Gender Roles In Kate Chopin's The Awakening

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During the nineteenth and twentieth centuries women were discouraged from engaging in any activities society deemed were not proper. Women were solely concerned with the household roles of taking care of their children and husband, which left them little time to reflect on self-interest. In The Awakening, author Kate Chopin argues that the roles projected onto women in society prevent them from securing their own happiness and individualism through her characterization of Edna Pontellier as a lonely and misunderstood woman that thirsts for the freedom that tradition has denied her.
Through Edna, Chopin develops a confident and joyful woman as she ventures away from her feminine role and becomes a self-individualized woman. In the novel, one …show more content…

Through Mademoiselle Reisz and Madame Ratignolle, Chopin provides Edna with two definitions of female roles, both over exaggerated in their presumptive parts, giving Edna no choice but to blaze her own path. Madame Ratignolle is the quintessential motherly character. Her children and her husband make up her whole life. The only identification that she has is her role as a mother and wife. In contrast, Mademoiselle Reisz is a woman of no background in motherhood. She has no children, no husband, and no family left. Her life is one of singularity and solidarity. Edna has seen how both depictions of life play out, and she decided that neither of those options were for her. “Edna attempts to find self-definition by creating a third lifestyle option” (Kaplan 1). She lives as she pleases without losing her ties to her community and her friends. Chopin has displayed that an independent and self-serving woman does not always have to live in fear of being shunned by her …show more content…

Although it appeared that Chopin might be punishing Edna for her actions, her suicide was less of a punishment and more of a gift. This is Chopin’s final attempt at dismissing the traditional values of the period. Through Edna’s suicide, she was able to escape her societal roles and tradition that she felt changed to. Her suicide is the ultimate proof of her total control over herself. She has realized that “the complete freedom for which she yearns is not available to her in mortal life” (Eichelberger). Deciding to die is her final act of control of herself. Because the ocean is symbolic of the seductive freedom that Edna strives to reach, the ocean being her eventual demise provides an ultimate reveal of her growth into her liberty and

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