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Music's impact on sexism in society
Music influencing gender roles
Music's impact on sexism in society
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In modern society, it is relatively clear that people consume hours of television, reading magazines, browse the Internet or look at other forms of communication. It is typically unavoidable and therefore we are prone to view a lot of uncensored media. Popular music is the forefront of media and is a very powerful tool to communicate messages to society. We see that there is a constant debate between theory and the realities of men and women’s daily lives thus creating question as to how this affects us. There are many different sources discussing gender in relation to popular music. The ones I will be focusing on in this essay are Tara Brabazon, Simon Frith, Kate McCarthy, Julia Downes and Jamie Glantz. McCarthy and Frith discuss the objectification and segregation of women, while Downes, specific to the Punk genre, explores barriers created for women and having them to compromise. Brabazon takes a different perspective as to how popular music affects men while Glantz looks at societal boundaries. These sources explore various dimensions of music, with the one common factor of being in relation to gender.
Current trends in popular music media suggest an increased sexualized representation of women. As a result, it is in question as to how this is influencing society, especially the youth. Through lyrics in songs and music videos, we see the portrayal of women is becoming subdued. McCarthy (2006) describes the female body as a “performance site” through which male dominance is “materialized” or “subverted” (p.71). Popular music representation shows that women are referred to as property and it suggests the mind-set of it all being placed into society. It shows the standards being set for women and what is rapidly becoming the p...
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...edia, which is degrading our thought process; creating barriers and labels that we have grown so accustomed to. McCarthy (2006) addresses the issue of women being portrayed as property and being submissive in nature. Downes (2012) discussed how although women had immense talent within the punk genre, they were shunned away due to their gender. It is important to note points made by Brabazon (2012) which shows the effects and modifications music has on men to argue that it is not just women that are affected by this media culture. All the academic sources examined discuss the detrimental impacts popular music culture has had on the community. Both female and male artists are breaking barriers as to the gender roles originally implemented, however, it seems that artists are in a constant struggle between what their audience expects of them and what is the reality.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
Objectification of women and misogyny is a common trend in song lyrics, but it is often socially accepted and further perpetuated. Finding a song in which the roles are reversed and a woman depicts a man as a sex object is incredibly difficult because when women try to break norms in the music industry, they are often criticized. In “Blah Blah Blah” by Kesha, she reverses the typical gender roles in song lyrics by objectifying men. Kesha has her own struggles within the male-dominated music industry because her producer sexually abused her and trapped her into a record deal. However, Kesha lost her court case, which illuminates gender issues within the music industry and the larger society. In 2010 when Kesha’s songs were popular, people weren’t aware of her battle with her producer. Instead, her lyrics classified her as more of a party figure and people even saw her as “trashy.” This song
In rock music its target audience is the youth. And by youth I am not referring to teenagers, but instead to the mentality of youth, the adults and teens still in the sociological stage between being a ‘kid’ and accepting the responsibilities of ‘adulthood’ [Weinstein pg6] These youth negotiate the genre and change it to their liking. For example both males and females have different subgenres of rock targeted specifically at them. Males are seen from a young age as being naughty and rowdy, not very responsible and thus given more freedom. While girls are seen as quiet and polite, with very low aggression. These traits have reflected in the genres that are targeted at the two genders. Males were targeted with Heavy Metal as it expressed the qualities the very qualities they will have to give up in order to become adults and how they will lose their freedom. While for females rock music is soft and romantic, females will typically grow up faster than males and leave youth behind in order to take up responsibilities. An example of how the music was negotiated to fit the two genders is seem in the 1960s when performers such as Carole king and James Taylor transformed themes of protest into sentimental commentaries, romance and illusions of youth. [Weinstein pg 12-13] While heavy metal bands such as Black Sabbath sung about politicians and how disgusting they are for exploiting young people in the name of greed which is shown in the song Wicked World. This very characteristic of rock being created by the youth for the youth is still alive today, for example during the 2004 presidential election Green Day released American Idiot. The song was about how the media and political are brainwashing Americans to remove their individuality. The singer wanted to warn America of this and prevent them from turning into ‘idiots’ and
