According to Akin L. Mabogunje and J. D. Omer-Cooper, he was a great general who founded the Owu kingdom and was deified upon his death. He promised to return from the dead, if his people needed him and called him. Osofisan makes Anlugbua the god of the elements, which to some extent corresponds to Poseidon’s position in Euripides’s drama.On the surface of things, then, it is the interrelations between the gods that direct their actions. The human world is merely their playground, and the mortals must follow the whims of the gods. This fact is summed up by Shakespeare when he says through the character of King Lear “Osofisan’s play is certainly opened by Anlugbua, but we get to know through Anlugbua’s obvious ignorance of the situation that …show more content…
In the second scene, the women repeatedly say ”we are on our own” and conclude that ”we create war.” When placing lines like these early in the drama, Osofisan guides the reception towards an emphasis on human beings rather than on the gods. The links between gods and humans are the priests, in Greek and Yoruba religion alike. Cassandra in The Trojan Women is such a priest. In Osofisan’s adaptation, Cassandra’s counterpart is Orisaye. Osofisan follows Euripides’s play rather closely, and Orisaye’s frenzy, too, is seen by the other characters as madness. In particular, her own mother, Erelu Afin, points out that she has -lost her senses” as a result of the violent war. She herself says “Not madness. It is something called fear” that is her driving force, that is, the fear not to be able to kill the general now claiming her as his co-wife. In another respect, the adaptation differs considerably from the original. Orisaye is a priestess to the god Obatala, who stands for balance and patience, among other things, in the Yoruba religion. When Orisaye embarks upon her mission of revenge, it is not at all in accordance with Obatala’s principles. When seeing herself as a ”death-avenging spirit,” Orisaye gives priority to revenge rather than to balance and patience. Orisaye’s revenge is her own and not that of Obatala. Thus Osofisan blames the people and not the gods. We can read into her vindictiveness a kind of fundamentalism where Osofisan’s mortals threaten to punish the gods by extinction, which would be possible for them to do, because, as Anlugbua puts it in the first scene, ”without a shrine, without worshippers, what are the gods?” When the last male Owu citizen, a child, is killed, a woman states, “They (the gods) too will die without worshippers.” The argument, that gods cease to exist when human beings stop
Throughout literature characters have relied upon entities greater then themselves to furnish them with aid as they meet the many challenges they must face. The Odyssey is a tale of Odysseus’ epic journey and the many obstacles that bar his return home. But Odysseus is not alone in this struggle and receives aid from many gods, especially the clear-eyed goddess Athena. There are times when Odysseus beseeches the gods for aid, but other times he is too foolhardy to receive aid from even the immortal gods. In Homer’s The Odyssey, Odysseus’ journey revolves around the cyclical phases of his dependence, independence and his return to reliance upon the gods’ aid.
Firstly, Penelope who plays Odysseus’s wife is alone tending to her city Ithica until her husband returns. Meanwhile Odysseus is out fighting in the Trojan War and against many of the Greek God’s who are trying to make his trip back home as eventful and hard as possible; “…work out his journey home so Odysseus can return” (Homer 276). While King Odysseus is away Penelope is to deal with a bunch of suitors who are eating and trashing out Ithica, “…if those suitors have truly paid in blood for all their reckless outrage” (559). In order for Penelope to keep peace until Odysseus returns she has to come up with a clever plan to keep the suitors from completely taking over. For almost 2 years Penelope was able to keep the suitors from getting out of hand by saying she will find someone to marry and replace Odysseus after she is d...
Personal Development, one of the core values at Saint Leo University, plays an important role in students’ daily lives. From the moment you step foot on campus to the day you graduate, you automatically become a different person. As a first year student, you are entering a new life and not knowing what to expect. Once you are in college, it is the start of a new chapter. You will become more mature and all the obstacles that you will go through will make you a different person. In order to have a successful Undergraduate experience, it is crucial to have a balance between personal life and school. Your personal development will strengthen your academics and the community. The Campus Life Handbook states, “Saint Leo University stresses the development of every person’s mind, spirit, and body for a balanced life. All members of the Saint Leo University community must demonstrate their commitment to personal development to help strengthen the character of our community” (Saint Leo 1). Based on the Saint Leo core values, personal development, responsible stewardship, integrity, respect, and community exemplifies Medea’s character as a Hero devolving throughout the play.
