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“You seek for knowledge and wisdom, as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been” (Shelley 15). In the novel Frankenstein or the Modern Prometheus by Mary Shelley, two characters pursue knowledge blindly; one of them in particular, Victor Frankenstein, pursues the knowledge in a Promethean sort of way, which causes him to experience many consequences. When one attempts to expand their knowledge blindly, many negative consequences can occur. Through the use of foreshadowing and characterization, Mary Shelley reveals the consequences that occur when blindly pursuing knowledge in order to benefit the human race.
Mary Shelley often foreshadows the consequences that
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Frankenstein thinks about his obsession with creating something that benefits all, and how he must acquire the knowledge to do so; he clearly explains how he feels about creating someone new. “No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through…” (Shelley 40). Victor becomes overwhelmed with excitement after he achieves the creation of his creature, but as the novel progresses he later on begins to express extreme guilt. Upon Frankenstein’s return home he knows his creation killed his brother, but a family friend will take the execution instead. “My own agitation and anguish was extreme during the whole trial” (Shelley 71). Frankenstein struggles completely with the fact that another innocent person will die due to his mistake. Whilst Walton talks to Victor, he mentions that he does not care if he dies in order to gain knowledge and achieve his goal. “One man’s life or death were but a small price to pay for the acquirement of the knowledge which I sought; for the dominion I should acquire and transmit over the elemental foes of our race” (Shelley 13). Walton shows through characterization that he will do anything in order to keep pursuing the knowledge that he seeks. If he knows that he can die for pursuing the knowledge, then the knowledge he pursues certainly does not classify itself as permitted knowledge. Both Walton and Victor understand the risks that could occur if they pursue the forbidden knowledge that they seek, and through these understandings one can see their attributes, and what makes them who they
In the gothic novel Frankenstein, humans have a bottomless, motivating, but often dangerous thirst for knowledge. This idea was clearly illustrated throughout the novel by Mary Shelley. The three main characters in the novel shared the thirst for knowledge that later led to their downfall. In the novel, knowledge is a huge theme that led to atrocious life for anyone that tried to gain it. Knowledge is hazardous; therefore, I support Dr. Frankenstein’s warning about knowledge being dangerous and that knowledge shouldn’t be gained.
Knowing how to read, write, and even tie your shoes may seem like the everyday norm to most, but for Victor Frankenstein’s creature, it is one of the leading causes of his destruction. Frankenstein is obsessed with the idea of creating a being superior to humans. However, when his creation turns into a murderous monster, he is quick to blame his relentless search for knowledge, but he is unable to see how his ignorance brought his downfall. In the Gothic novel, Frankenstein, by Mary Shelley, the concept of knowledge being not only a blessing, but a curse is demonstrated through the creatures desire to learn, society’s lack of empathy for the creature, and Victor’s ignorance.
Mary Shelley brings about both the positive and negative aspects of knowledge through her characters in Frankenstein. The use of knowledge usually has many benefits, but here Shelley illustrates how seeking knowledge beyond its limits takes away from the natural pleasures of known knowledge. She suggests that knowledge without mortality and uncontrolled passions will lead to destruction. Victor and his monster experience this destruction following their desires and losing self control. Walton, on the other hand, becomes of aware of the consequences and is able to turn back before it’s too late. Shelley also suggests that without enjoying the natural pleasures of life, pursuing knowledge is limited, but how can knowledge be limited if it is infinite?
In conclusion, Mary Shelley’s Frankenstein shows readers how irresponsibility and the excessive need for knowledge can cause suffering among others as well as oneself. Victor never intends to cause such harm; however, he is not cautious and observant with his actions, which ultimately leads to his classification as a tragic hero. The desire to learn is most definitely a wonderful trait to have, as long as one’s knowledge doesn’t reach the extent that Victor Frankenstein’s unfortunately does.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Victor Frankenstein, blinded by pride, remained unaware of how his experiment would affect not only him, but the world around him as he formed his new discovery. His secret to creating life only caused more life to be lost. Because of Victor’s reckless behavior, he caused the depressed and lonely world around his own creation, one who, in the end, Victor did not want to take responsibility for making, no matter how remarkable. The Creation, a being of unfortunate circumstance, exemplifies how knowledge has dangerous and everlasting effects if not used safely or for good intentions. Unfortunately, The Creation leaves his own damage behind as well, again showing how knowledge is harmful, by killing Elizabeth, Victor’s wife, Henry Clerval, his dearest friend, and other members a part of Victor’s family and friends. This demonstrates how knowledge, if not used wisely, can lead to death and suffering. The power of knowledge, in Mary Shelley’s writing, is a gift bestowed on those who can handle the power responsibly, as opposed to using it for selfish boasting. In contrast, she uses these two characters to show the importance of being knowledgeable in both science and responsibility and the unforgivable mutilation that comes if you fail to overcome
‘Frankenstein’ or ‘The Modern Prometheus‘ is a 19th century gothic novel written by Mary Shelley. Shelley’s interest in the physical sciences had led her to writing a novel that is based on creating human life in an unnatural way. Victor is one if the narrators who has an unnatural obsession with the sciences led him to discover the secret of life; creating the abomination that is his monster. Walton serves as the neutral narrator that has no personal impact on Victor’s and the monster’s tales. It is through Walton that the monster was able to express his feelings at the death of his creator.
