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Effect of technology on the publishing industry
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Back in 2003 Henry Jenkins caused a massive stir in the media world when he introduced the idea of transmedia storytelling, Jenkins describes it as a process where elements of fiction are dispersed across multiple media platforms in order to serve the purpose of creating a coordinated entertainment experience. Jenkins goes on to say that preferably, each medium will contribute different aspects which will assist in the telling of a story and unveil new aspects. However a good transmedia text does not simply supply information, instead it allows the fans, or fandom, to interact with the world within the text (Jenkins, 2007). This essay will arue that transmedia storytelling impacts on how the audience interacts with the story, in order to …show more content…
If you want your audience to get fervently attached to the world and characters you create then it is extremely important to make the world in which you base your story seem authentic. One of the best examples of transmedia storytelling done correctly is the Harry Potter saga by J.K. Rowling. Rowling created a detailed wizarding world which she achieved by setting the story in a real life location, England, and also by creating texts within the story which she would later publish as books of their own, such as, Fantastic Beasts and Where to Find Them, which is soon to become a film itself. Although creating these texts allows the story to reach out to the real world Philips believes that the most useful tool in transmedia storytelling, is creating an area where fans can expand and immerse themselves into the story. Rowling successfully adapted to this area by creating Pottermore, the website allows the audience, who may have been part of the Harry Potter world since 1997, to become a part of the story themselves. Rowling made this possible by adding features such as a sorting hat ceremony, where fans answer quiz questions and are assigned to Hogwarts houses through their answers. This feature allows fans to connect with …show more content…
As mentioned earlier in this paragraph, Pottermore is not the only way which Rowling accessed the area of transmedia storytelling but it has been one of the most successful. As Jeff Gomez, Pottermore creater and transmedia expert, states Pottermore allows the franchise to expand “from its basis in being a repurposed or repeated story world, into being a true transmedia brand.” The website is also multidimensional where it expands out to other popular social media outlets, this allows Rowling to release videos where she answers fans questions and reviel new information about the series. According to Gomez, what makes Pottermore so successful is the amount of interactivity within the site, this means that the audience feel as if they have a personal relationship with the author and also that the have an important imput in the story (Humphrey, 2011). Pottermore shows how websites and todays technology can be used to engage with an audience, and the website has proven to be a huge success not only for J.K. Rowling and the franchise, but also for the area of transmedia
The two step flow model also suggests that mass communication is not direct or uniform; it does not operate directly on each individual, unlike the “magic bullet” perspective (Wells, 2015a). This is further exemplified in the differing responses of the players; Alice and Benito felt displeased with the sexualisation of female characters in the game and the ‘cultural appropriation’ of some characters, while Jesús and Natasha felt that the way in which characters were portrayed in a video game was expected and understand it is not
The Harry Potter series is one of my favorite movie series. The films were well done and follow the books well. J.K Rowling has captured the hearts of many and there are “Potterheads” in every country. While the films were nothing short of amazing, the books give readers more insight into Harry Potter 's thoughts. The reader really sees the “Wizarding World” from Potter’s eyes. It’s very
Most of the fantasy stories that were produced made use of film as a tool to expose the shows. Study proved that the world of film has a various capacity in persuading and changing the perspectives of a viewer. A film functions as an int...
The modification of literary engagement is quickly happening in the 21st century because of the entry of various technologies that can transfer literacy (Birkerts (1994). Lockyer & Patterson (2007) have also recognized the significance of pre-school teachers integrating technologies in their placements to support learning surrounding multi-literacies. The introduction of various technologies into the classroom is a strategy that might be used to adjust the available new multimodal forms of literacy (Kalantzis & Cope, 2012). By using new technology formats, for example, social media, discussion forums, blogs, video games and wiki groups, literacy could be conveyed interpersonally, allowing students to understand from each other (Cattafi & Metzner, 2007; Gee, 2007 and Kalantzis & Cope, 2012).
The Triwizard Tournament was held in Hoggwarts. This game amid the three biggest European magic schools was initiated about seven hundred years ago. One person should be assigned by one college and the Goblet of Fire used to designate three students for this competition. Three guys would compete in three categories of magic. The game was so serious that it stipulated the minimum age and the health conditions of the contestants.
Since the coinage of the term in an MIT Technology Review (2003) article, Henry Jenkins’ theory of transmedia has been significantly contested and edited by multiple media theorists and scholars. In short, transmedia storytelling is the technique of telling a narrative across multiple platforms. The goal of a transmedia project is to heighten the degree in which audiences participate and interact with the events, characters, and storyworld of a franchise. A transmedia project can include, but is not limited to, the use of movies, books, games, social-media, and graphic novels. These elements work together to make the story more enjoyable and contribute to richer fan-engagement. Jenkins’ best summarizes a definition himself in his 2006 book Convergence Culture: Where Old and New Media Collide; “A transmedia story unfolds across multiple media platforms with each new text making a distinctive and valuable contribution to the whole” (pp. 95-96).
In the “age of electronic entertainment”, Harry Potter novels sharply contrast by luring children away from the internet, and away from video games and the television. Children across the globe are rapidly becoming interested in reading the novels. Katherine Thompson, owner of Frugal Frigate Bookstore, declared the series a “literary phenomena.” She noted that children as young as eight-years-old will devour...
The Harry Potter series by J.K. Rowling has been one of the most popular series to ever hit the bookshelves.The books aren’t focused on magic. J.K. Rowling just uses the idea of magical elements to make the series entertaining to read, yet still teach valuable life lessons along the way. These lessons can easily be applied and related to the daily lives of the readers. The Harry Potter series teaches readers the dangers of desire, the acceptance of others, the importance of teamwork and community and many others. The moral wisdom embedded in the Harry Potter books outweighs conservatives’ claims that wizardry is evil and that these books will result in evil children.
JK Rowling is one of the most influential authors of our time, breaking boundaries and creating an alternate reality in a world far from anyones imagination. The series she is most well known for is the Harry Potter series. The series is seven books accompanied by eight movies. The tale starts with a young boy named Harry, whose parents died, from the sinister Voldemort. The series takes a bunch of twist and turns that ultimately lead to Voldemort 's death. Although, Harry and Voldemort want to destroy one another, they have some undoubtedly strong connections that are undeniable. JK Rowling has said that the connections between Harry and Voldemort range from childhood, through the death of Voldemort. The story of Voldemort and Harry begins
“A Cultural Approach to Television Genre Theory” argues that the application of film and literary genre theory do not fully translate when analyzing television, because of “the specific industry and audience practices unique to television, or for the mixture of fictional and nonfictional programming that constitutes the lineup on nearly every TV channel. 2” The goal of media genre studies, Mittell asserts, is to understand how media is arranged within the contexts of production and reception, and how media work to create our vision of the world.
In the summer of 1997, the world became captivated by a young wizard named Harry Potter (About JK, 2007). The series of Harry Potter books that follows Harry Potter’s evolution from an awkward and shy child to a confident and talented wizard. This series has been printed in over 65 languages and sold around 375 million copies. In total seven Harry Potter books were printed and each one takes its readers deeper into the magical world that Harry Potter has created. One of the reasons that the Potter books have been so successful is because they are able to captivate both child and adult readers alike (Garner, 2008). Both audiences are able to relate to the books because Harry Potter has deals with real world issues such as those concerning family problems, friendship, romance, and more. These problems are present for Potter when he living in the abusive home of his relatives, The Dursleys and even into his time at Hogwarts, a boarding school for witches and wizards
One of the most read series in all literature is Harry Potter. The seven-book succession has sold over 400 million copies and has been translated into over sixty languages. What is it that makes this series so wildly famous? What is it about the boy who lived that makes frenzied readers flock to their local bookstore at midnight on the day of the release to buy the latest installment? How is a story set in a world that doesn’t exist about wizards, witches, magic, and mystical creatures so popular? The series has been able to earn its spot on the New York Times Bestseller list and has granted author J.K. Rowling multiple awards because it is relatable. It is not the setting or the events in the plot of the story that we relate to. We relate to what Harry, his friends, mentors, teachers, caretakers, and even enemies feel. Harry is in a lot of ways exactly like us. He represents some of the good characteristics that all of us have as well as the bad. The series as a whole, is about one thing that is stressed over and over again in the novels, love. The Harry Potter series is one of the most read sequences of novels because the central theme is love and self-sacrifice, and readers are looking for a novel that shows them just that.
In Hamlet on the Holodeck, Janet Murray argues that we live in an age of electronic incubabula. Noting that it took fifty years after the invention of the printing press to establish the conventions of the printed book, she writes, "The garish videogames and tangled Web sites of the current digital environment are part of a similar period of technical evolution, part of a similar struggle for the conventions of coherent communication" (28). Although I disagree in various ways with her vision of where electronic narrative is going, it does seem likely that in twenty years, or fifty, certain things will be obvious about electronic narrative that those of us who are working in the field today simply do not see. Alongside the obvious drawbacks--forget marble and gilded monuments, it would be nice for a work to outlast the average Yugo--are some advantages, not the least of which is what Michael Joyce calls "the momentary advantage of our awkwardness": we have an opportunity to see our interactions with electronic media before they become as transparent as our interactions with print media have become. The particular interaction I want to look at today is the interaction of technology and imagination. If computer media do nothing else, they surely offer the imagination new opportunities; indeed, the past ten years of electronic writing has been an era of extraordinary technical innovation. Yet this is also, again, an age of incubabula, of awkwardness. My question today is, what can we say about this awkwardness, insofar as it pertains to the interaction of technology and the imagination?
Creator of the most famous and best loved character in contemporary fiction, J.K Rowling is also the author of her own escape from a depressing existence on the verge of destitution. On the one hand, there is J.K Rowling who wrote the ‘Harry Potter’ novels, ‘The Casual Vacancy’ and ‘The Cuckoo’s Calling’; the literary phenomenon of the nineties and present day. On the other, there is Joanne Rowling (the ‘J.K’ was her agent’s marketing notch), a dreamy, rather shy, but passionate woman whose brilliance in translating her dreams into prose changed her life. In January 1994, she was broke and jobless, struggling to bring up a young child in a small rented flat in Edinburgh. Just six years later, with her first book transformed into a major Hollywood film, she was reportedly worth £65 million (Smith 2001).
The Harry Potter phenomenon had its humble beginning all the way back in the 1990s, when the first book, written by J. K. Rowling, came out in the shops. The main protagonist, a scrawny, young child wizard, who wore round glasses, had an immediate appeal to the readers, but no one at that time knew that the young boy would turn out to be the literary icon of the last decade. The popularity of the book resulted in it being translated into various language...