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How does the media portray mental illness essay
Impact of culture on identity
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The world is an extraordinary one of a kind place; as it provides us with all of the necessary means for life. In a similar fashion, the same concept applies to people, especially to the individuals that are viewed as different or are considered out of the social norm. Even so, every extraordinary person has an origin, just like an ordinary person. Be it a freak, nerd, or genius, they’re all considered an outlier in their own unique ways and talent is an attribute that differentiates an outlier from the average person. A person doesn’t have to conform to social-cultural norms to be a positive influence in society as demonstrated through Johnny Depp’s artistic performance. For instance, Depp is a perfect example of someone who is considered …show more content…
People who don’t follow social norms become outcasts in society which it originated with the term ‘Freak.’ The origin of ‘Freak’ has been around for centuries. In Leslie Fiedler’s Freaks: Myths and Images of the Secret Self, Fielder points out how the name ‘Freaks’ has come about as well as how it has influenced the past and the present. Fielder emphasizes on how ‘Freaks’ are humans who physically look different from the majority of people. Fielder also perfectly complements the definition by pointing out how ‘Freaks’ come in all forms, and how they challenge the conventional division of gender, sex, and size. On the other hand, the term ‘monster’ is the oldest word that label human oddities, not ‘Freaks’. Since ancient time, ‘monsters’ are considered abominable. Therefore, when people relate themselves to ‘monsters’, they get scared and sympathize with themselves. In present day, ‘monsters’ who have physical abnormalities introduced the concept of mythical creatures which are presented in children’s literature, which eventually affect adolescents’ identities. In these fairy tales, there are ‘happy endings’ that are represented by awakening or growth, or even both. When a girl enters into physical maturity, only then can she believe that she is normal. When a person fails to be awakened or grow up, she will not obtain her ‘happy ending’. However, not everyone receive ‘happy endings’. If a person is too fat, too thin, too big, …show more content…
Furthermore, consumerism has become part of teenage culture due to one of the needs to conform to norms in high-status groups. Also, the importance of parents, social class, school, and peers to a teenager are significant aspects that shape teenage culture. Additionally, status groups affect the lifestyle of a teenager, not only that, there could be emergence of different ‘cultures’ among groups. Teenagers, who are considered too young to be completely free, only have one ultimate power to control and that is status power. Although many people conform to social norms, in order to avoid being isolated and achieve success, Depp demonstrates that this is not
Workers who work with adolescents and, especially, parents would enjoy this book since it would bring understanding and the reader could personally relate to the author. As the author evidently strives to effectively raise adults, parents likewise strive. In this endeavor, since this book provided a history of the adolescent’s culture, the current state of the adolescent’s culture, relational qualities to implement while approaching teenagers, and how to practical respond to teenagers’ issues. Overall, this is a beneficial
Ever thought of where monsters come from? Do they just appear in our world, or are they procreated by fellow monsters, maybe, created by humans and their desires. During the renaissance and romantic era, a belief roamed around consisting of the idea that any child not resembling their original procreators was considered deformed, therefore also considered a “monster.” Many factors were considered to affect a child’s resemblance to their progenitors, such as women imagination, and desires, absolutely crossing of the role of paternity in the creation process. Although she succeeds in providing many good examples of women’s imagination being a primal factor in procreation, Marie-Helene Huet, in her essay, “ Introduction To Monstrous Imagination,”
In “Outliers” Malcolm Gladwell organizes his argument for their being a rule for overall success by showing statistics of people who are defined as being successful such as Bill Gates, Billy Joy, and The Beatles. He also uses a Berlin music academy to help prove his rule. He presents an argument that Bill Gates and The Beatles and the violinist attending the music academy may have been born with innate talent but that is not the sole ...
Many people might say that stars are merely a product of the Hollywood system needing to make a profit; Hollywood manufactures a product and creates the demand for it. A star's image is processed through advertisements and promotions and has little to do with what the audience wants and needs from entertainment. There is a widespread mentality that any Average Joe can become a star with enough resources backing him up. Richard Dyer points out, however, that even movies full of stars fail, and stars can and do fall out of fashion (12). A star's economic worth is not invulnerable to audiences' opinions. The audience isn't so easily controlled.
Once discussed as objects of exoticism, empathy, and fear, the discourse about freaks in contemporary society remains the same, but we now have different spaces in which freak culture is discussed in.
