Watson and the Shark is oil painting by John Singleton Copley. This piece was made in 1778, as a depiction of a boy named Brook Watson attacking by shacks in Havana, Cuba, and his shipmates launching a valiant rescue effort. The piece’s present location is the National Gallery of Art in Washington, D.C. While this historical painting is a snapshot of a real-life event, Copley uses low value hues and spotlight effect on Watson as well as his shipmates, giving us equal or more attention to the people saving Watson. Moreover, Copley challenges the conventional history paintings by giving all the saviors on the boat the same attention, and each one is allowed to have his individual role in the rescuing process.
Watson and the Shark is a large oil painting on canvas measuring 71 3⁄4 in × 90 1⁄2 in. While Copley decides to depict the dramatic and decisive scene where Watson is about to be attacked by a shark, the shape of each man on the boat is carefully painted, and each of the actions is detailed. Specifically, all shipmates have distinct function within the rescuing process: two are...
cannot tell if it is a shark because it is in the pov of the creature.
Wallace, Daniel. Big Fish: A Novel of Mythic Proportions. North Carolina: Algonquin Books of Chapel Hill, 2012. N. pag. Print.
Examining the formal qualities of Homer Watson’s painting Horse and Rider In A Landscape was quite interesting. I chose to analyze this piece as apposed to the others because it was the piece I liked the least, therefore making me analyze it more closely and discover other aspects of the work, besides aesthetics.
... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.
Anguissola’s piece titled The Chess Game depicts the artists’ sisters, Lucia, Europa, and Minerva and someone generally considered to be a servant, in a mountainous, outdoor setting. The medium used for this painting is oil on canvas. This painting was completed in 1555 and was hung in her family home in Cremona. The painting displays the Italian Renaissance style, while portraying her sisters in the best humanistic tradition. In The Chess Game, Anguissola dispenses with stiff formal poses and instead illustrates three of her sisters, in a relaxed, informal game of chess, as well as bringing life to the genre of portraiture.
The Palumbis’ article emphasizes how there are many more dangerous creatures in the ocean besides sharks. Even though people are crazy about Shark Week, they should be interested in finding out the different species that live within the water. Everyone is obsessed about sharks for the fact they think they are the most dangerous fish in the water, but there are scarier animals that swim below. As a result of the national concern about sharks, people get excited when Discovery Channel videotapes the annual show Shark Week. As Palumbi tries to prove their point that sharks are not the most dangerous animal in the water with using logos and ethos but they should have more pathos.
There are four men stranded on a boat who are introduced in the beginning of the story. The cook, the oiler, the correspondent, and the captain are all on a boat that "a man ought to have a bath tub larger than" (360). As the men fight the crest of each wave they encounter, it is obvious that this is a desperate situation. Showing their powerlessness the narrator describes a group of birds as sitting ."..comfortably in groups, and they were envied by some in the dinghy, for the wrath of the sea was no more to them than it was to a covey of prairie chickens a thousand miles inland" (363). Even though the men are in grave danger, the sun rises and sets and a shark even swims by but seems to have no need for the men in the boat. The men even believe that the waves are harsh on them and want to capsize the boat. The narrator explains that "[the waves were] nervously anxious to do something effective in the way of swamping boats" (361). Even though it is obvious that the ocean always has waves, it is hard fo...
Before affiliating the crew aboard the ship with Moby Dick, there are some comparisons to be made between them and ocean inhabitants in general. While living in the ocean environment the men begin to acquire the same survival techniques as some of the organisms in the ocean. The manner in which the whalers go about slaughtering the whales is much like the way that the sharks react to the whale carcass being held stagnate in the water. "....because such incalculable hosts of sharks gather round the moored carcass, that were he left so for six hours, say, on a stretch, little more that the skeleton would be visible by mornong"(Melville 328). These sharks are savages in the face of sustenance. In most cases the sheer size of the whale prohibits it from being captured and consumed by the sharks. The only chance that they have at these huge beasts is when they are slung along side the whaling ships. Once they have their opening to this plethora of meat it becomes a barbaric feeding frenzy. These actions of the sharks reflect the actions of the whalers when taking part in the slaying of a whale. "Soon ranging up by his flank, Stubb, firmly planting his knee in the clumsy cleat, darted dart after dart into the flying gish.