Throughout most of literature and history, the notion of ‘the woman’ has been little more than a caricature of the actual female identity. Most works of literature rely on only a handful of tropes for their female characters and often use women to prop up the male characters: female characters are sacrificed for plot development. It may be that the author actually sacrifices a female character by killing her off, like Mary Shelly did in Frankenstein in order to get Victor Frankenstein to confront the monster he had created, or by reducing a character to just a childish girl who only fulfills a trope, as Oscar Wilde did with Cecily and Gwendolen in The Importance of Being Earnest. Using female characters in order to further the male characters’
As a result, the ruthless pursuit of knowledge proves dangerous as both men eventually destroy themselves and everyone dear to them. The thirst for knowledge is a hidden evil that man can only see after it has destroyed his life. Frankenstein is a young scientist who is blinded by the fame and dangers of the knowledge of creation. " So much has been done," exclaims Frankenstein after he hears a lecture on famous scientists. "More, far more, will I achieve: treading in the steps already marked, I will pioneer a new way, explore unk... ...
Education is a tool to advance an individual and a society; however, education can become a means to gain power when knowledge is used to exercise control over another. In Frankenstein, knowledge becomes the downfall of both Victor Frankenstein and the Monster. The novel explores the consequent power struggle between Victor Frankenstein and his creation, the dichotomy of good and evil, and the contrast between intellectual and physical power. Finding themselves in mirroring journeys, Victor Frankenstein and the Monster are locked in a struggle for dominance. Through these two characters, Mary Shelley explores the consequences of an egotistical mindset and of using knowledge to exercise power over others.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
knowledge is found at the heart of the novel, Frankenstein by Mary Shelley. Mary Shelley constructs her novel in a form of tripartite that consists of three speakers Victor, Victor’s Creature, and Robert Walton. The pursuit of knowledge is conveyed by the alluring antagonist Victor in his endeavor to go beyond human adeptness and discover the elixir of life. The pursuit of knowledge is shown through another character, Frankenstein’s Creature whose pursuit of knowledge prompts him to become aware of himself. Robert Walton through the pursuit of knowledge learns that his own strive for success leads him to learning that his selfish pursuits are effecting the people around him. The pursuit of knowledge is proved to be dangerous to all three speakers Victor, Victor’s Creature, and Robert Walton and all three prove to the reader how destructive knowledge can be.
Knowledge is an addictive drug. If administered in controlled dosages, it has the ability to cure a critical illness; however, if taken whimsically and in excess, it acts as a consumptive toxin that can result in powerful suffering or even death. If this is the case, then what makes knowledge so desirable? Throughout their texts, Aeschylus and Shelley depict numerous characters in mad pursuit of knowledge, like Victor’s creature from Frankenstein or Io from Prometheus Bound. Yet, one after another, characters are propelled into an existence of utter despair because of their unquenchable thirst for new enlightenment. Prometheus Bound and Frankenstein demonstrate that the pursuit of knowledge often results in grave suffering, physically and mentally; yet, Shelley and Aeschylus’ characters cannot abandon their chases, as knowledge provides the ultimate form of individual glory, power, and freedom.
In the novel Frankenstein by Mary Shelley, Robert Walton is a ambitious character who desires to accomplish his dream from youth. Although, Walton only appears briefly in the book, he serves to be an important character. He is an important character to consider as he is a reflection of Victor Frankenstein's ruthless pursuit for knowledge. In this essay, I argue that the purpose for Robert Walton's letters being introduced in the beginning and the end of the novel is to allow the readers to develop a further understanding of dangers of irresponsibility associated with pursuit of knowledge. Consequently, Walton himself and his letters suggests that the tragedies can be prevented if individuals anticipate both negative and positive consequences that occur with wondering though the limitless boundaries of knowledge which Victor Frankenstein ignored.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...