Eve is the mark of the waning day, the rising moon, and the moment of darkness in between. Yet, Eve is also the first female: the bringer of taint to the pure lands of Eden. The homologous term for these two distinct concepts stem from a socially ingrained aversion to women because of an association with them and the fall of light and purity. This relation with darkness for the female gender is the antithesis of feminist ideals and employed in classic literature such as the Odyssey. Accordingly, Homer, in his epic on the journey home, portrays female characters as distractions through seduction preventing the male characters from achieving their goals. This association of taint with the female sex is what Margaret Atwood, in her poem “Siren …show more content…
At the conclusion of the Sirens’ song, Atwood’s exasperated tone towards the fact that “[She] do[es]n’t enjoy singing[...]/ fatal and valuable” (Atwood 17-18) illuminates the idea that male superiority generates power for the female sex. This reverse type casting targets male ego in order to evoke a sense of weakness demanding action for equality to remove this loss of dignity for males. Moreover, by degrading Odysseus’ valiance, she argues that his hero stereotype is just an illusion based on the view of females as seductresses. By pointing out that if inferiority is not imposed onto women then a hierarchy between sexes would not exist, she calls for action to achieve this gender equality by asking for “you [to] get [her] out of this bird suit” (Homer 12). The bird suit symbolizes the female stereotype of beauty which imposes the effect of inferiority upon her even if it gives her metaphorical talons in seduction. Ultimately, her development of the female character in the reversed gender role shows an inherent weakness of women: whenever gender inequality exists, women are forced to sell their bodies to gain power, essentially falling into the stereotype either
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
The women presented throughout The Odyssey provide a respectable representation of women in ancient Greece in general. There are several women introduced in The Odyssey, all of various backgrounds and social classes. The most notable women or type of women in this epic include goddesses, Penelope, and the housemaids and servants.
In the era of Homer, women played a very specific role in society, and even in literature. Women of this time were basically put in a box, and expected to never step out of line. If they did go against the arbitration of men, then they were faced with serious consequences. However, female characters play a huge role in both aiding, and delaying Odysseus’s journey home. I will proceed to analyze, and interpret the actions and intentions of every major female character in The Odyssey.
Just as this genre exemplifies the masculine ideal, it also promotes the feminine ideal, largely by casting female characters who do not meet this ideal in an antagonistic light, and thus maintains the male-dominant system of the societies which produced these works. This paper therefore argues that female characters in epic poetry, namely The Epic of Gilgamesh, Homer’s Odyssey, and Vergil’s Aeneid, play the role of an antagonistic “Other” group by employing their agency to act beyond the established gender roles of their societies, thereby disrupting the social order and creating obstacles for the male protagonists.
Greek tragedy incorporates female characters that symbolize women in Ancient Greece. Through the portrayal of Antigone in the playwright, Antigone in Antigone by Sophocles and Penelope in the epic poem, The Odyssey by Homer, these two women play opposing roles depicting how they appear to society through their actions. In both of these stories, they embody the ideals of passionate women who are very loyal and brave. Through other female characters in each story such as Penelope and Ismene, we can construct a better view of traits illustrated by Antigone and Penelope.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The women in “The Odyssey” dictate the direction of the epic. Homer the blind creator may have contrived the story with the aim to depict a story of a male heroism; but the story if looked at from a different angles shows the power women have over men. The Sirens and women that posses the power of seduction when ever they are encountered take the men off their course, and lead many to their death. The power women in the Epic pose can be seen from the goddess all to the wives. From The nymph Calypso who enslaves Odysseus for many years posses all the way back to Penelope who many argue is of equal importance to
Sexism has occurred throughout history and has impacted women significantly.The Odyssey follows the narrative of a man and looks at love from the perspective of a man. The famed poem was written by an ancient greek man and until recently, has always been translated by a man. For these reasons, The Odyssey provides a great example of how love, women, and marriage have been perceived by society, especially men, in the past. By examining the sexist undertones and the perception of women and love from the men in the epic and comparing those to criticisms made today we can truly understand how far we have come as a society.
Odysseus ' principles and characteristics are a prototype of an ideal Homeric Greek leader. Odysseus is noble, clever and loyal. Through his distress and blunders, he gains knowledge that was not only crucial for his survival but for his companions too. Odysseus’s cleverness constantly allowed him to avoid death because he relied on trickery, rhetoric and disguise. “The society depicted in The Odyssey is one where male values were dominant and where all socially relevant transactions took place between the male members of the community”. (Whittaker 39) While males’ dominance takes the forefront in society, their principles are continuously being challenged by the allurement of women. In The Odyssey, many instances of such seduction reveals
Lillian Doherty, Siren Songs: Gender, Audiences, and Narrators in the Odyssey (Ann Arbor 1995), esp. chapter 1.
The Odyssey: Portrayal of Women How does Homer portray women in the epic, The Odyssey? In order to answer this question you must look at woman and goddesses as two separate groups of people who are "people". This is because they are portrayed in two separate ways. You see, a regular woman like Penelope is looked at as beautiful but has.
Mortal females cause struggles among men and are portrayed as wicked in Greek Mythology. In the story of How the World and Mankind Were Created, the Father of Men and of the Gods, Zeus, swears to get revenge upon mankind because of the poor sacrifices made to the altars. Therefore, he “[makes] a great evil for men, a sweet and lovely thing to look upon… they [call] her Pandora… the first woman… who are an evil to men, with a nature to do evil… is the source of all misfortu...
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.
Women in the Odyssey were a huge component of Odysseus’s journey home. Without these women, Odysseus’s home would have broken down, and he would have never gotten home. His wife, Penelope, is one of these women. She stays loyal to her husband and never gives up hope on his return. She is curious about people and tests them to be able to trust them, just like her husband. Another woman is Odysseus’s old nurse, Eurykleia. She may be old, yet she puts forth the efforts and power to assist Penelope with the control over the household. She never lies about anything to Penelope and especially Odysseus. She also is kind of like a spy for Odysseus when he returns as himself. One more woman is Athena. She has the true super powers to help Odysseus physically
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
In recent literature we frequently see a negative view of women from male characters. These writings are a direct reflection of society’s views today; but what needs to be recognized is since the dawn of the world’s first authors the negative view of women has consistently been prominent in literature. The view of women as undesirable lovers was an extremely important view in ancient Greece. In Plato’s Symposium the idea that male-male relations were much more beloved and genuine than female relations, and that a woman’s existence was important solely for the element of reproduction, which would allow for humanity to continue on. In Plato’s book, the characters spend ...