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In my opinion Stanley Kubrick is, to this day, one of America’s greatest directors. He is renowned for directing films like Dr. Strangelove, 2001: A Space Odyssey and A Clockwork Orange; Stanley Kubrick doesn’t just limit himself to one type of genre, he works across the entire spectrum and, still, each and every one of his films demonstrate flawless directing, a palpable atmosphere and a great sense of intelligence. The Shining is one of his later works and it is widely deemed one of, if not THE, greatest horror film ever made. It is based on Stephen King's 1977 novel; however Kubrick very much took the storyline into his own hands for the film and made a considerable amount of changes throughout. It is a captivating, twisted and sinister film which is as notorious in popular culture today as it was when it first came out. The main character in the film, Jack Torrence, is played by Jack Nicholson; the story starts when he is given the caretaking responsibilities in the Overlook Hotel, which is a colossal residence full of history, situated in the heart of the Rocky …show more content…
The greatest instance of this is at the end of the film, in the hedge maze –we have come across the maze earlier on in the movie, however, not in the night-time under low blue lighting, and not in the snow. The snow, here, is utilised to make the landscape more dangerous and ambiguous. Danny leaves tracks behind him in the snow as he is running around the maze, which means Jack is easily able to follow him. It’s as if the landscape is maintaining Danny’s footprints for the benefit of his psychotic father; it’s nearly as if it is alive in this sense, and is clinging to the past. The snow is also utilised as a way to isolate the characters from the outside world, which is also a typical problem observed in many horror
On October 14th, 2016 in class we watched “Two Spirits” by Lydia Nibley. Basically the film explored the cultural context behind a tragic and senseless murder of the main character. Fred was part of an honored “Navajo” youth who was killed at the age of sixteen by a man who bragged to his friends that he was nothing but a “fag”. While walking home from a carnival he was chased by one of his friends. Once his friend caught up to Fred, he pulled him down from a mountain and smashed his head with a heavy rock. Fred laid there for five days straight where two young boys found his body lying there. He was labeled as a “two-spirit” who was possessed of balancing masculine and feminine traits. In the film, there are two parts that are put together effortlessly like the people it discusses. Most of the documentary focuses on Fred’s murder, but the real issues in the film were those of the lesbian, gay, and transgender community and how its members were viewed in a
Stanley Kubrick is considered to be one of the most visionary directors of all time. He had a unique style of making film, from mise-en-scene to narrative, his films draw lines between real and surreal. Kubrick’s movies often portrayed sex, violence explicitly which is why his movies are different than any other director, because it gives a sense of questioning to the audience. His movies were enormously misinterpreted by its viewers and some of his movies didn’t even make to the cinemas.
Initially tanking at the box office, Stanley Kubrick's The Shining garnered a cult following and high appreciation many years after premiering. The film, differing from Stephen King's original novel, lacked speed and coherence; however, fans accumulated after noticing small details that conveyed entirely different messages. The director dedicated attention to every detail, causing confusion after noticeable inconsistencies and pointless-seeming deviations from the book. Stanley Kubrick's The Shining spawned numerous discussions through multiple enigmatic, open-ended components and deep-reaching symbolism.
“Here’s Johnny” (Kubrick) is one of the most famous lines in a movie. When you first think of The Shining you think of that line. So isn’t it funny that the most famous line in the movie was actually never written in the book? That “Here’s Johnny” is something that the actor, Jack Nicholas, ad-libbed while on set? That is the thing about movie adaptions: so much is changed from book to movie. There is so much leeway that the director and actors have that sometimes it like the movie and the book are two completely different things. Stanely Kubrick as both the screen play writer and director was able to take as many liberates as he pleased in the 1980 movie adaption of Stephen Kings book. But what really were some of the biggest changes besides “Here’s Johnny”? The Shining as a book and the Shining as a movie are almost so different that you can barely tell that they are the same thing.
In The Shining, Stephen King sets the reader in a trance, they become unable to put down the horror-fiction novel. The scary read features adult themes and chilling internal monologue. Stephen King is most widely known for writing horror novels, such as The
Stephen King’s book, The Shining, and Stanley Kubrick’s film have many differences and similarities. Both the movie and the book is centered around a family of three. The dad, John Torrence, the mom, Wendy Torrence, and the child, Danny Torrence who have a rough time at Overlook hotel. While they are very similar, Stephen King’s book, The Shining, and Stanley Kubrick’s film show the many small and large differences. Stanley takes a different route in his interpretation of Stephen’s story with the main characters’ personalities and how the Overlook hotel has taken a toll on them.