Popular music in the United States throughout the decades have always consisted of different genres of music and during the late 70’s and early 80’s, many of the popular bands consisted of only male artists and members. In an era dominated by male artists, Fleetwood Mac featured their lead female singer Stevie Nicks, who went on to transcend the gender expectations of the time and pursue a solo career in the midst of heavy adversity. Fleetwood Mac’s lead singer, Stevie Nicks, is a prime example of the evolution female artists have endured as they struggled to gain equal footing in this male dominated industry. This essay will examine the different factors contributing to Stevie Nicks’s popularity, along with her breaking these normative masculine roles and the way she combined different genres and personal
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
Women’s sphere was as the homemaker before revolutions sprang in the 1960s. While other sexual revolutions were going on, music strayed from the social norms of this women’s sphere as well. “Another fundamental role of music within the countercultural movement was to provide female artists with ability to forge their own distinctive place within the music business” (“Sex, Drugs, and Rock and Roll: Music in the Counterculture”). With this ideal of Rock music challenging group identity for women, female musical groups began to emerge. Martha and the Vandellas was one of many girls groups, which enjoyed the vogue style. Women were given a secure place in the music industry with the emergence of Rock. This new style broke through old “social norms” and styles, creating a new, refined value of
The effects of objectifying women in music videos are entirely negative. Women grow up with the idea that they should always seek to attain a men’s attention. Hip-hop music videos do not represent females as the human beings that they really are. This creates an inequality o...
Today, the media plays an essential role in the Western civilization. Considering this, entertainment, social media, and the news are all intrinsically valuable media literacy devices. In addition, the media “helps to maintain a status quo in which certain groups in our society routinely have access to power and privilege while others do not” (Mulvaney 2016). For instance, both in the music and pornographic industry the female body is perceived as a sexual object. In Dreamworlds 3: Desire, Sex & Power in Music Video, Sut Jhally mentions that “examining the stories that music videos tell us about both male and female sexuality, about what is considered normal, allows us to do more than just understand one aspect of our culture” (Jhally 2007).
Will sexism ever come to an end in today’s society? Are women going to let men step all over them? Jennifer Mclune discusses in her article, Hip-Hops Betrayal on Black Women, how black male singers objectify and degrade black females in the music industry. The purpose of this article is to show how black women are being deceived in the hip hop industry and being used as sex symbols instead of showing them for their true colors. Mclune (2015) voices her strong argument in attracting her audience by using ethos, tones, and the use of word choices.
In society today, media such as movies and music share huge roles in the dynamics of culture especially concerning communication. In Dream Worlds 3: Desire, Sex, and Power in Music Video we see how famous singers and producers in the making of their music videos have the power of illustrating our language and beliefs. From the music we listen to and things we watch, we are constantly gaining new knowledge by the message that is being presented to us. The main focus of this specific documentary was how women in the music or media industry all together are treated. From this documentary and lectures in class we see that media objectifies, stereotypes, and degrades women and their bodies as advertisements and money makers. Themes in the film discussed
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
... educating at home, workshops, protest, and support of positive artists women can make larger steps to changing the portrayal of women in the rap music industry.
...d of music heard by the public. The lyrics of modern songs indicate unruliness and anger among musicians. This indicates that the attitudes exist and it is possible that out of this overwhelming desire to resist authority, new songs will be written in new styles that may eventually lead to a new genre. The feeling that does not exist is the feeling that all citizens are the same and that they are conforming to societal standards. With increas-ing censorship of the Internet and privacy being infringed upon with new anti-terrorist laws, this feeling may begin to take hold of the nation. It is not within the foreseeable, however, because these issues do not affect most of the population. Music is a medium of expression for all people, so the people’s music must speak to the people. Smaller changes have been made to rock music in the last forty-five years. If this genre is so malleable, then change must come frequently. Once the elements are in place, music will undergo a change. Rock music evolved out of conditions in society. If these conditions exist again, another music revolution will occur. Many of the elements are already in place, it is only a matter of time before the change.
As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.
The lyrics of music play an important part of interpreting the meaning of the song. The roles which women have been allowed by the society to embody have changed drastically. Women may question their roles because of what they see portrayed by popular culture or media. Change in female’s identity can be seen in how women are viewed or how they portray themselves in popular culture specifically through music. In general, music continues to...