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Application of postpartum depression theory
Application of postpartum depression theory
Charlotte Perkins Gilman (1860 -1935) was a writer and lecturer for social reform
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Gender roles can have a negative effect on a person as was illustrated in the short story “The Yellow Wallpaper”, written by Charlotte Perkins Gilman. The stereotypical gender roles which are associated with both men and women strip both genders of their individuality as it encourages all women and, subsequently, all men to behave in the same fashion as the rest of their gender. This limits self-expression and restricts people to conform to the gender roles set for them by society. Accordingly, this can lead to negative effects on a person if they feel that they do not act according to the gender roles set for them by society. The journal entries written by the narrator in “The Yellow Wallpaper” display the negative effect that gender roles …show more content…
John did not believe that the narrator was actually suffering from an illness as it was believed that she was seeking attention. Many women in this time period when suffering from Post-Partum Depression were thought of to be attention seeking rather than ill due to the fact that it was a mental illness which is not visible. This led to the narrator only having her journal to confide in regarding her depression. As her illness progresses her journal entries become more illogical and scattered. They begin as logical and chronological accounts of her feelings and daily activities but quickly become illogical. The narrator becomes obsessed with the yellow wallpaper in her room and often notes that she sees other women in the wallpaper. Phrases such as, “But nobody could climb through that pattern-it strangles so; I think that is why it has so many heads.”, and, “There are things in that paper that nobody knows but me, or ever will.”, become frequent statements made by the narrator in her journal regarding her obsession over the pattern of the wallpaper. As time passes, the images become clearer in her mind and translate into her journal entries, this represents the progression of her illness. Eventually, she reaches her breaking point and has a complete mental breakdown. It can be argued that had the narrator been treated as an intelligent human being and been allowed to express herself outside of her journal, her illness would not have led to a mental
Misogynistic Confinement Yellow Wallpaper depicts the nervous breakdown of a young woman and is an example as well as a protest of the patriarchal gender based treatments of mental illness women of the nineteenth century were subjected to. The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her, the price of rent was way too cheap and she even goes on to describe it as “queer”. However, she is quickly laughed at and dismissed by her husband, who as she puts it “is practical in the extreme.” As the story continues, the reader learns that the narrator is thought to be sick by her husband John, yet she is not as convinced as him.
In “the Yellow Wallpaper,” Gilman used that the first feminist wave, which was the period that she raised up, for the background. Especially, she used the men’s power in the book when she started to telling the story:
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
As Virginia Wolfe once stated, “For most of history, Anonymous was a woman” ( ). The word female has had countless meanings throughout its lifespan. Females can be seen as lowly and cheap, regal and sophisticated, or weak and underutilized. It has only been in the last 70 years that women have gained a foothold in society, to gain the rights they deserve. In the late 1800’s a new writer Charlotte Perkins Gilman questioned society’s views on the idea of being female and tried to make them understand that females are a force to be reckoned with and not a doormat for men to step on. She would not stand to be labeled anonymous.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
She starts to believe that there is a woman that is trapped in the wallpaper just like herself. Gilman uses the decaying yellow wallpaper to symbolize the oppression of sexism by stating how frail and vandalized the paper really appeared. Sexism was common in the 90’s and according to Gina Masequesmay, “It functions to maintain patriarchy, or male domination, through ideological and material practices of individuals, collectives, and institutions that oppress women and girls on the basis of sex or gender.” This piece amplifies the effect that sexism will do to a woman that has absolute no say in what she does with her own
Like the darkness that quickly consumes, the imprisoning loneliness of oppression swallows its victim down into the abyss of insanity. & nbsp;
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
When comparing the works of Charlotte Perkins Gilman, Betty Friedan, and Bell Hooks, I assert that both Gilman and Friedan stress that college educated, white upper- and middle-class women should have the incentive to fight against and alter the rigid boundaries of marriage; however, Hooks in her piece From Margin to Center argues that Friedan and other feminist writers during the second wave had written or spoke shortsightedly, failing to regard women of other races and classes who face the most sexist oppression.
