Cinematography Harry Stradling was the cinematographer for “My Fair Lady”. The movie uses different lighting techniques to make things look more natural outside on the streets and at the horse race. They also use a multitude of fairly basic shots, because there's nothing to complex going on that involves crazy angle shots. An example of a bad shot was when the bartenders and common folk through Alfie and his friend on the street. The shot was to far way and so the angry wasn't really shown. An example of a good shot is when Pickering, Eliza, and Mr. Higgins sang the song “The Rain in Spain”. It got all of their exciting emotion with different angles of them dancing and singing. Editing William Ziegler was the film editor. The editing of “My Fair Lady” was relatively good. The outside lighting helped create the illusion that the horse race was in side, and the lighting when Eliza ran away helped make it look natural but light enough for the cameras to shoot. The only bad editing that i saw was how in some song the singers words did not match their mouths. A prime example of this is when Alfie Doolittle sings the song “Get me to the Church on Time” and his mouth did not match up with his singing in multiple parts as talked about above as well. Other than that the editing really helped make the musical appear more realistic and entertaining to watch. …show more content…
The sound effects included in the musical where rain, horse running and then wing. The rain took place at the begging, and it looked very realistic. The horses were very faint and not fully shown but the parts that were shown where not quite realistic. There were not many special effects but all in all the ones that were used where pretty
Some of the special effect used in these films are animation. For example, the penguin scene in Mary Poppins. Another example of this is transitioning and flashbacks. An
The vast majority of sound used in the film is non-diegetic, especially the musical ideas, which is
Often regarded as one of the greatest films ever made, Citizen Kane written and directed by Orson Welles is a classic film that defied the conventional styles of the Hollywood Cinema. Welles was committed to the Mise-En-Scene of his movies by using his characters, props, settings, and even the camera to tell the story of his characters. The Lighting, the camera shots, and the character 's actions to depict the life of Charles Foster Kane. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to the cinema.
Moreover, the film Mildred Pierce follows the struggles of a hard-working mother, Mildred Pierce, as she divorces her husband and supports herself and her spoiled daughter, Veda, by starting a successful restaurant business chain. In different ways, the film challenges the notions of masculinity and femininity as gender roles are reversed with different characters but identify this, you have to look at the films ideology. Ideology is a system of ideas that structure and make sense of society. If you look at 1940s America, post World War 2, the society at the time adhered to a very hegemonic patriarchy in which men were the ones with power, the ones providing for the family; where as the women of the time were seen subordinate and were more
use of the camera the sound and the mise en scene. I will analyze the
The Lady From Shanghai is a timeless film that captures how a black and white film can be interesting for viewers. The overall film was effective with the help of the mise en scene, cinematography and editing. Each of the three parts put together brought out the complexity and intensity of this film and they made The Lady From Shanghai the classic film that it is today.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
The sound effects and music for the play was recorded to go with the actions of the character’s and whatever was taking place on stage; for example, when Ian and Chuck would play a game since there was no television they needed sound effects to better depict them playing a game. The music used in the play was relevant to today’s period and fit in well with the scenes, like when Ian says he’s going to get a job the song “I’m going to win” fit in perfectly, because it showed his determination. They also used music to help...
“Toto, I've a feeling we're not in Kansas anymore.” In case you haven’t seen the film already, the plot to The Wizard of Oz (Oz) is profoundly complex and requires critical inquiry to unravel its intricacies. Dorothy, a forlorn Kansas farmgirl, daydreams of a fanciful fantasia where her dog, Toto, doesn’t have to suffer the nuisance of a nasty spinster witch of a neighbor. So, she plans to run away – far, far away. I know, a little weighty, but stick with me.
The sounds and music in this film are very realistic, and to the point. There is not anything abstract or out of place, and everything is very appropriate. The sound effects in the film are diegetic (sounds that the actors can hear), with the score being nondiegetic (sounds that the actors cannot hear). The film falls under the category of realism, with no stylizing or manipulation of images and sounds.
Film techniques are used extremely effectively in Strictly Ballroom by the director Baz Luhrman. Costume and makeup, camera angles and lighting and also character behaviours were used to influence the portrayal and development of all of the main characters. Without these film techniques, Strictly Ballroom could not have been made into a film as entertaining as it is and the characters personalities and development would not have been portrayed.
According to Jeffords, Disney changes the fairy tale in its film version of Beauty and the Beast. This film has had countless number of changes since this fairy tale first came out. One major change was inanimate objects came to life. This is a difference because in the older versions of Beauty and the Beast, the Beast is isolated in his castle and he fulfilled all of Beauty's need by enchanted magic. I believe that this change is significant in this film. This is because it takes away from the Beasts power. In the older versions this shows that the Beast really cares about Beauty and will do anything to help her fulfill her needs. In Disney's version they took this out. They made it so the Beast was less powerful, making him come off as week.
The camera is always at the level of the actors, as if someone is holding it. The camera is always at the level of the characters, even when it is moving. It never appears to come from different angles, a stable of Italian Neorealist films. There also appears to be very little staged lighting in the various shots.(That is, lighting that is purposely placed.) Instead, the lighting appears to be natural from the sun. To go along with that, it is apparent that there has been very little editing done. For instance, techniques such as straight cut, fade, or dissolve are not used (here or anywhere in the film.) Also, means such as cross cutting or matching shots are not employed. These stylistic features of the scene are consistent throughout the film, and are overarching qualities in Italian Neorealist
In my own opinion I agree with the above statement completely. Editing will deal with all aspects related to the rhythm, such as the smooth transition from one image to another. What’s even more impressive for the early filmmakers is the limited use of technology available. This often restricted them to creating short films that were only filmed with one shot and limited by the amount of film in the camera. The only thing necessary to amuse the audience at the beginning of the ‘motion’ picture era was movement within the shot. Usually there was no real story or editing required, and thus it was hard to create a connection with the actors on screen and create a gripping film. Still though the developments and techniques by film pioneers from across the world enabled some of the earlie...