Fifty Greys Stigma

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The BDSM community is buzzing over the effects of the release of the Fifty Shades of Grey series. BDSM is a physical, mental, and sometimes sexual power role play or lifestyle that goes on between two consenting adults. There has been a large stigma over BDSM and other kinks for an exceptionally long time; the Fifty Shades franchise has started to break down that stigma with little resistance from the mass public. There is a great divide of people in the community who like the movie and what it has brought and who do not like the movie for how it portrays the kink. A common acronym in the BDSM community is SSC (SSC 1), it shows that we care about safety more than anything. Fifty Shades of Grey does not depict that as it should, a movie full …show more content…

“IPV is characterized by intimidation and threats of violence made towards a partner, mental or physical isolation, stalking, and humiliation. This also includes sexual violence, which is defined as using alcohol or drugs, and intimidation or pressure to force intercourse between partners (Tap 3)”. Christian stalks Ana , threatens her, gives her alcohol , and is constantly trying to get her to sign the contract. A student from University of Illinois was arrested 10 days after the release date of Fifty Shades of Grey for raping a female he had been previously been involved with while trying to reenact a scene from Fifty Shades of Grey. He struck her with a belt and when that didn’t satisfy him he began to beat her with his fists. Goes to show how impressionable Americans are when shown something on a …show more content…

Lovehoney’s profits went up three-fold from a measly $1.1 million the year before the release of the line to $3.39 million after the release of the line. Bluebella had a surge influx of sales as well as Fifty Shades got more popular. There is also a line of jewelry, body lotion, a clothing line, a signature wine, a Christian Grey teddy bear , and even a board game . “The British author's company, Fifty Shades Ltd., earned a stunning $66.1 million in the 12 months ending Sept. 30, 2013, according to tax papers filed in the U.K. Licensing agreements were cited as one of the main sources that led to "a very successful year." In her film deal with Universal, James, 51, kept the licensing and gaming rights, so the studio gets none of that revenue (Ford

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