If we are to read Laurence Sterne's A Sentimental Journey, we must abandon the fixed idea about ordinary travel, which are filled with detailed descriptions of the landscapes. In Sterne's work, however, there are unique descriptions of human feelings, compared to the other ordinary travelogues. Consequently, the whole work makes readers confused at first. However, once we are absorbed in that story, we can easily follow Yorick's unique thoughts. Especially his attitude towards women is interesting. He meets many women and his attitude towards them does not change. That is, we can see there exists some principles when Yorick faces women. Therefore I will discuss Yorick's attitude towards Lady at the Remise; the Grisset in Paris; the fille de chambre; Maria and Eliza.
Why does Yorick meet so many women in such a short time? As there is not a single passage about his own profile in the story, we cannot assume what he is and what he does in his country. Nevertheless, Yorick seems to be single, because nobody ever told Yorick not to go abroad in the first episode. And also Yorick is really afraid of being kept in prison. Though it is a sort of general fear that everybody can be scared, Yorick seems to be even more sensible about being limited to a particular place or group of people. He tries to set free the "starling" (71-3), because he does hate the feeling of confinement. A marriage possibly can be a sort of confinement to Yorick. That is, being a free single man, Yorick does not want to be tied to particular person. And that makes him meet so many women in such a short time and have lots of relationships with them.
Then what is Yorick's attitude towards these women? First of all, he is a little bit passive when he approaches them. Yorick is usually left with a woman in some place, such as "the Remise", "Desobligeant". It is totally different from other's way of making acquaintance with someone. For instance, in case of La Fleur, he directly goes to some girl and have a good time with her (101). As the following example show, Yorick, is not active at all. : "Mons. Dessein left us[Yorick and a lady] together with her hand in mine" (16). When he is in the shop with the Grisset, she willingly asks him to feel her pulse (53).
Galchen creates the character of her narrator to be very similar to that of the young narrator in “Araby” in a modern setting. In their youth, each narrator becomes infatuated and obsessed with someone who does not realize. The narrator of “Araby” falls in love with his friend Mangan’s sister, as seen in that he states that “when she came out on the doorstep [his] heart leaped” (123). He forms an obsession with her, as evidenced by the fact that he “had never spoken to her . . . and yet her name was like a summons to all [his] foolish blood” and in that “her image accompanied [him] even in places the most hostile to romance” (123).
Captain James Cook and his crew came to Hawaii in 1778. Bringing along many diseases such as, syphilis, gonorrhea, tuberculosis, and viral hepatitis.(Blaisdell, p.44) Native Hawaiians were not immune to these diseases, they were unable to be cured therefore died and a massive depopulation occurred. An estimated 500,000 Hawaiians were living in Hawaii before Western Contact, and in 1878 less than 45,000 Hawaiians remained.(Trask, p.10). With the rapid decrease of Hawaiians, also came the fact that their culture was in danger.
One example of gender criticism Chopin accounts in her writing is the love between the women in the novel which has been suppressed throughout history as “lesbian” encounters in order to uphold male power and privilege (LeBlanc 2). Edna’ friendships with Mademoiselle Reisz and Adele Ratignolle both act as different buffers into Edna’s sexual and personal “awakening.” Edna’s a...
“If all of this seems long ago and far away, it is worth remembering that the past is never past.” (Faulkner cited in Ellison, P.274)
... I. McCubbin (2008). International and Cultural Psychology: The Kanaka Maoli :Native Hawaiians and heir Testimony of Trauma and Resilience
In Kate Chopin’s “The Story of an Hour” allows one to explore many ironic instances throughout the story, the main one in which a woman unpredictably feels free after her husband’s assumed death. Chopin uses Mrs. Mallard’s bizarre story to illustrate the struggles of reaching personal freedom and trying to be true to yourself to reach self-assertion while being a part of something else, like a marriage. In “The Story of an Hour” the main character, Mrs. Mallard, celebrates the death of her husband, yet Chopin uses several ironic situations and certain symbols to criticize the behavior of Mrs. Mallard during the time of her “loving” husband’s assumed death.
American Hawaii Hawaii is known for its beautiful beaches, it’s nice year-round weather, and its culture. Thousands of vacationers come to Hawaii each year to get away from the stressful city and relax. But do they know how cruel the Americans were to the natives? Do they know how we corrupted their culture and their religion? Do they know how Hawaii really became a state? Probably not. When most people think of Hawaii, they think of happy Hawaiian babes hula dancing and palm trees swaying in the warm breeze. Hawaii has still held on to many of their traditions although they were invaded by Americans. But you have to go to a museum to see their old way of life. Hawaii is now populated mostly by Americans. Native Hawaiians have adapted to our American lifestyle and much of their old traditions and beliefs are lost in history books. America dominated over the Hawaiians just as they did with the Native Americans. The Hawaiians didn’t even stand a chance against big brother. They probably feel the same way towards America just as a child does with stubborn parents. Now I will tell you about the history of Hawaii so you will see how the United States came to annex Hawaii. Hawaii was first inhabited by the Polynesians. They came in canoes from other islands around the pacific. They called the new found island "Hawaii", which means "home" in Polynesian language. Hawaii was their home until the white man came in and took advantage of these simple, happy aborigines. The corruption of this unique and fragile culture first started when Captain James Cook ran into the islands on January 18, 1778. After Cook’s discovery, many other foreigners (mostly American) visited the islands. They brought clothes, livestock, orange trees, horses weapons and souvigners. Foreigners also brought with them a handful of deadly diseases such as smallpox, measles, syphilis, tuberculosis, and whooping cough. During the time period of Cook’s arrival in 1778 to 1820, the population of Hawaii dropped from 300,000 to 135,000 due to the diseases! Another problem was the introduction of alcohol. Like the native americans, Hawaiians were not immune to alcohol. Hawaiian’s were very sensitive to alcoholism. Hawaiians religion was a very complex one with many gods. They worshiped idols and they belived in many f...
