of power. They chose to follow Satan’s beguiling words. The fact that they had the free will to follow Satan’s words meant that their decision was cosmically more important because it was arrived at through conscious thought. We can see this idea of power demonstrated throughout Paradise Lost. The dual relationship between the beneficial act of bestowing power at the time of creation and the negative side of the free will to use that power freely, shows up within every character. Instances of creation appear in every book, and can be associated with every character. Some of the first appearances of the word "author" are connected with the idea of creation. In Book III, the throngs of assembled angels say,"Eternal King, the Author of all being/Fountain of light, thyself invisible/..." (III, 376-7) Here God is portrayed as the great originator of everything in all of creation. To be the "author" of something is to be the creator, much the same way as Milton himself is creating the world of the poem. In virtually every instance the act of "authoring", is associated with images of primacy and legitimacy. The ultimate act of creation, that of shaping the physical world itself, brings about another reference to this idea.
Critics of the Romantic Period have claimed that John Milton was unconsciously allied with the forces of evil. In Paradise Lost Milton’s accounts of “Devils & Hell” are much more elaborate and awe inspiring than those of “Angels & God.” Hell and Satan are portrayed extensively whereas the reader is given brief and inconclusive glimpses of Heaven. The apparent dichotomy is explained by William Blake: “The reason Milton wrote in fetters when he wrote of Angels & Gods, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil’s Party without knowing it.”
...t, Stephen, gen. ed. “Paradise Lost.” The Norton Anthology of English Literature. 9th ed. Vol. 1. New York: Norton, 2012. Print. 36-39.
In Paradise Lost, Milton portrays the idea that God’s gift of free will to creation increases his authority over
Loewenstein, David A Student Guide: Milton-Paradise Lost, 2nd Edition Cambridge University Press, 1993, Second Edition 2004.
Since Paradise Lost is an epic, the reader is instinctively drawn to the search of deeds typical of a heroic figure that could be either legendary or based on real historic personages. However, Milton displays several characters that could perform that role, as all of them prove their heroic courage by accomplishing deeds of great valour. Satan is portrayed as a rebellious lord displaying energy and drive. That contrasts with the fact that he is the enemy of God and mankind, as his name in Hebrew indicates; ‘adversary’ (Loewenstein, 1993, p.58). In turn, God’s Son is the expected hero, responding to the admirable quality of classical heroes (Bradford, 2001, p.98), who redeems the world God had created from sin and sacrifices himself for mankind. Similarly, Adam and Eve heroically face the struggle of living in a fallen world infested by sin.
John Milton’s Paradise Lost is a religious work, and is in many ways an autobiography of Milton’s own life. John Milton was raised catholic and converted to Protestantism. Later in life he became a Calvinist. His strong Calvinists beliefs can be seen throughout Paradise Lost. It was Milton’s desire to be a great poet, but he did not believe that was his purpose in life. He believed that he had been put here to serve God, and that any thing that he wrote should be in one way or another related to that purpose. In this way Milton felt that in writing Paradise Lost not only was he writing the epic poem he had always wanted to, but also fulfilling his godly purpose here on earth.
This week’s lecture is on John Milton and his epic poem, Paradise Lost. This essay will focus on Milton’s life, a few examples of Milton’s tracts, Miltonic themes, epic poems, and Paradise Lost.
Milton, John. Paradise Lost. Ed. Scott Elledge. New York: W. W. Norton & Company, Inc.,