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Mildred pierce character analysis
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Martin Bastidas Professor Tirado ENG 110 12 October 2014 A Psychological Approach to Mildred In the story “Fahrenheit 451” by Ray Bradbury it clearly shows that Mildred the wife of the main character, Guy Montag, has different psychological problems. Mildred in the story isn’t happy with her life. You can find her in her house all day in front of the television instead of getting up and going to work like most people in society. She doesn’t care about her marriage and never shows any love or care for her husband. She cares more about technology than him. In addition, Mildred is addicted to prescription drugs. Mildred is living in denial and her actions demonstrate that she is a selfish and self-destructive individual. When you’re …show more content…
Mildred clearly shows she is selfish by showing this type of behavior. She does not care about her husband at all. She only cares about make believe characters in television shows. All she cares about is about buying herself the newest technology. For example, she bugs her husband for another television when they already have three. They cannot afford it because it cost almost all of Guys salary. This puts a burden on Guy and must decide whether to buy it or not. Mildred is never satisfied of what Guy has to offer for her and is only worried about having more things. She only talks to him about the television shows and nothing else unless it has to do with him getting her more things. Overall, Mildred is only concerned with what Guy can buy her then rather caring about him and their marriage. In the story books are illegal, so when Mildred discovers her husband owning and reading books she betrays him. She reports him to the fire station. Once Mildred reports him, she runs away from him because she doesn’t care about her own husband and only cares about herself. Many of these actions display Mildred as a selfish individual in …show more content…
In the story Mildred defiantly shows this behavior. Mildred is empty and mindless; she is just lost in technology. She doesn’t value her life because she tries to commit suicide. In the beginning of the story her husband gets home to her overdosed on sleeping pills. The story says “The small crystal bottle of sleeping tablets which earlier today had been filled with thirty capsules and which now lay uncapped and empty in the light of the tiny flare” (Bradbury 11). Her willing to kill herself just shows that she doesn’t value her life and is willing to die anytime. In reality Mildred is addicted to sleeping pills because this was not the first time it had happened. It had happened several times in the story which kind of shows that Mildred isn’t really doing it to commit suicide. She is doing it because she has an addiction to the pills and drinks nearly so much of them that she literally is killing herself and doesn’t care if she dies or not. Also, when her husband tries to help her and explain to her what she had done she didn’t want to hear it.. This shows that she is ignorant and does not care about her bad behavior. A person who
She is addicted to sleeping pills, absorbed in the shallow dramas played on her "parlor walls" (flat-panel televisions), and indifferent to the oppressive society around her. She is described in the book as "thin as a praying mantis from dieting, and her flesh like white bacon." Despite her husband's attempts to break her from the spell society has on her, Mildred continues to be shallow and indifferent. After Montag scares her friends away by reading Dover Beach and unable to live with someone who has been hoarding books, Mildred betrays Montag by reporting him to the firemen and abandoning him.
Mildred depicts a conventional 1950s woman in the aspect of being completely naive and oversimplified as a character. According to ‘Essential
First, Mildred is unfeeling when she didn’t care that a woman had burned herself to death. A quote from the story is “She’s nothing to me; she shouldn’t have had books. It was her responsibility, she should have thought of that.” Mildred is unfeeling because society has made her believe that if it doesn’t affect her it doesn’t matter.
Mildred is not a questioning person at all. Mildred does not want to learn or know new things. Mildred's main worry is about her televisions. You would think Mildred would consider Montag more of her family than people on the television, but it does not seem that way. Mildred says her family is on the television's(69). Mildred is a very unsocial person. Mildred does not talk much even to her husband. Mildred would rather talk to her "family" in her television room. Mildred and Montag do not have much in common. Mildred seems to be selfish sometimes. Montag tells Mildred about the books and she wants to tell
Mildred has found a book under Montag's pillow and is trying to tell officer Beatty to get Montag in trouble. This quote states how mildred is like a robot “ Her mouth moved and she way saying something but the sound covered it.” This quote shows how society wants no books around. She was trying to tell officer Beatty that montag has a book. This society changed people to try and get people with different mindsets in trouble. It’s obvious that the government controls what the citizens think. The society they live i wants people to see books as threats meaning bad for someone to own them. This explains why mildred acts so robotic she is basically controlled by the government.
No one should ever just let their self-die if they have the option of living. He also mentioned that if she is a teenage girl probably going through puberty and may already be stressed out from that and the medication she is already taking.
