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Roles of women in a doll's house
Gender roles in the 19th century
A doll house gender role
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In the play A Doll House, there are many suggestions referring to how a woman was expected to behave and how men were expected to behave during the time this play was written. Nora’s character first appears to be very feminist. For an example, she doesn’t have a real job, she spends money carelessly, and she says and does things to make her appear very childish and dependent upon Torvald. On the other end Torvald her husband, makes the money for the family and he appears to be easy going one in the house. The main characters Nora and Torvald pretend to be someone who there are not to please others around them. In the early 19th century society rules where a woman was suppose to be a trophy wife and please a man in any way he asked and the man works and provides for his family and if you disobeyed the society rules you were inhuman like since society was created by humans. Sick and tired of living by society rules Nora decides to make her own rules and leave her husband despite how society would view her.
While reading A Doll House, I realized that Nora was treated as a child/doll mostly by her husband Torvald. Throughout the play he would treat her as he was her father rather than her husband. Torvald watched her every step. He even made sure she didn’t eat sweets fearing it would do damage to his trophy wife teeth. Torvald, “Hasn’t Miss Sweet Tooth been breaking rules in town today?” Nora, No certainly not.” Torvald would like to appear as a person that is a loving and responsible husband; however he is just someone who is incapable of loving someone. One of the most amazing things to Helmer was practicing Nora’s dance routine. It motivated him in feeling in control, not love. His in the beginning it appeared as Nora and Torv...
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...tand out from everyone else so it forces a person to behave in a way they don’t believe in. During the play “A Doll House” the pressure of society destroyed Nora and Helmer’s marriage. Nora was not happy in her life with Torvald, and yet she and her husband are afraid of the embarrassment that would come if they two were to split apart. When Nora decided to leave Helmer he begins telling her, “I have it in me to become a different man.” She ends up creating a change in her life so she can start living how a human being is suppose to with the freedom to assert herself as she please without having to answer to anyone. Ibsen’s point to made in this play is to show how a couple got trapped by society, pushed into a doll house for which they don’t belong; he expressed his feelings on women rights, family and male dominance in this ear by writing this play, A Doll House.
In Henrik Ibsen’s play A Doll House, Ibsen tells a story of a wife and mother who not only has been wronged by society, but by her beloved father and husband because of her gender. Nora left her father’s house as a naïve daughter only to be passed to the hands of her husband forcing her to be naïve wife and mother, or so her husband thinks. When Nora’s husband, Torvald becomes deathly ill, she takes matters into her own hands and illegally is granted a loan that will give her the means to save her husband’s life. Her well guarded secret is later is used against her, to exort Torvald, who was clueless that his wife was or could be anything more than he made her. However, Nora has many unrecognized dimensions “Besides being lovable, Nora is selfish, frivolous, seductive, unprincipled, and deceitful” (Rosenberg and Templeton 894). Nora is a dynamic character because her father and her husband treat her as a child and do not allow her to have her own thoughts and opinions, as the play progresses she breaks free from the chains of her gender expectation to explore the world around her.
Nora is perceived as a helpless women, who goes out and wastes money that was earned by her husband. To Torvald, Nora is merely a plaything, which could be what the title of the play, "A Doll House", was hinting at. He found her helplessness to be attractive, because he was the one that was in control. For instance, when they received the Bond from Krogstad, Torvolld said, "I wouldn't be a man if this feminine helplessness didn't make you twice as attractive to me" followed by "It's as if she belongs to him in two ways now: in a sense he's given her fresh ...
Genders have always played a major role in society and the household throughout history. These conventions are the rules that society functions from and more importantly the ideals crucial to ones overall social status. Husbands are to support the family with financial success, which involves freedom from debt and moral guilt; meanwhile, wives have a submissive role and are to be economically and socially dependent on their husbands. Some form of gender stereotype has been a foundation to social structures throughout time. Henrik Ibsen challenges the ideals of the bourgeoisie lifestyle and gives the reader a different perspective through the play A Doll’s House. Ibsen breaks down the stereotypical role through the main female character, Nora Helmer, who fulfills a doll like stereotype very well but as the story evolves, the play shows it is only a performance in order to save her husband’s pride.
to discover and educate herself. She must strive to find her individuality. That the perception of woman is inaccurate is also supported by the role of Torvald. Woman is believed to be subordinate to the domineering husband. Instead of being the strong supporter and protector of his family, Nora's husband is a mean and cowardly man. Worried about his reputation he cares little about his wife's feelings and fails to notice many of her needs. The popular impression of man is discarded in favor of a more realistic view, thus illustrating society's distorted views. Ibsen, through this controversial play, has an impact upon society's view of the subordinate position of women. By describing this role of woman, discussing its effects, and predicting a change in contemporary views, he stressed the importance of woman's realization of this believed inferiority. Woman should no longer be seen as the shadow of man, but a person in herself, with her own triumphs and tragedies. The exploration of Nora reveals that she is dependant upon her husband and displays no independent standing. Her progression of understanding suggests woman's future ability to comprehend their plight. Her state of shocked awareness at the end of the play is representative of the awakening of society to the changing view of the role of woman. "A Doll's House" magnificently illustrates the need f...