Harper awoke to the sound of hushed giggles in the dorm. In the moonlight she could see that the older girls across the room were dressed like they were about to go dancing with boys.
Every other movie today seems to be taken from a novel. This is not necessarily terrible, but there are a few guidelines when it comes to converting a novel into film. The utmost critical aspect is preserving the theme. Theme is the large and small ideas which aid in explaining the actions and events in a work of literature or film. This can be accomplished through the handling of characters and their relationships with others or their own morals and values. It is perfectly acceptable to alter the plot of a novel, but it cannot violate the theme or tone. Ultimately, the theme and tone are what the reader or viewer takes away from the work. Movies are not just watched for their entertainment, but also to relate to and learn from. Of course, not all film adaptations are done properly. Arguably, one of the “so-called” greatest Stephen King horror films is The Shining starring Jack Nicholson. Stanley Kubrick 's film, although full of iconic scenes and quotes, is not
Home, featuring Machine Gen Kelly, Bebe Rexha, and X Ambassadors, is a music video released by Atlantic Records in November of 2017 for the Netflix original Bright. (See figure 1) The video, directed by Dave Ayer who also directed the movie Bright, is filmed in LA and incorporates some of the movies ideas of social injustices against its fictional orcs. Set in a universe where humans and mystical creatures coexist together on earth, Bright follows a human and an orc police partner who struggle to overcome their differences and work together to keep a magical wand away from an evil elf. Home peaked at number ninety on Billboard’s Hot 100 chart back in December of 2017. Home appeals to one’s sense of longing for home, while also speaking out
The Shining (Kubrick, 1980) is one of the best scary movie I have seen. It use the sound track and the low angle shooting to represent the terror. It does’t have very bloody scenes, but It can make us want to dig more about the details in this movie.
Mise en scene is a French term that is defined as the overall point of view of a movie or the "placing on stage". In other words, it refers to the combined experience of what the viewers hear, see and think of when they watch a movie. The mise en scene of a movie catches the attention of the viewers’ moods as much as lighting, props sounds, and smells do. It alerts their emotional response system to a real-life setting, which is conveyed in the movie.
Through unique camera shots, Stanley Kubrick vividly captures and displays an emotional roller coaster of the facial expressions of Jack, Wendy, and Danny as they experience horror straight from hell. The Shining goes above and beyond the average horror film because of Kubrick’s brilliant vision and technical understanding of camera, lighting, and film. His choice of actors is phenomenal, and the script is changed in ways from the book that benefit the film medium and pulls on the emotions of its viewers.
Due to a scheduling conflict, I was unable to attend Halloween Con and instead had to find another option. At first, I was not sure I would be able to find an event that drew in a dedicated fandom, but I was lucky enough to be working the Cucalorus film festival at the Thalian Hall venue when The Shining directed by Stanley Kubrick was screened. The first thing I noticed the sheer amount of fans with shirts depicting events from the film and famous quotes. Then there was chatting about the different mise-en-scene elements, framing, scriptwriting, etcs they either loved or thought they could make better between different pockets of people waiting outside the doors. Most of the younger adults were film majors at Cape Fear Community College and
It is impossible to talk about a Wes Anderson movie without acknowledging its stunning color palettes and quirky storytelling style. In one of his most exemplary works, Moonrise Kingdom, Anderson uses a warm color scheme that blends bright and desaturated colors that ranges from golden yellow, vermillion red, creamy beige, light brown, to even a hint of teal. His color scheme, which is reflected throughout the film’s props, sets, costumes, title design, and camera filters, effectively evokes nostalgia, establishes the summer-like, dreamy mood of the film, and creates a distinct contrast between the different moral values of his characters. However, in the chaotic stormy escape scene and in the costume of Social Services, the visual design deviates greatly from the film’s primarily warm color palette and instead, immerse their visual elements in a deep, dark blue color to show the contrasts in the mood of the story as well as the attitudes of the characters. Overall, Anderson’s visual
Alex Garland’s movie, Ex Machina, seems to be another fantasy based film where humans create machines that are able to behaves as humans, but this film looks beyond behavior and into deeper concepts such as control of the mind and not just the body. A scene that displays this idea is when Caleb slashes into his arm and begins to push the blood out to ensure that he is still human and not a machine. Throughout this movie, especially in this particular scene, demonstrates main interaction with a robot, which then leads to minimal human interaction and sleepless nights. While this scene could have just been for attention or to add dramatic effect to the movie, but seeing the scene through a different perspective of other intellectual minds,