Charles Dickens lived in England during the 19th century, during a period of rapid economic growth when the industrial revolution was in full swing. Industrial cities sprung up throughout England, sustained solely by their factories, which furiously churned out wealth and merchandise and employed thousands of working class citizens. The living and working conditions for factory laborers in these towns were extremely poor, and the wealthy bourgeoisie prospered marvelously by greedily exploiting their employees, unfortunate people who toiled long hours in grimy factories to barely earn their subsistence. Utilitarianism was a prevalent viewpoint during this period of industrial frenzy, for it embraced the values of practicality and efficiency; and the success and survival of the participants of industrial society often depended on these standards. Dickens was disgusted with the single-mindedness of his society and with the dreary, inanimate atmosphere that accompanied it. In his novel Hard Times, an ongoing struggle ensues between the ideas of `fact' and `fancy'-- or the `head' and `heart.' The rivalry between these philosophies is a central theme to the Hard Times, not to mention a fundamental crux of human existence as well. Should an individual base his life on fact and rationality, or should he live by the whims of his imagination and fancy, following his heart? Dickens advances this theme persistently throughout the Hard Times, employing frequent use of descriptive imagery and metaphor throughout novel to animate the conflict between Fact and Fancy, and the result of this emphasis is a broader, encompassing critique of industrialized society in general.
Dickens most clearly addresses fact and fancy through his portra...
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...d in the members of the circus, who "cared so little for plain Fact," and about whom "there was a remarkable gentleness and childishness" and an "untiring readiness to help and pity one another." On one note, however, Dickens is quite clear: human nature cannot be reduced to a plethora of facts and figures, and neither can it be predicted as such:
It is known, to the force of a single pound weight, what the engine will do; but not all the calculators of the National debt can tell me the capacity for good or evil, for love or hatred, for patriotism or discontent, for the decomposition of virtue into vice... at any single moment in the soul of one of these quiet servants.
Dickens repeatedly illustrates the grave repercussions of Coketown's society, of stifling the fire of imagination, giving a disturbing perspective of human greed and its power to corrupt.
Dickens used his great talent by describing the city London were he mostly spent his time. By doing this Dickens permits readers to experience the sights, sounds, and smells of the aged city, London. This ability to show the readers how it was then, how ...
In this essay, I will argue that one of the underlying motives in Charles Dickens' novel A Tale of Two Cities (1859) is the reinforcement of Christian values in 18th century Victorian England. Dickens was very concerned with the accepted social norms of industrialized England, many of which he felt were very inhumane. Christian values were challenged, largely due to the recent publication of Darwin's Origins of a Species, and philosophy along with literature was greatly affected. In 1859, the industrial age was booming, making many entrepreneurs rich. However, the majority of the lower economic class remained impoverished, working in unsafe and horrific environments as underpaid factory workers. Additionally, child labor was an accepted practice in Victorian England's factories. Dickens, who worked, as a child in a shoe polish factory, detested this social convention with such strength that only one with experience in such exploitation could.
Here, Dickens focuses on the word “suffering”, to reinforce the idea that being wealthy, which is related to being better than other, a materialistic view of society is not what gives happiness, but the surroundings and
Swisher, Clarice, Ed. “Charles Dickens: A Biography.” Readings on Charles Dickens. San Diego, Greenhaven Press, 1998. Print. 21 March 2014.
9. Ashbury, M (2001) Representation of Industrialization in Dickens’ Hard Times [Online]. Available: http://www.colourpurple.com [Accessed 25th April 2005].
middle of paper ... ... Understanding the relationship between environment and morality—indifference and depravity—Dickens evaluated what the system does to a person, how it classifies, how it deforms. Fagin manages the underworld, connoting corruption as an entertaining, enjoyable, and artful game not only because of his intrinsic craftiness, but also because it is the only way he knows to survive. Exploiting his audience's attitudes, Dickens shaped a character with religious stereotypes to ensure that his readers could recognize the absolute evil it had bore through its ignorance and apathy--poverty is a product of a societal environment. Work Cited Dickens, Charles.
Charles Dickens’ (1812-1970) father had great financial difficulties. The boy had a rather miserable childhood, and the lad spent much of his time in poorhouses and workhouses. Did poverty overwhelm Charles Dickens? Was his negative environment to blame for an unproductive and fruitless life? No it wasn’t. Dickens retreated into his imaginary world and incisively wrote about the need for social reform in what later became such literary classics such as Oliver Twist and David Copperfield.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
Our Mutual Friend, Dickens' last novel, exposes the reality Dickens is surrounded by in his life in Victorian England. The novel heavily displays the corruption of society through multiple examples. These examples, that are planted within the novel, relate to both the society in Dickens' writing and his reality. In order to properly portray the fraud taking place within his novels, Dickens' uses morality in his universe to compare to the reality of society. He repetitively references to the change of mind and soul for both the better and the worst. He speaks of the change of heart when poisoned by wealth, and he connects this disease to the balance of the rich and the poor. This is another major factor to novel, where the plot is surrounded by a social hierarchy that condemns the poor to a life of misery, and yet, condones any action that would normally be seen as immoral when it occurs in the aristocracy. It expands on the idea that only an education and inheritance will bring success in society, with few exceptions. Lastly, Dickens expands his opinions of society through his mockery of ...
Dickens, Charles. Hard Times. Ed. Fred Kaplan and Sylvere Monod. A Norton Critical Edition. 3rd ed. New York: Norton, 2001. 5-222
Thomas, Deborah A. ""Don't Let the Bastards Grind You Down": Echoes of Hard Times in the Handmaid's Tale." Dickens Quarterly (2008): 91-95.
Charles Dickens' Exploration of the Victorian Society's Awful Treatment Of The Children Of The Poor
Much like the sowing of seeds in a garden, Dickens uses Book the First: Sowing, to plant the characters and storyline of Hard Times. First, we are introduced to the industrialized Capitalist city of Coketown (Dickens 19). Dickens describes Coketown as one that “lay shrouded in a haze of its own, which appeared impervious to the sun’s rays” (203). Coketown is dominated by a society of ruthless, materialistic, rich capitalists. In Book the First: Sowing, we are introduced to the main characters, the first of which is Thomas Gradgrind (5).
This epitomizes the dichotomy Dickens felt towards both the treatment and perception of criminals.
While the novel does act as a social commentary on the disparaging treatment of the poor in England, Dickens fails to do more than comment on the situation. The fact that the social classes are fighting for survival against one another provides for the establishment of a further embedded social caste system of us against them. The very poor in David Copperfield, are at times overlooked by even the middle class characters in the novel. While some of the middle class characters do look out for a few of the lower class characters, these actions are taken as a result of their need to feel needed by others. My paper will examine the desire for the author to write a social commentary on class inequality, survival, and the search for happiness at all costs in David Copperfield.