In the short story “The Story of an Hour,” written by Kate Chopin, there are many symbols that point to one main emotion. Like every symbol in a well written story, a symbol can be very easy to miss during the first reading. This is why the story must be read many times to truly understand and comprehend the symbolism involved in the plot. Symbolism is a key element in great works. Like Mrs. Mallard’s hidden emotions and feelings, it is often entwined in the reading through objects, people, and places. In this story, there are three important symbols that, if recognized, will allow a reader to enjoy the plot to the fullest extent. These three symbols are the open window, the nature outside, and the features of Mrs. Mallard herself.
Louise Mallard is a woman who enjoys freedom and independence. She feels soaring relief and fiery triumph upon realizing that, yes, she is finally free. She is free of the weighted ropes of marriage. She fantasizes of her days ahead, living for herself and only herself. “A kind intention or cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination” (Chopin 234). She views the imposing of one’s will on another person as a crime, no matter the intention behind it. She has a taste of freedom after Mr. Mallard’s death and can finally see days without stress ahead of her. Prior to her husband’s death, young Mrs. Mallard feels tied down and even oppressed. “She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength” (Chopin 233). Despite the typical oppression of women throughout the centuries prior to the 1920s, Mrs. Mallard possesses a free spirit.
Since 1840 the Hawaiian Islands have been an escape to a tropical paradise for millions of tourists. People all over the world encounter alluring, romanticized pictures of Hawai'i's lush, tropical vegetation, exotic animals, beautiful beaches, crystal clear water, and fantastical women. This is the Hawai'i tourists know. This is the Hawai’i they visit. However, this Hawai'i is a state of mind, a corporate-produced image existing on the surface. More precisely, it is an aftermath of relentless colonization of the islands' native inhabitants by the United States. These native Hawaiians experience a completely different Hawai'i from the paradise tourists enjoy. No one makes this as clear as Haunani-Kay Trask, a native Hawaiian author. In her book, From a Native Daughter: Colonialism and Sovereignty in Hawai'i and through her poetry in Light in the Crevice Never Seen, Trask provides an intimate account of the tourist industry's impact on native Hawaiian culture. She presents a negative perspective of the violence, pollution, commercial development, and cultural exploitation produced by the tourist industry. Trask unveils the cruel reality of suffering and struggling through a native Hawaiian discourse. Most of the world is unaware of this.
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
However, it is irresponsible to assert that the narrator “learnt” the misogynist outlook solely from the Brotherhood, but rather, the disdain at the women is deemed as a general societal fashion at the time, because the narrator’s attitude toward women remains constant if we recall his reaction in the “battle royal” scene. Much ink is spilled when the narrator sees the blonde in the ballroom. He “desire to spit on her”; “destroy her” and even “murder her” (Ellison 19). However, if we scrutinize the scene more carefully, it is underlined that the narrator’s feeling is remarkably conflicting. As a matter of fact, the narrator is also “strongly attracted”; he also wants to “caress her” and “love her” (Ellison 19) in the scene. Apparently, the
According to “The American Heritage Dictionary of the English Language”, the word “feminity” is defined as “the quality or condition of being feminine or a characteristic or trait traditionally held to be female.” Further speaking, feminity is formed by various socially-defined and biologically-created gender roles played by women influenced by a number of social and cultural factors. For example, the traditional gender roles of women include nurturer, birth giver, homemaker and caregiver. However, marked by a series of women's rights movements starting from the 19th century, women’s gender roles, as well as the ways how society and men perceive women, have been largely changed. This significant change, described as a process of female awakening, was widely reflected in many contemporary literature works. This essay will specifically focus on the construction of feminity in two short stories, “Hills Like White Elephants” by Ernest Hemingway and “The Stoy of an Hour” by Kate Chopin through examining how the authors define “feminity” in their treatment of female characters.
Everyone’s lives are filled with experiences, relationships, and environmental influences that can never be erased. These permanent factors in one’s life have an impact on many of their actions, as well as a significant influence on the thoughts they have. A person’s view on life is based on their experiences, relationships, and the ideas they receive from their environment. They will never forget the past, and the past will always have a role in their future, whether it teaches them a lesson or allows them to put trust into specific people. Living in the 19th century society, Kate Chopin had many experiences, relationships, and influences from her environment that impacted her views on her works as a writer. Due to her upbringing within an unorthodox and female led household, many of her stories focus on women being free and intelligent individuals. One such story she wrote portraying these themes was the “Story of an Hour.” Though this was a popular story, stories with these feminine themes like this were seldom seen in 19th century society. By understanding Chopin’s life story, one can see how her familial relationships, marital experiences, and childhood environment affect her motivation to write the “Story of an Hour” which expressed her feminine ideology. (2017,Ganesan
“The Story of An Hour” by Kate Chopin, is a story that has been controversial since its publication in 1894, with reviews ranging from highly critical to great acclaim. The story follows Chopin’s character Mrs. Mallard who is introduced at the same time she is receiving news of her husband’s death. The story is largely a mixture of radical views for its time, subtle meanings, and symbolism. While modern day readers read this story with an open mind, many men - of the 1890’s and much of the 1900’s - would have been outraged at its surface meaning. However, even today Chopin’s story receives criticism for being a gross portrayal of a woman's loss. This is due to the fact that many individuals continue to view the story at face value. Nevertheless, readers of Chopin’s story will find themselves reacting either one extreme or the other. But it is this reader participation that is crucial in determining what the story will be. Despite all beliefs, Mrs. Mallard is a woman who is stuck in her time trying to escape society’s constraints, develop her own identity, all while “coping” with the loss of her husband.