The Yellow Paper is a short story published in 1892, and written by Charlotte Perkins Gilman. Charlotte tells of a disheartening tale of a woman who struggles to free herself from postpartum depression. The Yellow Paper gives an account of an emotionally and intellectual deteriorated woman struggles to break free from a mental prison her husband had put her into, in order to find peace. The woman lived in a male dominated society and wanted indictment from it as she had been driven crazy, because of the Victorian “rest-cure” (Gilman 45). Her husband decided to force her to have a strict bed rest by separating her from her only child. He took her to recuperate in an isolated country estate all alone. The bed rest her husband forced into made her mental state develop from bad to worst. The Yellow Paper is a story that warns the readers about the consequences of fixed gender roles in a male-dominated world. In The Yellow Paper, a woman’s role was to be a dutiful wife and she should not question her husband’s authority and even whereabouts. Whereas, a man’s role was to be a husband, main decision maker, rational thinker and his authority was not to be questioned by the wife.
Traditionally, men have held the power in society. Women have been treated as a second class of citizens with neither the legal rights nor the respect of their male counterparts. Culture has contributed to these gender roles by conditioning women to accept their subordinate status while encouraging young men to lead and control. Feminist criticism contends that literature either supports society’s patriarchal structure or provides social criticism in order to change this hierarchy. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts one women’s struggle against the traditional female role into which society attempts to force her and the societal reaction to this act.
Being able to have an equal partner and feel heard is not only an important thing to have in a marriage but is an important thing for one’s health. Charlotte Perkins Gilman uses her story “The Yellow Wallpaper” to discuss and emphasize the harmful effects this can have on women. With a captivating plot Gilman keeps the reader interested, and with powerful symbolism and themes teaches the reader the importance of a woman’s status in her
Gender roles seem to be as old as time and have undergone constant, but sometime subtle, revisions throughout generations. Gender roles can be defined as the expectations for the behaviors, duties and attitudes of male and female members of a society, by that society. The story, “The Yellow Wallpaper,” is a great example of this. There are clear divisions between genders. The story takes place in the late nineteenth century where a rigid distinction between the domestic role of women and the active working role of men exists (“Sparknotes”). The protagonist and female antagonists of the story exemplify the women of their time; trapped in a submissive, controlled, and isolated domestic sphere, where they are treated as fragile and unstable children while the men dominate the public working sphere.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband John can be seen as strong representations of the effects society’s stereotypical gender roles as the dominant male and submissive female have within a marriage. Because John’s wife takes on the role as the submissive female, John essentially controlled all aspects of his wife’s life, resulting in the failure of the couple to properly communicate and understand each other. The story is intended to revolve around late 19th century America, however it still occurs today. Most marriages still follow the traditional gender stereotypes, potentially resulting in a majority of couples to uphold an unhealthy relationship or file for divorce. By comparing the “The yellow wallpaper” with the article “Eroticizing Inequality in the United States: The Consequences and Determinants of Traditional Gender Role Adherence in Intimate Relationships”, the similarities between the 19th century and 21st century marriage injustice can further be examined. If more couples were able to separate the power between the male and female, America would have less unhappy marriages and divorces.
"The Yellow Wallpaper" motivated the female mind of creativity and mental strength through a patriarchal order of created gender roles and male power during the nineteenth century and into the twentieth century. While John represented characteristics of a typical male of his time, the yellow wallpaper represented a controlling patriarchal society; a sin of inequality that a righteous traitor needed to challenge and win. As the wallpaper deteriorates, so does the suppressing effect that male hierarchy imposed on women. Male belief in their own hierarchy was not deteriorating. Females began to think out of line, be aware of their suppression, and fight patriarchal rule. The progression of the yellow wallpaper and the narrator, through out the story, leads to a small win over John. This clearly represents and motivates the first steps of a feminist movement into the twentieth century.