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Analysis of story of an hour by Kate Chopin
Critical analysis on chopin story of an hour
Kate Chopin, “the story of an hour” analysis
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In today’s time women and men are seen with equal qualities and capabilities, if schools didn’t teach the student that it was not always like that, upcoming men and women would never have a clue, but that is not how it works. Prescribed gender roles was a major part of life in the nineteenth century. Women were the ones that cooked, cleaned, and raised the children. In Kate Chopin’s, “Story of an Hour” the use of prescribed gender roles unify Louise Mallard’s agonizing taste for freedom.
Women who lived in the time period of prescribed gender roles, often were referred to as “housewives.” These housewives were also seen as lonely and miserable people. Being stuck at home all day while the husband is out at work or with friends. Constantly on
In the story readers may question where Mr. Mallard was during the accident. Was he off having an affair or was it coincidental? “He had been far from the scene of accident, and did not even know there had been one.” Yet, another reason as to why so many women under prescribed gender roles are seen as lonely is that they know the infidelity of their husbands but are too afraid to say something and end up living in sadness. Humans are made to receive and give each other love, and when one does not receive that love they start to close up and harden on the inside. The news of Mr. Mallard’s death had begun to crack Mrs. Mallard’s insides as she was looking into her future. When her very much alive husband made his appearance she started to harden again. Sort of like a cold piece of metal when it starts to melt and freeze up suddenly again, it explodes, much like Mrs. Mallard’s heart. Chopin uses irony to end the story when the news of Louise’s husband being alive actually killed her on the inside. Yet the story goes on to the doctor automatically assuming she died due to joy instead of agony. “When the doctors came they said she had died of heart disease- of joy that
The singer, Frank Sinatra, once sang a song that included the lyrics “[L]ove and marriage…It’s an institute you can’t disparage….” However, throughout the ages, both men and women have randomly disparaged the institute through many forums. Author, Kate Chopin is no exception. In her short story, The Story of An Hour, she presents a tale of a woman who receives news that her husband died in a railroad explosion and how she reacts to this devastating news. Concealed in symbolism, imagery, and metaphors, Chopin reveals her own aversion towards the institute of marriage through her protagonist, Mrs. Mallard.
In the opening of this short story, “The Story of an Hour”, written by Kate Chopin, Mrs. Mallard is identified as a woman with “heart trouble”. Although it is never specified in the story as being strictly physical, “heart trouble” alludes to the emotional distress Mrs. Mallard is in at the time according to the heavy burden her marriage lays upon her and her freedom. After her husband’s tragic death in a railroad incident, Louise realizes that now without the weight of a husband upon her, she is free to live her life for herself and as is satisfies her. By being circumscribed to a constricting marriage and not possessing the free will to express thoughts of her own, she is lead to a unique conclusion of her current condition. Louise is
If any other characters in Kate Chopin’s “The Story of an Hour” were to read Mrs. Mallard’s thoughts, they would surely be horrified. What sort of sane, caring woman would feel joy and relief at the death of her husband? She must be a terrible person, despite her reasoning for those feelings. How could Mr. Mallard have chosen such a woman for his bride? She’s a gem, truly; note the sarcasm. Though, one does have to consider what else there is to Mrs. Mallard. She is a human and there is much more to her than her seemingly ill feelings toward her late husband, such as her desire for freedom, her genuine care for Mr. Mallard, and her capacity to exhibit strong emotions.
Kate Chopin’s “The Story of an Hour” tries to shed light on the conflict between women and a society that assign gender roles using a patriarchal approach. Specifically Margaret Bauer highlights, that most of Chopin’s works revolves around exploring the “dynamic interrelation between women and men, women and patriarchy, even women and women” (146). Similarly, in “The Story of an Hour” Chopin depicts a society that oppresses women mostly through the institution of marriage, as women are expected to remain submissive regardless of whether they derive any happiness. The question of divorce is not welcome, and it is tragic that freedom of women can only be realized through death. According to Bauer, the society depicted in Chopin’s story judged women harshly as it expected women to play their domestic roles without question, while on the other hand men were free to follow their dream and impose their will on their wives (149).
“Men weren't really the enemy - they were fellow victims suffering from an outmoded masculine mystique that made them feel unnecessarily inadequate when there were no bears to kill.” (quotegarden) As changes in industry and lifestyle swept the nation in the mid-nineteenth century, questions regarding women’s place in society started to arise. This prompted many women to reevaluate their positions in their own lives. At the time, women were dominantly domestic figures, residing in the house to matronly care for children and tend to household duties not to be bothered with by the husband. It is important to note that men in this century were raised and cultivated to have a certain view of women, so they are not actually malicious as some might view them, they are simply products of their environment. It just so happened that women drew the metaphorical “short stick”. Socially and politically, women were not independent. The only voice they had was through their husbands, and relationships and ideas shared with other women at this time were thought to be nothing more than domestic chatter, not to be taken seriously. The only exception to this widely accepted rule was, of course, a widow. She was not tied to a husband or father, or any male for that matter, so she had more freedom over not only her estate but her personal life as well. This is the situation Louise Mallard finds herself in in Kate Chopin’s short story, The Story of an Hour. Chopin illustrates the woman’s newfound feelings of pure freedom that come with the death of her husband and helps readers to understand the oppression felt by women during this time period using Mrs. Mallard’s view on her marriage and her intense emotions, along with the inner conflict she feels. ...