The subject of this artwork is a shipwreck. I see it looks like a storm in the ocean and there’s a ship but the ships mass and sails appear to be damaged. The crew is lowering lifeboats, suggesting that they have to abandon ship. A rescue boat is coming in on the right side of the painting and another boat and ship are coming in on the left side of the painting to help the crew from the distressed ship. There also appears to be a lighthouse at a distance. The action being conveyed is the waves crashing into the ship. The darkness in the waves and the colors he used made them seem like there real ocean waves. The art piece does seem to be telling ...
Patrick Waters, a hardworking young man, came aboard the Titanic in hopes of proving himself to his mother. Patrick finds it hard to just fit in because of his overly large ears and long hair. While Patrick is working to prove himself, Mr. Archibald Rockwell, a heavyset Florentine man, is onboard in hopes of stealing Mr. Widener’s rare copy of Sir Francis Bacon’s Essaies, which is said to have a secret message inside its pages. Mr. Harry Elkins Widener is an extremely intelligent man who loves books. He is only onboard for the experience.
What word would you use to describe a tiny dog? Some people might call it cute, while the others might consider pups as naughty and rebellious. Now, how about a shark? What adjectives could you think of? In most cases, people deem sharks as dangerous, threatening and violent animal, but in reality how many of them have actually seen one? In fact, the impressions of a certain type of animal in most people’s mind, are primarily based on how the media portrays them. As an illustration, the impressions of the shark were deeply influenced by “Jaws” and it is probably why almost every person describes them as violent or cold-blooded. In art, animals are portrayed in ways to help convey particular messages to the audience.
The struggle for survival by mankind can be found in many different settings. It can be seen on a battlefield, a hospital room or at sea as related in “The Open Boat”, written in 1897 by Stephen Crane. The story is based on his actual experiences when he survived the sinking of the SS Commodore off the coast of Florida in early 1897. “The Open Boat” is Stephen Crane’s account of life and death at sea told through the use of themes and devices to emphasize the indifference of nature to man’s struggles and the development of mankind’s compassion.
In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain decides that they must try to take the lifeboat as close to shore as possible and then be ready to swim when the surf inevitably turns the boat over and throws the men into the cold sea. As they get closer to land a big wave comes and all the men are thrown into the sea. The lifeboat turns over and the four men must swim into shore. There are rescuers waiting on shore who help the men out of the water. Strangely, as the cook, captain and correspondent reach the shore safely and are helped out of the water, they discover that, somehow, the oiler has drowned after being smashed in the surf by a huge wave. (255-270) “The Open Boat’s” main theme deals with a character’s seemingly insignificant life struggle against nature’s indifference. Crane expresses this theme through a suspenseful tone, creative point of view, and a mix of irony.
Flannery O’Connor is best known for her Southern Gothic writing style and grotesque characters. Dorothy Tuck McFarland states that “O’Connor created bizarre characters or extreme situations in order to attain deeper kinds of realism” (1). This writing style is seen in Flannery O’Connor’s short story “A Good Man is Hard to Find”. Flannery O’Connor uses many techniques to gain the reader’s attention and keep them captivated. One way that O’Connor does this is by revolving her stories around symbols and integrating religious elements into her works. O’Connor is widely recognized for incorporating her Catholic faith into her stories. “She was a devout Roman Catholic, with a Southern upbringing” (Whitt 1). There are many types of ways to interpret “A Good Man is Hard to Find”. One method is by using formalist criticism. Formalist criticism exists when a reader can approach, analyze, and understand a story by using elements like the setting and symbolism.
“Art is a recurring form of human practice. Some have argued that all human societies have shown evidence of artistic activities.” (Carroll 5)