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The study of Gothic literature
The study of Gothic literature
Gothic literature essay
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During the eighteenth and nineteenth century, gender roles were extremely strict and ridged, with a male dominant society. Men were the prominent moneymakers of the household and held important religious, political, and public positions. On the other hand, women were expected to be the homemakers, staying at home to take care of the house and children. Novels written during this time sometimes challenged these gender stereotypes, specifically works in the gothic genre. Novels such as Villette by Charlotte Bronte and Frankenstein by Mary Shelley use characters to portray and challenge the obvious gender expectations during the 1800s. The characters of Villette are easily associated either comparing or contrasting the common gender roles during the time the novel was written, 1853. A character in the novel who portrays the female gender …show more content…
While Villette does show some female characters that challenge stereotypes, Frankenstein does not, holding a complete “male dominant” story. Each female character, including Elizabeth, Safie, and Justine, is passive and virtually unimportant to the story, besides for further male advancement. This can be seen in the character of Safie. Her character is important to the story because as she learns, the creature observes and learns from himself, showing the progressing male and the passive female. Elizabeth, Victor’s lover, also portrays the female gender role. She is beautiful and submissive to Victor, who refers to her as a piece of property. The creature kills Elizabeth, the most important possession of Victor’s, in order to inflict the most pain upon him. Again, a female is used in the novel for further male advancement. The absence of a female protagonist in Frankenstein, and the presence of passive, insignificant female roles, the novel conveys and follows the typical gender roles during the nineteenth
For centuries, women have been forced to live life on the outskirts of a male-dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters.
Certainly the male characters in ‘Frankenstein’ are more developed that those of the females. Elizabeth Fay has suggested that the female characters are ‘idealised figures’ in much of Shelley’s work, particularly in the descriptions of Caroline and Elizabeth, the two mother figures in the novel.
Anne Mellor, author of “Frankenstein: A Feminist Critique of Science” argues that Victor Frankenstein represents the patriarchal society. Mellor also argues that Victor is afraid of the female sexuality. “A fear of female sexuality is implicit in a patriarchal construction of gender” says Mellor. She continues with her argument, saying that the death of Elizabeth Lavenza, Victor’s bride-to-be, is extremely significant to the feminist backbone of the story.
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
Frankenstein by Mary Shelley and Dracula by Bram Stoker, both nineteenth century texts, present women and their roles within society at that time as one of subservience to their male counterparts. Women had no independent means of subsistence, and were obliged to follow the conventions set by men.
As a romantic novel Victor is responsible, because he abandoned his creation. As an archetype novel, Victor is the villain, because he was trying to play god. Finally, Victor as a Gothic novel, Victor is at fault, because, he and the creature are two different parts of the same person. If Frankenstein is looked at as a romantic novel, Victor, not the creature, is truly the villain. When Victor created the creature, he didn't take responsibility for it. He abandoned it, and left it to fend for itself. It is unfair to bring something into the world, and then not teach it how to survive. The creature was miserable, and just wanted a friend or someone to talk to. On page 115, the creature said, "Hateful day when I received life! Accursed the creator. Why did you form a monster so hideous that even you turned from me in disgust." This line shows the agony the monster was in, because of how he looked when he was created which led to even Victor running away from him. If Victor didn't run, he could have taught the monster and made his life happy. After the creature scared the cottagers away he said, "I continued for the remainder of the day in my hovel in a state of utter ...
Shelly’s Frankenstein is easily regarded as one of the world’s finest pieces of literature. A reason why it’s in a class of its own is because of the strong feminist undertones present throughout the work. All of Shelly’s female characters come across as inferior to the males; this character portrayal was accurate to the time period when the novel was written, in which this did happen to be the case. An example of this would be how Shelly described Elizabeth, “Who’s hair was the brightest living gold, and despite the poverty of her clothing, seemed to set a crown of distinction on her head,” when the Victor’s mother came across her (Shelly 20). Right from the start of the novel Elizabeth is presented as weak. Victor later stated when his mother brought Elizabeth home that she was “A possession of my own” (Shelly 21). Not only is Elizabeth presented as weak, but also an item to be used however the Frankenstein family wants. And that want was for Elizabeth to become Victor’s wife, “Till dead she was to be” Victor’s only (Shelly 21). She is showed to the reader as feeble, in a powerless position, and overall incapable of supporting her-self without others; at the mercy of men (Feminism and Frankenstein). Putting fe...
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
In “Frankenstein” penned by Mary Shelley, the author depicts the roles of passive women through the roles of Caroline, Elizabeth, and Justine. Caroline marries Victor’s father, Alphonese Frankenstein, despite the huge age difference between them, and gets approval from her husband to make Elizabeth part of the Frankenstein family. Elizabeth joins the Frankenstein family after Caroline takes her from the orphanage, has superficial beauty, and constantly writes letters to Victor, waiting for his return and his hand in marriage. Justine cannot prove her innocence in court without the appearance of Victor. On the other hand, Shelley depicts Safie as a woman willing to stand up for her religion, disobeying her father’s orders of going to Constantinople, and finds Felix. Through the portrayals of Caroline, Elizabeth, and Justine, women are depicted as possessions by men, admired for their superficial beauty, and do not take direct action without the appearance of men. However, Safie’s portrayal in “Frankenstein” symbolizes a woman who longs to have her own rights and a woman who goes against the role of passive woman.
