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Essay on islam and women
Essay on islam and women
Gender inequality within religions
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Males are always regarded as powerful individuals and females as powerless, which do not reflect the changing social status of females in the society today (Bahiyah et al., 2008). The female characters in the short stories that I have chosen portrays how men suppress women in the name of religion and society for their selfish individual needs. The gender issues that have been brought up in the short stories are viewed from the aspects of religion and culture that molds the social constitution of the society. Therefore, in this essay I will address the portrayal of female characters in the short stories Night and Day by Dina Zaman and Mariah by Che Husna Azahari and how they are discriminated and oppressed by illustrating the attempts that are made by the female characters to free themselves from the …show more content…
Even though she appears sensuous, she neither belongs to a group that is neither easily seduced nor seducing. This is mirrored in her decision to stay single even though there have been many suitors after her husband’s early death. Mariah opts for celibacy, but her monastic lifestyle has no place in Islam as celibacy connotes boredom, lonesomeness and deprivation (Muhammad, 1979). Therefore, she chooses to marry again and she has chosen a ‘god-fearing’ candidate. On the other hand, the ending of the story ends with ‘his eyes closed, his dreams realized, the Imam managed a hoarse ‘Thank You, God, for Your Bounty,’ before Mariah’s perfume completely envelop him and his senses’ where she completes him and fulfills his long overdue sexual fantasy. By confining women to pleasure, one turns her into a doll where it reduces the wife to the rank of woman-object whose sole function is the satisfaction of her sexual pleasure. Therefore, the wife is devalued due to men’s sexual desires with the help of the religion this issue is reflected in the short story Mariah by Che Husna
In Hanan Al-Shaykh’s “The Women’s Swimming Pool,” a young girl convinces her grandmother to take her to Beirut so she could swim in the women’s swimming pool and see the sea. The youthful, curious point of view that this story is in shows the readers that women are expected to act and dress in proper ways that are acceptable to the testosterone driven society from such an early and innocent age as the protagonist. The grandmother is so worried about the certainty of the pool being for women only that she tells the young girl “if any man were to see you, you’d be done for, and so would you mother and father and your grandfather, the religious scholar- and I’d be done for more than anyone because it’s I who agreed to this and helped you.” (Norton Anthology of World Literature, pg. 1168) The grandmother is so worried that she makes the young girl swear by her mother’s grave. This, and the fact that Islamic custom requires girls and women to keep their hair, arms, and legs covered despite the sweltering heat, shows just how conservative the life for the young girl and her grandmother is. Although the young girl is able to see how beautiful the sea truly is, she is not able to swim in the pool that she traveled all that way for because it was time to pray. As her grandmother begins to pray, the young girl realizes that Beirut is a different world than what she is used to, and that she is bound to her traditional
The author's views on women may never be fully revealed, but it is clear that he believes in male superiority and that insurgent females ought to be suppressed. Like Wealhtheow, females should only exert minimal power and influence, but they should always keep the drinks coming.
Women had no choice but to follow whatever society told them to because there was no other option for them. Change was very hard for these women due to unexpected demands required from them. They held back every time change came their way, they had to put up with their oppressors because they didn’t have a mind of their own. Both authors described how their society affected them during this historical period.
Throughout history, women were not always well regarded by men. Because of this, most societies treated their women as second class citizens. The stories from, Tales from the Thousand and One Nights, illustrate how the portrayal of women affected Muslim society in the Ninth century. Sometimes women were seen as mischievous, unfaithful temptresses. Other times they were depicted as obedient, simple minded slaves looking to please their master. With the use of charm, sex and trickery, they used the labels that they were put in, to their advantage; demonstrating that women during this century were clever, smart, and sly.
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
Cultures throughout the world encompass a diverse array of lifestyles by which societies are led by. These cultures, in a typical sense, are created by the subset of a population that follows a particular set of morals and ideals. An individual’s own identity, as a result, is dependent on many varying factors of their lifestyle in these culturally regulated regions. In the stories, “Selections from Reading Lolita in Tehran,” by Azar Nafisi, and “The Naked Citadel,” by Susan Faludi, the authors depict the impact made on an individual’s identity by male-dominated communities prejudiced against women. The discriminations described in these stories contribute to the creation of cultures that oppose the idea of seeing women as equals to men. Hence,
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
The belief that men and women should have equal rights and opportunities is truly what feminism is. A major key principle that Donald Hall utilizes in his Feminist Analysis is that “Language, institutions, and social power structures have reflected patriarchal interests throughout much of history” (202) and that “This has had a profound impact on women’s ability to express themselves and the quality of their daily lives” (202) are greatly seen in the two short stories “The Story of an Hour” by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman and in the novel The Awakening also by Kate Chopin all written in mid-19th century. These all illustrate how women were oppressed by patriarchal power and how women rose and subverted patriarchal oppression which elucidates Hall’s theories that state women have been denied self-expression affecting their daily lives and patriarchs take power away from women.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Although “It’s a Night Job” by Joanita Male and “Mother’s Inheritance” by Fawziyya Abu-Khalid occur in different cultural contexts- Male’s writing in Africa and Abu-Khalid’s in the Middle East- both literary works regard the formative nature of mother-daughter relationships. In addition to this, they explore the dignity and attitudes of young women in societies where they are forced to relinquish personal autonomy in order to succeed or be safe from potential physical or mental harm.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
Since the beginning of time, women have strived to achieve an equal status in society. The vast majority of women have rebelled against the norm for equal status. As if washing the dirt off one’s hands, women are forgotten for all of their achievements. The identity of women in the Western world has evolved from domesticity and servility, and moved toward their valuation as individuals of intellect, talent, and independence. The culture about women’s empowerment has been reflected in literature and history throughout many ages.
In the short story, “Sugar,” Sharon Leach demonstrates the parallel between the protagonist’s sexual desires and her need to provide for her impoverished family. From the very first line the main character, Sugar, reveals her innermost erotic cravings as she describes “the girl in the leopard-print bikini” (170). Sugar’s subsequent actions were self-rendered rational to “keep [her] mother and sisters and brothers fed and clothed for a while” (178). Vivid imagery, the pattern of dismissal, and first person narration facilitate Leach to emphasize human tendencies of sexual behavior while observing the importance of earning a living to provide for ones family and eventually afford the commodities that make Sugar envious of the hotel guests.
“The Harem Within” is a pioneering work that opens discussion of women’s rights in Islamic societies. With her humble life story Mernissi gives not only a voice to Moroccan women, but stands her advocacy for individual freedom and battle against the harem within. The narrative is a literature example that figures the women discrimination and appeal for