The reason for this is twofold; one, it is the element of obsessive love that fosters a breakdown in the natural boundaries that exist in a parental relationship. Secondly, it is the need by Mildred to seek the unrealistic approval from her daughter, Veda, which further exasperates the boundaries, almost wiping them completely away. We see these elements of obsessive love, ...
Is Mildred selling herself to the people in her life in order to maintain the life she has created for herself and Veda? She is constantly working and making money for her family but she gets no fulfilment out of it. Towards the end of the film, Mildred is back with Bert and is contempt to go back to the lifestyle she once lived, but that her daughter Veda despises. Does Mildred feel self-accomplished or does she feel powerless? “Mildred walks out of the police station into the morning sunshine with the man who was her first husband and the father of her children. However, since he was an unreliable breadwinner and she had to go to work baking pies to support the family in the first place, one might wonder just how happy this ending is supposed to seem” (Basinger,
Mildred sounded the book alarm in her home, avenging Montag for not loving her and for putting her in danger (page 108). While Montag was hiding his secret library, he showed it to his wife, Mildred. Since libraries and books are illegal, Mildred felt unsafe. One day while Montag was at work, Mildred rang the alarm in their house, which called the firemen. Montag and the firemen came rushing to the house, not knowing it was Montag’s. Montag ended up burning his own house down, piece by piece, with a flamethrower.
Mildred is not just self-centered, she is also unfeeling. For example she forgot to tell Montag that clarisse had died, and didn’t seem fazed at all. She is also robotic. When captain Beatty came to talk to Montag, Montag had asked her to leave the room. She did angrily, but she still did as she was told.
After Guy comes back home from an interesting conversation with Clarisse Mcclellan, he finds his empty and dark room where "his wife stretched on the bed, uncovered and cold" (12). The first time we, the readers, meet Mildred, she is in an emergency case, committing suicide by sleeping pills. Although she claims that the interactive shows keep her happy and denies for taking the pills, but it might be understood that the TV clowns, the third wall TV distracts her from her real life and nearly leads her to death by a drug overdose. Moreover, her abnormally white skin and chemically burnt hair represent the demands for women 's diet and artificial beauty in the society she is living. Mildred is obsessed with watching television and listening to the Seashell all day, same as everyone else in this world. In other words, she lives a shallow life with the obsession for TV programs and neglects her family. Besides, by saying some meaningless and random lines such as "I think that 's fine" or "I 'll sure do" (20), Mildred asks Guy to buy her a fourth-wall TV, which is 1/3 of her husband 's annual salary, just for the sake of her greater immersion in the show. The TV programs are not
The person who Mildred devoted her life to is ill, and Mildred is so caught up with the distraction she thinks more greatly of television characters than her husband and his health.
...iety too, as seen in Mildred’s friends. Mrs. Phelps and Mrs. Bowles are similar to Mildred, they say they voted on the last president simply for his looks. They don’t care about any of the important qualities only the superficial ones. Montag is further shocked when they talk so nonchalant about the war and their family’s, saying “(Insert quote here” (Bradbury ). This in addition, proves that not only is television addictive but can desensitize you from earthly troubles. Television allows you to step into a different world, and when Mildred’s friends are forced to come back from it, they cry and are angry. Montag forced them to comfort their disgraceful dismal of family ethics, decline of the upcoming war, and neglect of the high rates of suicide in their society.
Of all characters, Bradbury uses Mildred Montag to effectively portray the idea that the majority of society has taken happiness as a refuge in nothing but passive, addictive entertainment. She immediately reveals her character early in the book, by saying, “My family is people. They tell me things: I laugh. They laugh! And the colors!” (73). Mildred is describing her parlors, or gigantic wall televisions, in this quote. Visual technological entertainment is so important in her life that she refers them to as “family,” implying the television characters as her loved ones. By immersing herself in an imaginary world, Mildred finds herself able to relate to fake characters and plots, giving her a phony sense of security. This is necessary for her to achieve her shallow happiness, or senseless plain fun, as she lifelessly watches other people in her walls with a senseless mind. Her family in real life only consists of Guy Montag, her husband, whom she has no fond feelings about. Montag is so frustrated with Mildred because of her inability to express feelings for ...
...t caused her to take her own life (V.V.17-19). She reached a point where even coming clean and admitting to what she had been a part of, wasn’t going to be enough to clear her conscience.