Travel back to the time of gods wielding thunder bolts and the power to move the Sun across the sky. Gladiator’s fought for blood in monumental arenas and men ran faster than thought possible. Where a crown of olive branches was worth more than a wagon-load of gold. A time when men combined their strength to lift tons of stone more than 50 feet in the air to construct immense temples and monuments that would last thousands of years to come. This is Ancient Greece during its Golden Age.
for the first time but the export of such classics as olives, wine and pottery
The Greeks were very strong in their polytheistic beliefs. Polytheism is when someone believes in more than one god. In the Greeks case, there were an unbelievable amount but there were 12 main Olympian Gods. There are also plenty of minor gods that are still important in their lives. The Greek gods impacted the lives of the Greeks through their religion and beliefs. Many people don’t know the story behind the gods and how they came into “existence”. That is what you will learn from this report.
This shows the value of bravery. As Odysseus and his crew row toward two fearsome monsters, Odysseus shows no fear. He reminds the men of the monsters they have already faced, and this inspires them. Death looks him in the eye, and, in response, Odysseus laughs in its face.
A main purpose of women in the poem is to define the characters of Odysseus and Penelope. Women's seductive natures serve as a test of character for Odysseus. His choice to leave the sexual pleasures of Kirke and Calypso is proof of his virtue and desirability as a husband. The same depiction causes the virtuous Penelope to stand out in the large pool of vileness as a desirable wife. The contradictions also have a significant affect on the poem and the reader.
Many Greek gods were seen as both benefactors and tormentors, typically it depends on which god or goddess you are researching about. The seemingly contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
There are many gods that play a role in the Aeneid. The main ones are Jupiter, king of all deities, Juno the divine antagonist of Aeneas’ destiny and Venus, his mother and his main protector. There are also the lesser gods such as Neptune, Aeolus, and Mercury, who serve as instruments for the main gods to meddle in the events of the story.
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
In Euripides' Medea, the main character of the same name is a controversial heroine. Medea takes whatever steps necessary to achieve what she believes is right and fair. She lived in a time when women were expected to sit in the shadows and take the hand that life dealt them without a blink of their eye. Medea took very radical steps to liberate herself and destroys the life of the man who ruined hers. She refused to accept the boundaries that a patriarchal society set upon her. Medea was a very wise and calculated woman who was brave enough to leave her homeland, along with everything she knew and loved, in order to follow her heart down the path of what she expected to be eternal happiness.
In the tragic play, Oedipus Rex, the Gods and religion greatly influence the social structure which in turn has a profound effect upon how the events unfold. Oedipus is the head of the state. There is a direct parallel in the demise of his household and city state which eventually comes to a full circle to destroy him. Even though Oedipus is praised by his people for being a responsible and honest king, he possesses a major character flaw in his attitude towards the gods which causes the tragic torture he faces in the end. Over the duration of the play, there is a strong sense of contamination towards the state, because it is facing a time of plague, and towards the leader Oedipus, because he is unknowingly in a relationship with his own mother. The cleansing of the state can only occur if the ruler, Oedipus, and his ignorant ways are put to rest. The state and the household are directly linked to Oedipus. His incestuous ways are the outcome of anger from the gods for being intelligent and because the leader of the state is plagued with such a flaw the state must suffer for the wronging of the leader. This sense of contamination ultimately leads the gods to cleanse the state, household, and Oedipus by revealing the flaw to everyone and Oedipus at the same time.
This conflict is clearly portrayed in the text. In the opening scene all are equal. Servants, peasants and royals alike proclaim, "We are your suppliants." All have an equal interest in the state of Thebes and the actions Oedipus must take. After this, however, the females of Thebes are represented in the characterization of Jocasta. It is here that the chorus, the most important element of Greek tragedy, comes to the fore. As the Theban elders they portray the views of the greater society. Jocasta's actions characterize her as the stereotypical female. By ordering the death of her son, blaspheming the Gods and eventually killing herself, she shows the essential perceived frailty of w...
Medea was a very diverse character who possesses several characteristics which were unlike the average woman during her time. As a result of these characteristics she was treated differently by members of the society. Media was a different woman for several reasons; she possessed super natural powers , she was manipulative, vindictive, and she was driven by revenge. The life that Medea lived and the situations she encountered, (one could say) were partly responsible for these characteristics and her actions.