Gender Roles In Remember The Titans

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Remember the Titans: Reaffirming Gender Expectations
Disney's Remember the Titans (2000) depicts the first season Herman Boone serves as head football coach of the T.C. Williams Titans in Alexandra, Virginia. The beginning of the movie shows how Bill Yoast, a Hall of Fame caliber coach, becomes the assistant coach to Herman Boone when Virginia public schools integrate in the early 1970's. Upon the temporary resolution to those coaching conflicts, the racially divided players and coaches go to football camp and learn how to become a team. In those scenes, Gerry Bertier and Julius Campbell emerge as leaders for the white and black team members respectively. Despite fighting each other and appearing to become enemies at first, they are able to put their differences aside and come to realize a common ground on which to build a close friendship. For the most part, the team itself is able to follow their example.
Though the film primarily deals with race relations, the history of desegregation, and how the Titans football team helped in taking positive steps toward racial inclusion and equality, the movie also carries a dialogue in regard to notions of gender expectations, exclusion, and deviance. The characters of Sheryl Yoast (Coach Yoast's daughter), Ronnie Bass, Gerry Bertier, Julius Campbell, and Herman Boone, in their various influences to the plot, help highlight what is and is not expected when it comes to gender norms. Through an explication of scenes involving moments of either gender deviance or the policing of gender norms, this paper will explore how Remember the Titans reinforces societal ideas of masculinity and femininity while also giving the audience instances of socially acceptable deviance from those rules. In ...

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...arning from a movie. However, this kind of gender socialization is everywhere in society and can go unchecked, as seen, in movies. The importance of educating children to catch these kinds of ideological messages is important in developing a generation less concerned with gender and race and one more devoted to equality. The players in the film may have learned to negotiate the space of masculinity and race, but they are not taught to include those outside of their team's objectives of perfection. The women who stand in the periphery of the film are a metaphor for those who are in the periphery of social importance and concern. Remember the Titans does little to inform its viewer of the issues of gender that also surrounded the early seventies. Women do not, as then, have adequate representation. It seems unlikely this treatment was done to reflect that inequality.

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