A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than Howard realizes. Rather than simply being torn between independent and dependant versions of her personality, “The Story of an Hour’s” Mrs. Mallard actually rejoices in her newfound freedom, and, in the culmination of the story, the position of the woman has actually been elevated above that of the man, suggesting a much more radically feminist reading than Howard cares to persue.
In many short stories, characters face binding situations in their lives that make them realize more about themselves when they finally overcome such factors. These lively binding factors can result based on the instructions imposed by culture, custom, or society. They are able to over come these situations be realizing a greater potential for themselves outside of the normality of their lives. Characters find such realizations through certain hardships such as tragedy and insanity.
In the “The Yellow Wallpaper” by Charlotte Gilman and “The Story of an Hour” by Kate Chopin, the female characters are confined mentally and physically. In the 1890’s, when these stories were written, women did not have a role in society. A woman’s role in the house involved cleaning and keeping up the house, taking care of the children, and making a meal three times a day. The man’s role was to go out and work to make money for his family. He also took care of his wife. He acted as a leader, ruler, and doctor of his wife. Gilman and Chopin demonstrate how women are confined physically, how they are confined mentally, and how being restricted in these ways affect the women’s emotions, actions, and mental stability.
Unfortunately, her hope for long years and many beautiful spring days was abruptly ended in an ironic twist. Unbeknownst to herself and her company, Mr. Mallard had survived, and within an hour the promises of a bright future for Mrs. Mallard had both began and came to an end. Her grievous death was misconstrued as joy to the others: "they said she had died of heart disease-of joy that kills" (Chopin 471). This statement embodies the distorted misconception that a woman lives only for her man. The audience, in fact, sees just the opposite. To Louise her life was elongated at the news of her husband's death, not cut short. Throughout the story, one hopes Louise will gain her freedom. Ironically, she is granted freedom, but only in death.
Mrs. Mallard, in the story, had heart trouble and was carefully let down when they had discovered her husband’s death. Chopin said, “She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams” (307). Throughout the entire story the reader is lead to believe she is sad over her husband’s death; when in reality she feels free again and she cries tears of joy. The story continues to tell the reader about Mrs. Mallard’s grievance, “She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she had saw beyond that bitter moment a long with love upon her fixed and gray and dead. But her absolutely” (Chopin 307). Mrs. Mallard looked forward to being free from her husband even though she loved him sometimes. She kept whispering, “free! Body and soul free!” (Chopin 308). As her sister thought she was weeping tears of sadness, Mrs. Mallard was happy. As Mrs. Mallard collected herself, she and her sister walked down to the bottom of the stairs together. The door began to open, it was her husband Brentley Mallard, and Mrs. Mallard passed away from “hear disease- of joy that kills” (Chopin 308). The situational irony in this story is Mrs. Mallard
In the story of an hour, Kate Chopin uses many literary devices. Imagery, irony and symbolism makes the story interesting and the ending of the story raises many question came to my mind? How can such an event take so little time? What is the significant of that one hour? What does her heart trouble symbolize? These are some questions that came across my mind and the beauty of her writing is the symbolism and ironies she used and readers can have different interpretation.
In Kate Chopin’s “The Story of an Hour”, the struggle for freedom is dominant. The main character, Mrs. Mallard, stands for a woman who is struggling internally and externally for freedom. After the sudden loss of her husband, Mrs. Mallard gets a taste of the freedom she was lacking in her marriage. Like Mrs. Mallard, women throughout history have struggled to find freedom and success away from their husbands. Chopin herself only became successful after the loss of her husband. In “The Story of an Hour”, Chopin shows women’s struggle for freedom during the Victorian period through Mrs. Mallard’s struggle for her own freedom.
Mrs. Mallard's medical diagnosis is an example of the male-dominated society in which she lives. They are able to tell her that she indeed has a heart condition, but are unable to treat her effectively, portraying how ineffectual male patriarchy is in the life of this woman in particular. Mrs. Mallard is expected to fulfill the stereotypical role of "the angel in the house." She should acknowledge that the comforts in her life are all gifts from her husband, and should make it the primary goal of her life to please him in any way. As a dutiful wife, she must be content in serving and obeying her husband and children. On the other hand, there is the "madwoman in the attic" who breaks free from the constraints set upon women. This woman is seen as a "monster" and "sexually fallen" for simply desiring to have a life outside of her family (Bressler 178). Mrs. Mallard falls into both categories. Though she feels oppressed by her husband, she stills acts as the "angel," faithfully staying by his side despite her unhappiness. However, Chopin provides the reader with small indications of the "madwoman" even before Mrs. Mallard receives the news of her husband's death. The Mallards have no children, which signifies an unfruitful marriage. According to the same male-dominated medical society that is impotent in treating her heart condition, the failure to produce children would have fallen on Mrs. Mallard (Wald 2).
Literature can be defined as large works of words and stories that have become classics over time. It comes from the Latin term littera, meaning letter, which is in support of Literature being written, although some are oral. Literature writings can be written in the form of poetry, novels, history, biography, and essays. Those writings can include a specific type of language, period, people, particular subject, and even literary devices. Some examples of literary devices are irony, metaphor, mood, alliteration, and motif. So could The Story of an Hour by Kate Chopin, a fiction story, be defined as literature? Well this fictional story did become a classic over time having a particular subject(meaning) during a certain time period involving
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.