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The woman in love by simone de beauvoir
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In Simone de Beauvoir's The Woman Destroyed, the reader is given a deep psychological portrait of a women's failing marriage. Not only does Beauvoir show us the thoughts and confidences of one beset by inner turmoil, she also portrays for us the marriage as it appears from the outside. The main character in The Woman Destroyed is the narrator Monique. She has been married to her husband Maurice for over twenty years and is trying to keep herself emotionally together after the realization that he is having an affair. Other characters the author introduces are the couple's two daughters, Colette and Lucienne. Colette has recently married and moved out of her parent's house. Lucienne, the younger of the two children, has moved to America to live an independent life from her family.
The turmoil of Maurice's affair has begun a series of emotional challenges for Monique. It is interesting to note that these challenges may possibly have related to Beauvoir's own personal life. She was also in a long-term romantic relationship with a man, although she never married. This adds a deeper psychological aspect to the plight of Monique. Monique seems, on the surface, to hold herself together both emotionally and physically. However, as we explore further, we find that she is actually falling apart. Similarly, Beauvoir's romantic partner, Jean Paul Sartre, had many affairs with women. This presumably forced her to keep herself emotionally stable. As Bethany Latimer explains in her book, Colette, Beauvoir, and Duras: Age and Women Writers, writers tend to repeatedly explore subjects in their fiction to help solve seemingly unsolvable problems:
What seems undeniably personal, autobiographical, is a writer's decision to repe...
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...re fully-realized self. The strong, modern woman exists in the complexity of character that perseverance brings. Not for her is suffering worthless, but rather meaningful in the fullest sense of developed character and triumphant renewal.
Works Cited
De Beauvoir, Simone. "Introduction." The Second Sex. 12 July 2005. http://www.marxists.org/reference/subject/philosophy/works/fr/debeauv.html
De Beauvoir, Simone. "The Woman Destroyed." The Woman Destroyed. New York: Random House, Inc. 1969.
Ladimer, Bethany. "Reconciling Femininity an Aging." Colette, Beauvoir, and Duras: Age and Women Writers. Tallahassee: University Press of Florida, 1999.
Weinstein, Arnold. A Scream Goes Through the House: What Literature Teaches Us About Life. New York: Random House, Inc. 2003.
Haney-Peritz, Janice. "Monumental feminism and literature's ancestral house: Another look at The Yellow Wallpaper". Women's Studies. 12:2 (1986): 113-128.
Roberts, Edgar V., Jacobs, Henry E. “Literature.” The Lesson. 470-475. Toni Cade Bambara. New Jersey: Prentice-Hall. 2001
With a husband and two children at the age of twenty eight, Edna Pontillier realized that the mother-wife life was not for her. With her new found independence Edna’s husband was unsure of how to handle his new untraditional wife. “I came to consult—no, not precisely to consult—to talk to you about Edna. I don't know what ails her.”(pg. 109) Mr. Pontillier is a loving and good husband but, his slight narcissistic personality causes him to lose touch with his wife. Mr. Pontillier buys Edna bonbons and compliments her in front of their friends but it would seem that he enjoys spending time with his friends and working more than he values his time with his wife. “Coming back to dinner?" his wife called after him. He halted a moment and shrugged his shoulders.”(pg. 8) The only reason Mrs. Pontillier stays with her husband for so long is because of her children. Although the Pontillier children are not major characters they help demonstrate her true commitment. Edna would rather die than let her children think their mother left them to be with another man. “She thought of Leonce and the children. They were a part of her life. But they need not have thought that they could possess her, body...
Irigaray, Luce. "This Sex Which Is Not One." Feminism: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndle. New Brunswick, NJ: Rutgers UP, 1991.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
In class there have been many discussions over the relationships and marriages among the books we have read. When someone thinks of marriage, a fairy tale with a happy ending might come to mind, or possibly a safe haven for those looking for something stable. In The Awakening by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman, marriage takes a turn for the worse. Marriage is no longer the happy memories in a lifetime. It can be the thing that hinders the women in these stories from developing their full potential or experiencing the world and other lifestyles. Through these texts and this time frame, we will analyze the meaning of their marriages, how they function, and the end result of both.
Abcarian, Richard, Marvin Klotz, and Samuel Cohen. Literature: the Human Experience. Boston, MA: Bedford/St. Martins, 2010. Print.
During the 19th century, in eastern America, men were the heads of families and controllers of the work place, while women had little power, especially over their roles; particularly upper class women due to the lack of necessity for them to work outside the home. “Men perpetrated an ideological prison that subjected and silenced women”(Welter, Barbara). Their only responsibilities were to be modest, proper women who took care of themselves and did not stray from the purpose of motherhood. They were to remain in the home scene and leave the public work to the men; trapped in their own households, they were expected to smile, accept, and relish such a life. Barbra Walter also agrees that women were imprisoned in their homes, and were merely good for maintaining the family, “a servant tending to the needs of the family”(Welter). Many women's emotions, as well as minds, ran amiss from this life assignment and caused them to stray from the social norms set up by tradition. The narrator in Charlotte Gilman's story, The Yellow Wallpaper, is a victim of such emotional disobedience and rebelliousness. As well as the rebellious women in the poem The Woman in the Ordinary, by Marge Piercy.
In 1848 Elizabeth Cady Stanton (an American social activist and one of the leading figures of the early women’s rights movement) stated that “man is infinitely women’s inferior in every moral virtue.” Feminism (defined by the Merriam-Webster Dictionary as: “the theory of political, economic, and social equality of the sexes”)
I am going to start off by saying “I am not afraid of my truth anymore and I will not omit pieces of me to make you comfortable.” In the 1970’s “ when domestic violence isn’t a term , much less a crime, women are legally encouraged to to remain in abusive marriages.” I hate to say this, but that is true to this day in so many ways. I am speaking from experience.
The Feminist Movement begin in the in 1848 spearheaded by the Seneca Fall Convention (Smith & Hamon, 2012). Feminism is the reaction to many year of oppression by a male dominated society. In the Feminist Movement women like Susan B. Anthony and Elizabeth Canton Stanton desired rights, opportunities, and the identity that women deserved (Smith & Hamon, 2012). Osmond and Thorne (1993) stated that Feminist respond by expressing their desire to “develop knowledge that will further social change, knowledge that will help confront and end subordination of women as it related to the pattern of subordination based on social class, race, ethnicity, age, and sexual orientation” (p. 592). The “first wave” of the Feminist Movement
After WWII, many movements in the United States secured greater liberties such as social, political, and personal freedoms. Along with many others, the Civil Rights and Feminist Movements were very successful during this time. These movements were both significant in our society because they changed the history of the United States.
Abcarian, Richard. Literature: the Human Experience : Reading and Writing. : Bedford/Saint Martin's, 2012. Print.
de Beauvoir, Simone. "The Woman in Love." The Second Sex. New York: Vintage Books, 1989. . Print.
...heir own sense of independence. But they also present the reality of it all, that in the end they are back to where they started, and that women will never be able to let their guard down, because of the constant struggle of becoming equally self-reliant as men are, which still remains today.