INTRODUCTION “According to Trent Griffiths the filmmaker in the frame brings to the surface on underlying tension between the filmmaker as an author of reality and the filmmaker as a subject in reality”. In the film 9\11 the Naudet brothers initially in the beginning of the film they are the authors of reality because we see them as just ordinary firefighters going about their regular lives and routines of firefighters then they later become subject in reality as they witness at first hand both crashes and the collapse of the other building they get caught in the reality. Furthermore this essay will discuss the filmmakers shifting point of view from that of the brothers to that as the new York firefighter and the witness of the aftermath. Also …show more content…
As the second tower begins collapsing we see people running in fear trying to save them, we see others helping the injured ones escape as well. So the film does not only show the traumatic evet but they also show the traumatic impact the event had on people by showing people crying overwhelmed by emotions others even had hands on their heads slowly bending down which evokes the same emotions on us as the …show more content…
The documentary stress testimonial demonstrations. The Naudets brother 9/11 is a testimonial demonstration of and by the brothers as they witnessed the crashes and present the whole time. The footage is evidence they were there followed by commentary in interview form of question that as an audience might have. The filmmakers direct encounter make us feel as though were also seeing the crash happen as it opens us to their thoughts and the thoughts of those who were watching outside as Gideon films his interaction with them as they say what they saw explaining to other people who were outside as well but did not witness the crash, he films different people saying that to the camera and to other people. Gideon also films people crying outside as they interact with him pointing at the building saying that someone they know is inside and some words failing to come out. In the documentary there is commentary made for some of the footages and then there is commentary to which they show the interviewees making their testimonies and substantiated by a video or images for instance when the firefighters carried the priest’s body to the church and at the end the brothers saying how they felt after the
Movie Analysis: The Disney original classic, “Tower of Terror” inspired by the iconic Disneyland and Disney World attraction, Tower of Terror/Twilight Zone. This Disney original movie, being described as a made-for-TV movie from many critic websites, is mild spooky film that targets the younger audience of eight year olds and older. At Halloween of 1939, lightning strikes at five people, which included the famous child actor in the movie, Sally Shine, at an elevator at the Hollywood Tower Hotel.
The three films that I chose for this final project are; Fahrenheit 9/11, CSI season 1 episode 22, and West Wing Season 3 episode 1. These films are connected because they focus on different aspects associated with the attacks on September 11, 2001. Fahrenheit 9/11 is connected to the current topic because its main plot point follows Michael Moore’s narrative of blaming George W. Bush, our president on September 11 2001, for the acts of terrorism. Moreover, the film examines step by step the failures of President Bush before, during, and after the falling of the Twin Towers. The CSI episode took a somber and realistic tone airing an episode that featured Taylor expaining that his wife died when the towers fell. Furthermore, The West Wing,
Even though people aren't seen throwing themselves out the windows like in other images it is said that a spiritual image was seen in the smoke of that tower. September 11 is a day full of nightmares for many individuals.
Silas Lynch, who is presented as the antithesis of Ben Cameron and the main villain of the film, represents the dangers of letting a black person have freedom and power. Lynch, who has been told by Austin Stoneman that he can be the equal of any white man, uses his new political influence to terrorize the white population of Piedmont, and to supplant his black biased agenda over the traditions of the south. In one of the more outrageous scenes of the film, Lynch’s black supporters actually block white voters from reaching the ballot box during an election, effectively denying the historical struggle of African American voters to gain proper suffrage rights by reversing the roles in the film. This scene is also used to make the viewer feel sympathetic toward the Ku Klux Klan when they deny African Americans the ability to vote at the end of the film. At the beginning of the reconstruction period, Ben Cameron feels powerless and frustrated.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
Gender and the portrayal of gender roles in a film is an intriguing topic. It is interesting to uncover the way women have been idealized in our films, which mirrors the sentiments of the society of that period in time. Consequently, the thesis of this essay is a feminist approach that seeks to compare and contrast the gender roles of two films. The selected films are A few Good Men and Some Like it Hot.