Throughout Mary Shelley’s Frankenstein there are many female minor characters. Some view these minor characters as passive and subordinate, the epitome of a delicate woman, that reflect the gender roles during the author’s era. This simplifying view of the intricately complex female characters does not accurately represent the powerful and firm importance of their underlying, yet commanding, voice. One of these characters is Justine Moritz who, although charmingly modest and gentle, is a testament to the dignified power of women. During her short appearance in the novel, it is clear Victor Frankenstein fears her for the bravery and strength she exquisitely exhibits through her unjust trial. In addition, the contrast between the characters is distinct. Evidently Victor fails to posses such courage and admirable traits reflecting the insufficiency of supposed male dominance as compared to feminine vigor. Mary Shelley’s minor character Justine is a subtle yet potent force who depicts the perseverance and strength of women by illustrating the considerable lack of such traits Victor Frankenstein.
Mary Shelly’s Frankenstein is book about the importance of human relationships and treating everyone with dignity and respect. The main character of the book is Victor Frankenstein who is a very intelligent man with a desire to create life in another being. After he completes his creation, he is horrified to find that what he has created is a monster. The monster is the ugliest, most disgusting creature that he has ever seen. Victor being sickened by his creation allows the monster to run off and become all alone in the world. Throughout Frankenstein, Mary Shelley uses the theme of human relationships to illustrate the bond that man has with other beings and the need for love and affection. The importance of human relationships is shown throughout the book in many ways. Victor’s mother says to him, “I have a pretty present for my Victor—tomorrow he shall have it”(18).Victor is very excited that he has such a precious gift that will always be his. They become very close and refer to each other as cousins. However, there is a deeper a relationship between the two, and Victor vows to always protect and take of the girl whose name is Elizabeth. Mary Shelley uses this quote to explain how special Elizabeth is to Victor and that she is gift sent to him. Victor’s mother reinforces this again when she says to Victor and Elizabeth, “My children, my firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father. Elizabeth, my love, you must supply my place to my younger children. Alas! I regret that I am taken from you; and, happy and beloved as I have been, is it not hard to quit you all? But these are not thoughts befitting me; I will endeavour to resign...
Victor Frankenstein proves his ability of holding ultimate knowledge by creating life, but as a whole, the society shows a greater impact over others. The Creature 's physical strength plays a vital role in the novel as well. Through the Creature’s many murders, he showed his strength and mental drive to accomplish the things he wanted. The desire for power plays a vital role within the novel, pushing the characters to act out in either a positive or negative manner. Victor Frankenstein, the Creature, and the society all show a different type of influence over others within the novel, creating different desires of
Victor Frankenstein created the monster. Victor Frankenstein was the ambitious one who took his experiments too far. A monstrous version of Victor destroyed everything he loved. Elizabeth was sweet and mild. Elizabeth was the innocent who died because of Victor's work gone wrong. Frankenstein would have been a remarkable book if Elizabeth had taken on Victor's part, if Victor had taken on Elizabeth's part, and if the wretch had been female. Imagine Victor staying at home and being the best example of the sweetest nature anyone ever did see. Imagine Elizabeth storming acros the icy mountains after the wretch, and imagine the wretch demanding a husband to be a boon to her, sweet and supportive company when she became tired of the world.
Caroline’s decision to marry Victor’s father symbolizes a woman in need of a man to protect her. Furthermore, Caroline’s passivity is displayed when Caroline brings Elizabeth from the orphanage and asks her husband to make Elizabeth part of the Frankenstein family. Victor describes Elizabeth’s background by stating, “Her mother was a German and had died on giving birth.... ... middle of paper ...
As Dickerson points out, the female characters are largely in the background of the story as “Ambiguous figures: present but absent” (Dickerson 80), which serves the concept of Frankenstein as a ghost story. Dickerson also considers the females as keepers and guardian angels of men, and therefore “the women in Frankenstein’s house are failed keepers” (86) because they are “Passive and tame, silent and silenced” (87) especially in their lack of rhetorical capabilities. But whereas Dickerson focuses on the contrast between Safie’s distinct voice at the center of the story compared to all the other female characters to conclude the importance of women empowerment, I consider the mystifying of the female and Victor’s subsequent ignoring of the domestic life as a failure of Victor’s character to recognize the feminine within himself, as though a ghost. He is the teller of his story and while he consistently imbues the Elizabeth with angelic traits, he also reveals a sense of possession over her, first when he takes the present of Elizabeth’s adoption literally as his “mine to protect, love, and cherish” (Shelley 36), and again when he wants to fulfil his oath to his creation so that he “might claim Elizabeth, and forget the past in my union with her.”(153). Victor sees