After reading “The Doll House” and “Trifles”, the idea of females being inferior to men is portrayed. Both plays, are in a much older time period. But from a feminist view, females are still sometimes given the doubtful role in today’s society. Both plays, are very different, but much alike in the ways the females are treated, never taken seriously, nor are they appreciated.
Feminism is the advocacy of women’s right and is on the grounds of political, social, and economic equality to men. Centuries ago, women did not share the same equality as men. Men and women’s gender roles were practiced with greater acceptance than by today’s standards. More-over, gender roles among women decades ago, were wrapped within the limits of their political, economic, and social rights and freedoms. The man’s role was to work and to make important final decisions for the family. Were-as, the wives were to stay home with the kids and obey her husband. Feminism changed all those aspects in the world for men and women to be treated to have the same rights. “A Doll’s House” is a profound play to make direct connection on why feminism started. The main character in the play Nora is wife and a mother that struggling to gain equality in her life. In
At the beginning of A Doll’s House, Nora Helmer seems stable in her marriage and the way that her life has panned out. She doesn’t seem to mind the her husband, Torvald, speaks to her, even if the audience can blatantly see that he is degrading her with the names he chooses to call her. “Hm, if only you knew what expenses we larks and squirrels have, Torvald” (Ibsen, 1192). Nora is notorious throughout Act I to play into the nicknames that Torvald calls her. She portrays that she is this doll-like creature that needs to be taken care of. Furthermore, we see that Nora is excited for her husband’s new job that will increase their income substantially. This is the first mask that the audience is presented with. As the play continues, Nora reveals yet another mask, this is a mask of a woman who so desperately wants to be taken seriously. The audience learns that Nora had previously taken out a loan to save her husband’s life. She proves that ...
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
In A Doll’s House, which ‘opened the door to a whole new world for women2’, Nora Helmer, wife to Torvald Helmer, is treated insignificantly by her husband. This is in relation to the title of the play. A doll is not a human being; it becomes what its owner makes of it. It does not have a role to play in public life. In the final act of the play, Nora certainly disputes this, by saying in the final act that ‘before everything else I’m a human being.’
Nora Helmer was a delicate character and she relied on Torvald for her identity. This dependence that she had kept her from having her own personality. Yet when it is discovered that Nora only plays the part of the good typical housewife who stays at home to please her husband, it is then understandable that she is living not for herself but to please others. From early childhood Nora has always held the opinions of either her father or Torvald, hoping to please them. This mentality makes her act infantile, showing that she has no ambitions of her own. Because she had been pampered all of her life, first by her father and now by Torvald, Nora would only have to make a cute animal sound to get what she wanted from Torvald, “If your little squirrel were to ask you for something very, very, prettily” (Ibsen 34) she said.
In Henry Ibsen’s play the Doll House, Torvald restraints Nora Helmer’s freedom. Torvald sees Nora as a doll and a child instead of an equal partner or wife. When Torvald does not sacrifice his reputation to save her, Nora realizes that “[she] had been living all these years with a strange man, and [she] had born him three children.” After years of having to live as a doll, Nora has an awakening that kindles her passion for freedom.
A Doll’s House illustrates two types of women. Christine is without a husband and independent at the start of the play whereas Nora is married to Torvald and dependent on him and his position at the bank. Both begin at different ends of the spectrum. In the course of the play their paths cross and by the end of the play each woman is where the other started. It appears that a woman has two choices in society; to be married and dependent on a man or unmarried and struggle in the world because she does not have a man.
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with women and others during this time period. Torvald Helmer starts off the story with a new job as a bank manager. He has a wife, Nora, who does not have a job in the workforce since that was the man's role.
During the time in which Henrik Isben's play, A Doll?s House, took place society frowned upon women asserting themselves. Women were supposed to play a role in which they supported their husbands, took care of their children, and made sure everything was perfect around the house. Nora is portrayed as a doll throughout the play until she realizes the truth about the world she lives in, and cuts herself free.
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.