Rascaroli, Laura. "The Essay Film: Problems, Definitions, Textual Commitments." Framework: The Journal of Cinema and Media 49.2 (2008): 24-47. JSTOR. Web. 08 May 2014.
Men in Black (1997) is the first installment of a what is currently three total films, with a possible fourth in the making. Since it is a part of a franchise there is a lot of groundwork laid in this first film. We’re introduced to the main Leif Motive, or theme, for the Men in Black agency. What’s interesting is how we are kind of thrown into this film, with minimal background to what is going on. Overall this film has a unique style, a good integration of the soundtrack elements, and places the viewer in this different world where aliens exist.
District 9 is a film that takes us into a realm of a different world from the one that we know now. It combines extraterrestrial life with immense science fiction to illustrate a story we could only imagine to ever actually occur. Although it was created for entertainment purposes, the motion picture can be compared to many different types of individuals and situations. District 9 displays many underlying concepts throughout the movie about racism, prejudice and discrimination. While studying and analyzing the plot and characters, these concepts became more translucent to me, the viewer. This paper will discuss the treatment of District 9 residents and equate their treatment to people with disabilities.
In the movie Brothers, I saw relational turbulence between the wife and husband. Relational turbulence is when people react to an interpersonal situation that ordinarily would not be significant; due to difficult times in the relationship, changes in behavior are more noticeable (Katz, 2015). One of the main components in relational uncertainty. One of the scenes where this is seen was during dinner, the husband got up and left the dinner table when the kids mentioned the uncle. When the wife went to check on him, she wanted to know about what happened to him while he was away, but the only thing he could focus on was if she slept with his brother. Even though he had asked his brother if he slept with the wife and he answered, the husband was
12 ANGRY MEN, is basically a story play written for broadcast on CBS in 1954 by an American playwright Reginald Rose. In 1957, Rose finished the screenplay for the movie version, which was co-produced by him and Henry Fonda (Juror#8). The movie was directed by Sydney Lumet. This movie was nominated for many awards like Academy awards for Best Picture, Best Director and Best writing, Screenplay based on Material from another Medium, and an Edgar Allan Poe Award for Best Motion Picture Screenplay from Mystery Writers of America.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Band of Brothers is a ten part, eleven hour mini series directed by Tom Hanks and Steven Spielberg. The series aired on HBO in 2001 and is based on the book by Stephen Ambrose by the same title.
The ideation of objectivity remains a highly debatable subject among philosophical elites. Some philosophers may argue that human’s understanding of objectivity is subject to the scope of understanding of the term and exposure (Livingstone & Plantinga 10). When the term objectivity is entwined with realism, it yields a complex ideation that remains highly debatable and less agreeable among erudite authors (Livingstone & Plantinga 23). However, to understand and appreciate the concept of realism and objectivity in film, it becomes critical to adopt a definite definition. First, the term reality in film is used to describe concepts that are visible in nature as experienced on a daily life by one or more individuals (Livingstone & Plantinga 24). The term objectivity in this case is used to define a set of ideations or perspectives that are incorporated in the film (Livingstone & Plantinga 24). Documentaries are used to create a form of reality, an experience or ideation of the person or group of person experiencing an event or phenomenon. The argument in this analysis is that it is impossible for documentary films to objectively capture reality.
Understanding the race and ethnicity issues in a multicultural society is vitally important nowadays as the society is undergoing changes. Some people believe that science fiction has no correlation with modern plights of the society. However, the scholarly research refutes these beliefs. In this essay I will explore the cinematic representation of racial injustice and xenophobia in the modern science fiction film “District 9” to demonstrate that Neil Blomkamf, the film director, investigates racial relations on the example of aliens and humans to reflect such social maladies as racism and apartheid, which until now have not yet been rooted out. I will refer to three scholarly sources on cinematic representation of racial injustice in “District 9” film. These articles assess a depiction of racial relations and racial injustice in science fiction films. The works include Professor Adilufu Nama’s book “Black Space: Imagining Race in Science Fiction Film," Julian Schurhorz’s article “Mockumenting South Africa? Race and segregation in District 9” and Julia’s Kristeva’ research “Forgiving the Sci-Fi Alien: District 9 as a Postcolonial Apologia”.