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Essay about gender stereotypes in literature
Gender role stereotypes in literature
Gender stereotyping in literture papers
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Alexandros Papadiamantis’ tale, The Murderess, is a riveting probe unto the juxtaposition of gender roles and a woman’s place as the matriarch of the family. Set in the Greek island of Skiathos during the 1900s, the community has manipulated typical societal standards in order to create a very androcentric ideal. Frankojannou, the decrepit soul that heads her family, is a woman bound by religion and her own suffering as a woman of society. Papadiamantis exposes the rigidity of gender roles through Frankojannou, or Hadoula, by allowing the reader the insight into her thoughts. Though Hadoula is bound by the same gender roles as any other woman in her society, her actions contradiction that of which are set by the community she resides in.
In essence, typical gender roles fall into two realms, male and female. In a neurotypical society, much like the one Hadoula finds herself a part of, males are given the roles of the provider while women are given the role of the nurturer. Primal actions and savagery are characteristic of males and delicacy and composure are characteristic of females.
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As a female who is to be subservient to her parents and her husband, Hadoula was vocal from the start about the injustice imparted on her. When her parents promised her husband-to-be, Iannis' family a dowry consisting of a house and a field, Hadoula implored them to ask for a house in town and an olive grove; however, her ministrations were to no avail. Iannis and his sister paid no heed to her. As the marriage went on, Hadoula became crafty and began to do things in order to support herself as well as her five children, such as steal from her parents and eventually force her way into accepting Iannis' wages, for he was unable to discern deception from his employers. Hadoula took on the role of breadwinner in order to take matters into her own
This narrator and opinionator, is Merricat, whose views on men and the symbol that they represent is disrupt, and women should play as big or even bigger of a role in society. There are many instances where Merricat enjoys taunting the men such as Charles, “Amanita Pantherina,’ I said highly poisonous. … The Cicuta maculate is the water hemlock, one of the most poisonous of wild plants if taken internally.” (131) This is the representation of a phallic symbol, that she wants to be in possession of, to yield it against her enemy; Charles. Women power and to stand up against the ‘intolerable’ men according to Merricat in this text is celebrated. Men on the other hand are meant to be put in their place and be controlled for once, not be the controller, as it says “I could turn him [Charles] into a fly and drop him into a spider’s web and watch him tangled and helpless and struggling, shut into the body of a dying buzzing fly.”(129) This book represents the values of women; the opposite of men’s ideals and what they stand for as a
Many stories talk about relationships, especially the ones between man and woman as couple. In some of them, generally the most popular ones, these relationships are presented in a rosy, sentimental and cliché way. In others, they are presented using a much deeper, realistic and complicated tone; much more of how they are in real life. But not matter in what style the author presents its work, the base of every love story is the role each member of that relationship assumes in it. A role, that sometimes, internal forces will determinate them, such as: ideas, beliefs, interests, etc. or in order cases external, such as society. In the story “The Storm” by American writer Kate Chopin and the play A Doll’s house by Norwegian playwright Henrik Ibsen I am going to examine those roles, giving a special focus to the woman´s, because in both works, it is non-traditional, different and somewhat shocking, besides having a feminist point of view.
Particular behaviour and traits are attached with a specified gender. Due to this, the social learning and classification founded on gender are swiftly imbibed into by an individual. Children become aware of the distinction between male and female and definite social responsibility that each gender has to perform in society (Blakemore & hill 2008 , and Goffman 1977 ). Women are often viewed as tender and subtle and men are regarded as more competent to bear pain and rough and tough. Therefore, women are considered as weaker sex. In relationship, the women are the end and men are supposed to be follower or chaser. Women are physically weak and smaller compared to men and physical strength is vested with male realm (Goffman 1977
The book then talks about viewpoints of women, both real and those who face tragedy. Women during this time were very secluded and silent, but the heroines contradicted that. This chapter talks about the images of women in the classical literature in Athens, and the role they had in society. Many tragedies were ones that formed by mythes during the Bronze Age. It showed the separation in what made women heroic, rather than average. While viewing other Scholarly sourcese, Pomerory writes her own theory, she used others
“Gender,” throughout the years has been defined and redefined by societies, and individuals. “Gender roles,” have, and still do contribute to these definitions. Literature contains prime examples of how gender roles were perceived in different time periods, showing readers the views of an author through the characters and their traits. Sophocles’ Antigone is a Greek tragedy, that heavily depicts the gender roles found in ancient Greek society, also providing insight into what would be seen as “normal” and “abnormal” behavior in relation to gender in Greece. In the play, Antigone, a daughter of the late King of Thebes, Oedipus, becomes distraught when she learns that her two brothers have killed each other, and furthermore, that her uncle and newfound king, Creon has forbidden the burial of one of her brothers.
Katherine Porter’s “The Grave” takes place in the year 1903. During this time, all women were expected to fit the typical stereotype roles, which are shown throughout this short story. Using a feminist gender approach to look at this story, we can see how key symbols are used to show the roles of the main character Miranda as compared to her older brother Paul. In Porter’s story, “The Grave”, Miranda, at first goes against the social norm of how the typical women is but then eventually she accepts her role and become the ideal young woman of this time.
In the 1930s, who would have perpetrated violent acts against women in the name of sexual gratification yet still hold expectations that women take care of them? By making men in general the placeholder for “you” in the poem, it creates a much stronger and universal statement about the sexual inequality women face. She relates to women who have had “a god for [a] guest” yet it seems ironic because she is criticising the way these women have been treated (10). It could be argued, instead, that it is not that she sees men as gods, but that it is the way they see themselves. Zeus was a god who ruled Olympus and felt entitled to any woman he wanted, immortal or otherwise.
All around the world society has created an ideological perspective for the basis of gender roles. Gender and sex are often times misused and believed to be interchangeable. This is not the case. There are two broad generalization of sexes; female and male, yet there is a vast number of gender roles that each sex should more or less abide by. The routinely cycle of socially acceptable behaviors and practices is what forms the framework of femininity and masculinity. The assigned sex categories given at birth have little to do with the roles that a person takes on. Biological differences within females and males should not be used to construe stereotypes or discriminate within different groups. Social variables such as playing with dolls or
In Classical Greece, roles played by males and females in society were well-defined as well as very distinct from each other. Expectations to uphold these societal norms were strong, as a breakdown within the system could destroy the success of the oikos (the household) and the male’s reputation—two of the most important facets of Athenian life. The key to a thriving oikos and an unblemished reputation was a good wife who would efficiently and profitably run the household. It was the male’s role, however, to ensure excellent household management by molding a young woman into a good wife. Women were expected to enter the marriage as a symbolically empty vessel; in other words, a naïve, uneducated virgin of about 15 years who could be easily shaped by a husband twice her age. Through the instruction of her husband, the empty vessel would be filled with the necessary information to become a good wife who would maintain an orderly household and her husband’s reputation, thereby fulfilling the Athenian female gender role for citizen women.
Gender roles are based on the norms and standards in different societies (Flores 2012). Each societies has their own set of social norms, and the identities that fit those norms. In the United States masculine roles are associated with strength, dominance, and aggression. Women in the US are expected to be more passive, nurturing and subordinate (Flores 2012).
The imagery in this poem depicts both that of a Petrarchan love poem and a rotting corpse further juxtaposed by a lengthy, disgusting description which seems to make it sexual. The poem itself is lyrical perhaps to mirror the unequal position which women acquired in society during the early 19th century. In this essay I will explore the imagery painted in The Carcass and how it may hide various connections to the reader’s views of women as sex objects and how he also reveals the difficulties faced by women during the 19th century. I will also be comparing the tone of the poem to that of the ideals of Petrarchan love poetry or sonnets.
Many short story writers have written about the gender and role of woman in society. Some of these stories express what Barbara Walter calls, “The Cult of True Womanhood” meaning the separation of both man and woman in social, political and economic spheres. In order to be considered a “true woman” woman were to abide by the set of standards that were given to her. Women were expected to live by the four main principal virtues - piety, purity, submissiveness, and domestication. In Kate Chopin’s short story, “The Storm,” Calixta the main female character breaks away from “The Cult of True Womanhood” when she has a sexual encounter with her past lover Alcée. The storm goes through many twists and turns that tie with their adulterous actions. Although she breaks away from the four main principal virtues, she in the end is considered to be pure innocent of heart because the action in which occurred happened instantly, and as white as she was, she was taken away from her innocence.
Women in The Count of Monte Cristo possess unique personalities, but intensely similar restrictions. Currently, women in the United States, as well as other countries, are able to have jobs, travel, and participate in many other activities that the ladies Dumas portrays are not allowed to. Feminist analysis of this book reveals the ways of the time and the delicate balance of society’s typical structure. In The Count of Monte Cristo, Alexandre Dumas realistically conveys that when women violate their traditional roles, the balance of life is disrupted. This is evident through descriptions of instances in which females are in the home as well as when they are not.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
Judith lorber describes how the roles of male and female differ and how societies hold each