Social inequality has been prevalent in modern-day America, where you could get picked on for just wearing the wrong brand or hairstyle. This occurs the most upon people who are struggling to adjust to adulthood; teenagers. Social inequality has and still is affecting teenagers across the world, and writers are writing about this problem in order to raise awareness and to change the view of the public. These authors write about example in which the inequality is demonstrated, hoping to present a different perspective and to motivate the reader against social inequality. However, not enough awareness has been raised to help prevent it. This is working, but not quickly, but it shows that things like books and music can help to raise awareness,
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
In other industrialized nations, teenage turmoil was a fraction of that seen in the U.S. The author proposed that turmoil was the result of infantilizing- a phenomenon largely attributed to American culture. When treated like adults, teens are capable of rising to the...
A monster can be characterized by an extreme deviation from the normal standards of society including an internal or external wickedness. In the case of Mary Shelley’s Creature, his appearance overwhelms those who lay eyes upon him. A mere glance can send a villager running for the hills. It was not until the Creature caught a glance of his own reflection that he understood why villagers were so afraid of him. The realization of his ghastly appearance began the monster’s journey into hopelessness. In Peter Brooks’ article he writes, “Self recognition as the ‘filthy type’ completes the mirror stage of the Monsters development.” (Brooks 377). Seeing oneself as ugly and slovenly can cast shadows on even the most compassionate of hearts.
The definition of ‘monstrosity’ and what it means to be ‘monstrous’ can be understood to mean something that is visually unattractive, malformed and/or terrifying. However, monstrosity is not exclusively about something aesthetically ugly, it can also apply to what differs from what is considered ‘normality’. What is ‘normal’ versus what is ‘monstrous’ is closely linked when exploring ideas about the human condition. The representations of monstrosity in Frankenstein and in The Tempest reveal how what is monstrous and what is normal are often found side by side, challenging the idea that it is limited to outcasts who do not ‘fit-in’, and that deep down, a desire to be understood, accepted and included and to live life with meaning are central to the human condition and that monsters in society often reveal our deep seated fears and anxieties about our own existence.
In Outliers: The Story of Success, Malcolm Gladwell analyzes numerous success stories in an attempt to understand the circumstances that make certain individuals particularly exceptional. Through his analysis, Gladwell strives to find an explanation for why some people succeed, while others, despite their persistent efforts, do not. He questions the validity of conventional attitudes towards accomplished figures—that these figures simply rise to fame as a result of sheer talent and ambition—and points out that the superficial summaries leave out crucial details. As Gladwell studies the lives of these “outliers,” from piano virtuosos to software moguls, he indicates that their success stemmed from a variety of components, including fortunate
The freak is not merely a figure subjected to oppression, but yet an uncanny figure that’s appealing as it exceeds the borders of self-identity. Tod Browning’s 1932 movie called Freaks ultimately put an end to his career. The film uses real carnival sideshow performers with deformities to disclose how “freaks” are the normalized and trusting figures while the “normal” members of the circus are delineated as the real monsters that exploit the freaks for their own desires and benefits. The film manifests the freak as a spectacular body that’s repulsive yet fascinating paralleling to the objectification of a monster.
Teenagers often find themselves going through the motions of doing what they are told when they are told to do it. In conforming to societies norms teenagers begin to feel as if they blend in and nothing is really special about them. John Updike was able to write a coming of age story in which his main character Sammy gets shoved into adulthood rather quickly over spontaneous decision. Through Sammy’s thoughts, intense observations, and his actions we are able to see his deep depravity and his longing to stand out from the crowd.
In America, the society runs on what teenagers want. From Nicki Minaj to the junior section at Sears, most of what the people see, hear, or touch is aimed at the teenagers. Being an adolescent is probably the most exciting and most popular time period in a person’s life. The teens seem to have it all, but what about the parents who raise them? The parents of the teenagers never get any credit during this time period, although they have every right to. Parents and teenagers should strive for a strong, lasting relationship for these years, though most times there isn’t one. The relationship between teenagers and parents is the most vital bond in the family because this relationship should and will prepare them for the next step in life.
Youth culture is term often used to define young people from different ideologies, stereotypes, and other labels being used to stigmatise young people based on their norms; as well as segregating them into different cultural groups or subculture. According to Cieslik and Simpson (2013, p.3) “People would often have different notions of what constitutes young people and many of these understandings will be at variance with the ways young people see themselves”.