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The portrayal of women in Shakespeare's plays
Women characters in A Midsummer Night's Dream
Introduction about midsummer night's dream
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Helena, Hermia, and Hippolyta are all important female figures in A Midsummer Night’s Dream by Shakespeare. Unfortunately, they are often discriminated against, and the gender lense can be used to analyze the play. The play A Midsummer Night’s Dream was written by William Shakespeare in 1596. It is about how four lovers are having relationship troubles, and when a fairy tries to fix their problems (along with his own,) even further confusion ensues. However, the resulting events are so strange that when everything is fixed, they believe it was all a dream. Throughout the story, multiple love triangles, rectangles, and pairings form. In A Midsummer Night’s Dream, the gender lense is repeatedly seen and used to enhance the overall storyline in the play. On page 20, Theseus explains how he captured Hippolyta, and then fell in love with her. The quote states, “Hippolyta, I woo’d thee with my sword, And won thy love doing thee injuries; But I will wed thee in another key, With pomp, with triumph, and with revelling (1.1.17-20).” This is a use of the gender lense because it shows that Hippolyta did not have the choice of who she was to marry. An important point is that Hippolyta was a part of the Amazons, which were an all-female warrior group. One would think that this would result in her opposing the “wooing,” but the play gives no evidence of this. Perhaps the fact that Theseus is the Duke of Athens gives him more jurisdiction over others, but it is more likely than not that if Hippolyta captured Theseus, he would not be obligated to love her. Theseus’ quote shows that women often did not have a choice in who they loved, and had to be content with the man that "captured" or "woo'd" them. On page 23, Theseus is explaining to Hermi... ... middle of paper ... ...ream to emphasize the fact that there were not equal gender rights and that men and women had different expectations in Elizabethan times. Theseus often patronizes or disrespects women, because in Shakespeare’s time, men were much more influential than women. Also, women had to do a lot of work to please a man, whether it was their father, husband, or someone else. They had to work hard and be willing to change themselves to a man’s liking. Lastly, Helena is a unique character because she goes against “normal” gender roles. She goes against Demetrius’ wishes by following him around and refusing to leave him alone just because she was a woman. Overall, the gender lense was used to great effect in A Midsummer Night’s Dream by William Shakespeare, and it shows that even though Helena, Hermia, and Hippolyta were big characters in the play they were discriminated against.
Stereotypes are commonly held beliefs that most are all individuals sharing a given trait also should or do share other attributes to be associated with aspects such as race, religion, and physical qualities. In Shakespeare’s “Othello” and “A Midsummer Night’s Dream”, he uses stereotypes to embody the characteristics of the stereotypical female according to society’s liking. The women in both “Othello” and “A Midsummer NIght’s Dream” are loyal and faithful. Women are bound by respect and loyalty to the men they love. Shakespeare has drawn a line concerning gender roles and the consequences of violating these positions (Bevington, 2014). Women seem to be victimized by society’s influence as they yield to these stereotypes that shape the
In A Midsummer Night’s Dream, there are many traces of lenses. The lens that I chose to explain is the gender lens. Since this is a long time ago, women weren’t treated the same as men. Women were treated as items, as property. Men were the rulers of everything, they made the big choices. Hermia was treated as property that Demetrius wanted, even though Lysander already “owned” and Egeus (Hermia’s father) was lending out to people. It seems like a sexist world back then.
Throughout the play love is used by Euripides as a key plot factor and in many ways sets the outcome of the play. This love was definitely based on a physical attraction between a male and a female, thus making it “Common” love. The fact that Euripides uses “Common” love lends credibility to Pausanias’ philosophical ideas. The appearance of this idea suggests that it had realistic roots. . The events that took place in the play, such as the relationship between Phaedra and Hippolytus, must have been realistic so a Greek audience would believe the story. Even though Hippolytus is a fictional play the events that take place must have their roots in realistic events. This allows us to believe that Pausanias’ philosophical ideal was in fact a real life issue that Athenians dealt with in day-to-day life.
The center of the story revolves around the women who do nothing really. They are mere objects whose sole purpose is for love and beauty. Hippolyta and Emily, as I mentioned before, are spoils of war after their land are conquered by Theseus. The quote “He gained the realm of Femininity” (738) which as it reads is closely related to female attributes. The women are considered the weaker sex, as men are depicted as strong and brave. This proves true as Hippolyta was the Queen of the Amazons who was first conquered by Theseus’s violence and then by the title of a wife.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
... of love can be varied from the madman who remains in unrequited love to the lover, like Hermia, who not only falls in love but overcomes obstacles and depictions of false affection from Lysander. The poet in this becomes the metaphorical observer of the events who out of love, attempts to protect his love. Theseus, here, refers unintentionally to Oberon, Titania’s jealous and vengeful husband, who watches Titania fall in love with Bottom. Oberon becomes the poet who gazes upon an event and analyzes every instance for its meaning.
