Shooting an Elephant
George Orwell is just a pen name for Eric Arthur Blair. He wrote many novels from inspirations around the world. He was born in India but was a British author. A good amount of that inspiration came from being an India Imperial policeman. Shooting an Elephant contains a variety of symbols like the rifle, the elephant, and the imperialism which gives the reader an insight into his essay. The first symbol is the rifle. It represents different meanings that portray Orwell and the police. As far back as anyone can remember the police has had guns or some type of weapon for their job of peace keeping. The gun represents authority. It represents who is in charge, so wouldn’t it be right for the police to have one? The rifle inflicts fear into people willing to cross the line of authority. As Orwell said, “Here was I, the white man with his gun, standing in front of the unarmed native crowd…” (Orwell 327). It always has, and always will be the symbol of authority. The rifle also symbolizes Orwell’s power. Alone his power is that of his .44 Winchester. Not powerful
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Many would just think it to be an animal that went on a rampage but there is a meaning behind it. It’s death by Orwell shows the British Empire’s fall by its own officials. When Orwell talked about the “must” he was referring to the British Empire enforcing their dominance over the Burmese. Shooting the elephant was a difficult choice on Orwell’s part. He did not want to shoot it for he saw no threat once the must went away. The ones that wanted him to shoot it was the thousands of people behind him all excited to see him fire the rifle. “I could feel their two thousand wills pressing me forward, irresistibly” (Orwell 327). What that decision really represented was the British official working in the British colony. Orwell was the state, and the people were the people they serve. He either had to make the state happy, or the people he served
Throughout the story, Orwell described how he was heavily pressured by the Burmese into shooting an elephant, stating that he became "... an absurd puppet pushed to and fro by the will of those yellow faces behind" (Capote 583). Through Orwell's diction it became known that Orwell was hated by the majority of his residing village since he upheld the position of a sub divisional police officer for the British Raj in colonial Burma. Orwell was driven to killing the animal out of desperation of the public dropping all forms of hatred towards him. Although killing the elephant was against his will, Orwell went through with the deed earning a new profound identity known as the elephant
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
A police officer in the British Raj, the supposedly 'unbreakable'; ruling force, was afraid. With his gun aimed at a elephant's head, he was faced with the decision to pull the trigger. That officer was George Orwell, and he writes about his experience in his short story, 'Shooting an Elephant';. To save face, he shrugged it off as his desire to 'avoid looking the fool'; (George Orwell, 283). In truth, the atmosphere of fear and pressure overwhelmed him. His inner struggle over the guilt of being involved in the subjugation of a people added to this strain, and he made a decision he would later regret enough to write this story.
Many authors convey a message that the reader usually has to find out on their own by reading behind the lines and thinking of the bigger picture. The story Shooting an Elephant, written by George Orwell tells the story of a moment in the author’s life when he witnessed injustice, due to the imperial corruption of his country. People who are from third world countries would be able to relate to the point Orwell is trying to get across, because they too have also experienced the hatred from their own townspeople. Orwell displays his true feelings about shooting the elephant by using strong diction and imagery. These rhetorical devices unfold the author’s true feelings on killing the animal.
Orwell speaks of how he is so against imperialism, but gives in to the natives by shooting the elephant to prove he is strong and to avoid humiliation. He implies that he does not want to be thought of as British, but he does not want to be thought the fool either. Orwell makes his decision to shoot the elephant appear to be reasonable but underneath it all he questions his actions just as he questions those of the British. He despised both the British Empire as well as the Burmese natives, making everything more complicated and complex. In his essy he shows us that the elephant represents imperialism; therefore, the slow destruction of the elephant must represent the slow demise of British Imperialism.
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
Orwell is a very complex man, he begins to contradict himself by saying he hates what imperialism does but chooses to work for that government. Even though he states that he hated his job, his actions show imperialism. When having the choice to kill or not to kill the elephant, he chose death. This here specifies how imperialism took over; oddly enough not by the government but by the people. The people staring and waiting for him to ki...
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
He describes, “I was only an absurd puppet pushed to and fro” (60). He is dealing with the internal conflicts of who he should align with: himself, the British, or the Burmese. If he were to acknowledge his beliefs and align with himself, he could be the start of an uprise. Surely, others would follow. He even confirms his “thought of the British Raj as an unbreakable tyranny” and says, “Ask any Anglo-Indian official, if you catch him off duty,” referring to the hatred of the English empire (58). By expressing his dislike for the British, Orwell is finally attempting to stand up for his beliefs. The fact that his character is unable to execute his beliefs, though, highlights him trying to not look foolish in the presence of others. Clearly, he is in an unbearable circle of self-deprecation and doubt. By the end of the narrative, Orwell’s character regrets his decision to shoot the elephant. This ultimately represents Orwell’s uncertainty as he goes through life. He, like all of us, is struggling to predict which path is the best for him to go down as he ventures through his existence. Because of this, his actions for shooting the elephant are justified. He is just trying to accomplish all that he can while simultaneously dealing with his own questions of identity. This allows Orwell to be seen as a humble individual who is just trying
Throughout "Shooting an Elephant" by George Orwell, he addresses his internal battle with the issues of morality and immorality. He writes of several situations that show his immoral doings. When George Orwell signed up for a five-year position as a British officer in Burma he was unaware of the moral struggle that he was going to face. Likewise, he has an internal clash between his moral conscious and his immoral actions. Therefore, Orwell becomes a puppet to the will of the Burmese by abandoning his thoughts of moral righteousness. This conflicts with the moral issue of relying upon other's morals, rather than one's own conscience.
The symbolic story in the Shooting an Elephant is an attack towards imperialism. Orwell presents the ironic truth that imperialism benefits neither the imperialist nor the countries they colonize. It is perhaps sad to see that men were once willing to buy in to the fraudulent and ephemeral glory that imperialism have offered. Hopefully, men have learned their lessons and no other animal will be sacrificed for men's greed.
In George Orwell, Shooting an Elephant, the narrator is the main character of the story trapped in his own environment between righteousness and authority. He is unsure of his path on whether to defend the people of Burma from the oppression of the British ruling in which he serves that can lead him to losing his job as sub-divisional town of Burma, India. Orwell personally relates to the narrator that is reflected in his writing allowing the reader to get a glimpse of his political views. In the short story Orwell like the narrator was an Anglo-Indian official, a term used to describe all British people of mixed Indian and British descent. According to an article from the BBC, Orwell was an imperial police officer in Burma India. He resigned
Unanticipated choices one is forced to make can have long-lasting effects. In "Shooting an Elephant," by George Orwell, the author recounts an event from his life when he was about twenty years old during which he had to choose the lesser of two evils. Many years later, the episode seems to still haunt him. The story takes place at some time during the five unhappy years Orwell spends as a British police officer in Burma. He detests his situation in life, and when he is faced with a moral dilemma, a valuable work animal has to die to save his pride.
Orwell?s extraordinary style is never displayed well than through ?Shooting an Elephant,? where he seemingly blends his style and subject into one. The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie.