In F. Scott Fitzgerald’s classic novel, The Great Gatsby, Fitzgerald discusses many themes of the 1920s, with a specific focus on the rich and idle class, the “old money,” those whose wealth allows them to be careless and destructive without consequences. In the novel, this group of people is characterized by Tom and Daisy- a couple who moves leisurely through life, destroying relationships and lives without knowing or caring. Tom’s privileged upbringing has made the concepts of morality and responsibility completely foreign to him, and he is the driving force in this mutually corrupt relationship: his disregard for everything except his own personal pleasure shapes the interactions between him and Daisy. Daisy on the other hand is a blank slate, a mirror of her surroundings, an empty-headed, whimsical girl who just wants to have fun. The carelessness afforded to her by Tom’s money and influence, and, by extension, Tom’s own habits of carelessness, molds Daisy into a sad shell of a person. Daisy is not inherently corrupt and destructive, as Tom is, but it makes no difference as Tom has already passed the worst of his characteristics onto her. Indeed, it is Daisy, not Tom, who performs the ultimate sin at the end of the novel, and it is Daisy, not Tom, who shirks away from taking responsibility for this terrible deed and instead allows innocent lives to be destroyed for her actions. Daisy and Tom are the perfect couple. Neither cares the slightest bit about the other and so both live absurd, dreary lives, thinking they have found happiness, while instead both have become disinterested with the ease of living they enjoy. This disinterest makes Tom and Daisy the victims of the wealth and influence that are so commonly seen as desira... ... middle of paper ... ...The Great Gatsby. 1925. New York: Scribner, 2004. Print. Lance, Jacqueline. “The Great Gatsby: Driving to Destruction with the Rich and Careless at the Wheel.” Studies in Popular Culture 23.2 (2000): 25-35. JSTOR. Web. 4 Apr. 2014. Ornstein, Robert. “Scott Fitzgerald’s Fable of East and West.” College English 18.3 (1956): 139-43. JSTOR. Web. 6 Apr. 2014. Schnieder, Daniel J. “Color-Symbolism in The Great Gatsby.” University Review 31 (1964): 13-18. Vashon Island School District. Web. 14 Apr. 2014. Uenishi, Tetsuo. “Are the Rich Different?: Creating a Culture of Wealth in The Great Gatsby.” Japanese Journal of American Studies 22 (2011): 89-107. Wadax. Web. 6 Apr. 2014. Wang, Ya-huei. “A Psychoanalytic Interpretation of Gatsby’s Faulty Perception of Reality in The Great Gatsby.” Voice of Academia 7.1 (2012): 62-71. Universiti Teknologi Mara. Web. 6 Apr. 2014.
In F. Scott Fitzgerald’s The Great Gatsby, Jay Gatsby provides the reader with a unique outlook on the life of the newly rich. Gatsby is an enigma and a subject of great curiosity, furthermore, he is content with a lot in life until he strives too hard. His obsession with wealth, his lonely life and his delusion allow the reader to sympathize with him. Initially, Gatsby stirs up sympathetic feelings because of his obsession with wealth.
Dillon, Andrew. "The Great Gatsby: The Vitality of Illusion." The Arizona Quarterly 44 Spr. 1988: 49-61.
Lewis, Roger. "Money, Love, and Aspiration in The Great Gatsby." New Essays on The Great Gatsby. Ed. Matthew J. Bruccoli. New York: Cambridge University Press, 1985. 41-57.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
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Cohen, Adam. "Jay Gatsby is a man for our times" The Literary Cavalcade New York: Sep 2002. Vol.55, Iss.1; Pg.1-3
The settings in The Great Gatsby reflect the socio-historic context of the novel and the nature of different characters’ pursuits of happiness. Gatsby’s residence defines him as a member of the nouveaux riches as its description makes his property seem tastelessly new, as suggested by the ‘thin beard of raw ivy’ that unattractively exposes efforts to appear aged, and characterless as a ‘factual imitation of some Hôtel-de-Ville in Normandy’ implies it is a plain copy with no creativity expended for its creation. The interior of Gatsby’s home ...
Daisy also exhibits her shallowness when she is too restless to wait for her 'love', Gatsby, to return from he war, and she marries Tom. Her most drastic immoral action is committed when she runs over Myrtle and does not even bother to stop and help a person that is 'below' her. Daisy's husband, Tom shows his ridiculous morality in different ways. One way is his search for power, which is shown most through his affair with Myrtle and his possessiveness. He evidently feels further domination and masculinity when he has her, a woman of lower class, as his mistress. Secondly, Tom Buchanan is shallow enough to think that everything and everyone he has in his life are part of his property. This increases his 'power' and makes him feel as if he is truly successful. This couple, Tom and Daisy certainly contain serious corruptness due to their shallowness and self-indulgence.
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
As depicted by Scott F. Fitzgerald, the 1920s is an era of a great downfall both socially and morally. As the rich get richer, the poor remain to fend for themselves, with no help of any kind coming their way. Throughout Fitzgerald’s, The Great Gatsby, the two “breeds” of wealthier folk consistently butt heads in an ongoing battle of varying lifestyles. The West Eggers, best represented by Jay Gatsby, are the newly rich, with little to no sense of class or taste. Their polar opposites, the East Eggers, are signified by Tom and Daisy Buchanan; these people have inherited their riches from the country’s wealthiest old families and treat their money with dignity and social grace. Money, a mere object in the hands of the newly wealthy, is unconscientiously squandered by Gatsby in an effort to bring his only source of happiness, Daisy, into his life once again. Over the course of his countless wild parties, he dissipates thousands upon thousands of dollars in unsuccessful attempts to attract Daisy’s attention. For Gatsby, the only way he could capture this happiness is to achieve his personal “American Dream” and end up with Daisy in his arms. Gatsby’s obsession with Daisy is somewhat detrimental to himself and the ones around him; his actions destroy relationships and ultimately get two people killed.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Bewley, Marius. "Scott Fitzgerald's Criticism of America." Twentieth Century Interpretations of The Great Gatsby. Ed. Ernest Lockridge. Englewood Cliffs: Prentice-Hall, Inc., 1968. 37-53.
"The Great Gatsby." Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resources from Gale. Web. 15 Jan. 2014.
Fitzgerald, F. Scott. The Great Gatsby. Ed. Matthew J. Bruccoli, New York: Charles Scribner’s Sons, 1925