In today’s society, women have almost achieved equality. However, there was a time when women weren’t really viewed as women, but instead as objects. Around the time of many of Shakespeare’s plays, Queen Elizabeth was ruling England, which was a large step towards the de-objectification of women. While many people attempted to keep women under the heels of men, some people started working towards a change. Shakespeare uses his play “A Midsummer Night’s Dream” to comment on the objectification of women and feminism.
Shakespeare’s play A Midsummer Night’s Dream is simply a lighthearted comedy of the follies and tribulations of love. It does however have quite a few more complexities that just that. The relationships between all of the main characters serve to provide us with a glimpse of a deep dark truth hidden within the lighter side of the play. One way to find these deep dark truths of the characters is by analyzing the characters and their relationships. The characters that I will be analyzing are Titania and Oberon, and Theseus and Hippolyta.
The character of Theseus from Shakespeare’s “A Midsummer Night’s Dream” as the Duke of Athens, is constantly in the light of power. He is closely associated with love and the law, and is meant to keep the characters in line. He is arguably one of the most powerful characters in all the work, though only present for the beginning and the closing acts of the play. His morals and character is questioned because of his relationship with Hippolyta and the reader is left to see if he is actually a man in love and innocence or if he has an obstructed view of reality.
...f the best examples for the rights of women by Shakespeare in the Elizabethan Age. Destabilizing the natural order of men and women is one of the main themes in A Midsummer Night’s Dream, and as the reader can tell no one does this better than Titania and Oberon. The message here is clear: it is acceptable to let women have their fill of power and control, but at the end of the day it is critical that men regain the upper hand in order to restore the natural order of life. Though Shakespeare writes in favor of the feminist protagonists, feminism is not the goal of the writer as he allows the antagonist men to win in the end. Such will be the attitude towards women for the next four hundred and fifty years. But until then, Titania will be immortalized in Shakespeare’s lines as the one woman brave enough to try to defy the accepted norms, if only for a little while.
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
Furthermore, the two Athenian’s obstacles help strengthen their relationship, going past the superficial stage already looking far deeper than the appearance, which corresponds with the quote “love looks not with the eyes, but with the mind; and therefore is winged cupid painted blind.” In contrast with the relationship between Theseus and Hippolyta, which is forced and won over from a sword fight, whereas Lysander and Hermia’s love is full of passion, and not forced. Theseus had clearly not loved Hippolyta originally, as he had won her love through a fight, as stated from Scene 1 Act 1 “Hippolyta, I woo’d thee with my sword, and won thy love thy doing thee injuries.” However, overtime the relationship of Hippolyta and Theseus did bloom, but it wouldn’t technically cross the border of true love, where Lysander and Hermia’s relationship stand. Modern readers are educated, how love looks far deeper than appearances (Love looks not with the eyes, but with the mind.) Which is predominantly evident in the relationship between Lysander and
A Midsummer’s Night Dream, written by William Shakespeare, is a complicated love story that involves four teenagers. Hermia and Lysander are so in love; however, Hermia’s dad wants her to marry Demetrius. Helena is chasing after Demetrius, who treats her like a dog. The speaker is none other than the love-struck Helena. Her speech is not directed to anybody because Helena was alone, yet she still wants to make it clear how deeply in love she is with Demetrius. Shakespeare uses many literary devices to further explain and state that Helena loves Demetrius.
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
In Williams Shakespeare's "A Midsummer Night's Dream," many of the play's female characters have strong similarities and differences among one another. Although many of the main female characters in the play come from dissimilar backgrounds, their similarities are brought together by common problems associated with society and love. Of the four main female characters, Hippolyta, Titania, Helena, and Hermia, both Hippolyta and Titania are royalty while Helena and Hermia are commoners. However, a common theme associated with Hippolyta, Titania, Helena, and Hermia, regardless of their social caste, is their similarities and differences in dealing with love in a patriarchal society. Nevertheless, the patriarchal society in which Hippolyta, Titania, Helena, and Hermia live in struggles to hinder the feelings and attitudes which provide them with a distinct conception for love in a male dominated society.